I was thinking about opening a thread in the pickups section, but in the end I think here is better, as we are in fact talking about two different instruments which happen to bear the same name. Plus, I think this section gets more views, rofl
BaSsically, I played the exact same things on a single-coil 51p reissue (slab body - maple neck) and a split-coil 57p reissue (maple neck)
Both instruments have had their pickup changed. I'm not going to disclose any further details on that as it might influence or create a placebo effect. They are both scatter-wound, BTW
Both instruments mount the same roundwound Elixirs - though one has them a bit more played in than the other
Both were played using the same plugin as virtual amp, kept as flat as possible (same settings) yet retaining a simulation of "instrument being heard through an amp" rather than a bone dry sample. Both have been normalised to level possible output unbalances
Nothing inspiring or artistic on purpose: with both instruments I played open strings with a pick, first long notes with a softer attack, then hard-plucking pedal notes. For fingers, there's a slow C major scale (soft touch) and a simple riff (heavy finger plucking, digging in)
SAMPLE A
SAMPLE B
They do sound different. Is it clear to anyone which is which? Can you post your guess?
Do they sound like you expect each one to sound in terms of cliches or timbrical features?
What is your favourite one? Answers on the poll for that...
I have to say (as it's usually the case) the difference is more prominent while playing than listening back to recordings, but they do have their own flavour...
... I wanted to then comment a bit on each, but first I was wondering if it's damn easy for everyone to spot their tonal DNA
BaSsically, I played the exact same things on a single-coil 51p reissue (slab body - maple neck) and a split-coil 57p reissue (maple neck)
Both instruments have had their pickup changed. I'm not going to disclose any further details on that as it might influence or create a placebo effect. They are both scatter-wound, BTW
Both instruments mount the same roundwound Elixirs - though one has them a bit more played in than the other
Both were played using the same plugin as virtual amp, kept as flat as possible (same settings) yet retaining a simulation of "instrument being heard through an amp" rather than a bone dry sample. Both have been normalised to level possible output unbalances
Nothing inspiring or artistic on purpose: with both instruments I played open strings with a pick, first long notes with a softer attack, then hard-plucking pedal notes. For fingers, there's a slow C major scale (soft touch) and a simple riff (heavy finger plucking, digging in)
SAMPLE A
SAMPLE B
They do sound different. Is it clear to anyone which is which? Can you post your guess?
Do they sound like you expect each one to sound in terms of cliches or timbrical features?
What is your favourite one? Answers on the poll for that...
I have to say (as it's usually the case) the difference is more prominent while playing than listening back to recordings, but they do have their own flavour...
... I wanted to then comment a bit on each, but first I was wondering if it's damn easy for everyone to spot their tonal DNA
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