So I've got an old Stingray Sub I've modded to hell and back. Its pretty beat up and was bought from a Cashconverters (Pawnshop) for a steal here in the UK many years ago.
Previous mods have included:
- Replacing pickup with Kent Armstrong
- Wiring the pickup passive in series
- Splitting out the separate coils to individual mono jacks
- G&L passive bass and treble cut
- Diode transistor fuzz
- OMG style treble cut on just one coil
- Moving the pickup to the P-Spot
- Neck pickup
Currently the bass is in mono with just a single pickup wired in Parallel with an OMG switch in the P spot. It sounds quite nice, but doesn't sound like a real P.
I was never particularly happy with the preamp and it kind of led me on a weird journey trying different tones and wiring out, learning a lot along the way.
Anyway. Lets get to the point.
One thing I liked about the Kent Armstrong pickup installed is that the pickup coils, or blades, are actually spaced quite far apart, you can test this very quickly with a screwdriver or a magnet tapping them. This got me thinking about installing another neck pickup, and doing some fancy switching to get a Swiss army knife of different sounds kind of like the Peavey T-40 using the spaced out coils to hit different 'sweet' spots.
I also got thinking (I really should stop doing this), I'd prefer to wire each pickup coil in series. I have previously tried robbiek an others Series wiring diagrams with two pickups that worked nicely, but this time afforded two coils in in both pickups it might make for some interesting tones.
So I have another Kent Armstrong here, ready with a Stingray HH pick guard.
Rather than have lots of complex switching to select different coils in series together would it be possible to use a 4 pole 5 way rotary switch?
Each of the turns bridging a different coil in series together from the 4 available like this:
Position 1(Neck humbucker)
|| XX
Position 2: (Front coil of both humbucker, Ric-ish)
|X |X
Position 3: (Middle coils, closest to a P-bass)
X| |X
Position 4: (Rear coils, closest to a Jazz Bass)
X| X|
Position 5: Bridge humbucker (Ala Stingray)
XX ||
I've had a neck pickup in the bass before, and whilst with the Stingray pickup it didn't that blend well (I think I had Stingray pickup in parallel by accident so the output was low), the neck pickup alone sounded quite nice.
Previous mods have included:
- Replacing pickup with Kent Armstrong
- Wiring the pickup passive in series
- Splitting out the separate coils to individual mono jacks
- G&L passive bass and treble cut
- Diode transistor fuzz
- OMG style treble cut on just one coil
- Moving the pickup to the P-Spot
- Neck pickup
Currently the bass is in mono with just a single pickup wired in Parallel with an OMG switch in the P spot. It sounds quite nice, but doesn't sound like a real P.
I was never particularly happy with the preamp and it kind of led me on a weird journey trying different tones and wiring out, learning a lot along the way.
Anyway. Lets get to the point.
One thing I liked about the Kent Armstrong pickup installed is that the pickup coils, or blades, are actually spaced quite far apart, you can test this very quickly with a screwdriver or a magnet tapping them. This got me thinking about installing another neck pickup, and doing some fancy switching to get a Swiss army knife of different sounds kind of like the Peavey T-40 using the spaced out coils to hit different 'sweet' spots.
I also got thinking (I really should stop doing this), I'd prefer to wire each pickup coil in series. I have previously tried robbiek an others Series wiring diagrams with two pickups that worked nicely, but this time afforded two coils in in both pickups it might make for some interesting tones.
So I have another Kent Armstrong here, ready with a Stingray HH pick guard.
Rather than have lots of complex switching to select different coils in series together would it be possible to use a 4 pole 5 way rotary switch?
Each of the turns bridging a different coil in series together from the 4 available like this:
Position 1(Neck humbucker)
|| XX
Position 2: (Front coil of both humbucker, Ric-ish)
|X |X
Position 3: (Middle coils, closest to a P-bass)
X| |X
Position 4: (Rear coils, closest to a Jazz Bass)
X| X|
Position 5: Bridge humbucker (Ala Stingray)
XX ||
I've had a neck pickup in the bass before, and whilst with the Stingray pickup it didn't that blend well (I think I had Stingray pickup in parallel by accident so the output was low), the neck pickup alone sounded quite nice.