Amplifier Types Explained: Class A, B, A/B, C, & D

Mar 11, 2013
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This post is intended to be a place for people to learn a little bit about the mumbojumbo that some of the more knowledgeable around here constantly seem to argue about. Please try to keep your comments of the question/answer type... there are a hundred other threads already in which you can argue about what you like or don't like, or the merits of different types of amps.


I came across this article today while at work and thought that it would be a good primer for folks who know a little bit about electronics but don't know much about amplifier topology (myself included). The following is quoted from the article, and the link to it is included at the end of the quote.


"The development of analog power amplifiers has been focused on improving fidelity while at the same time improving amplifier efficiency. Amplifiers are classified by the letters A, B, AB, or C based upon their operating or bias point, and the percentage of the input signal cycle over which they conduct.

This article will explain the difference between the various types of audio amplifiers, detail the theory of operation of Class D amplifiers, and show how they increase efficiency and reduce power requirements and size.

Audio circuits [...] demand the vital characteristics of low power, small size, and low heat dissipation. However, audio amplifiers are often inefficient heat generators that require bulky heatsinks. To reduce size and power requirements, Class D, or digital amplifiers, offer a good solution.

What the switched mode power supply brought to power sources, the Class D amplifier brings to audio playback. With Class D amplifiers, audio inputs are encoded as pulse width modulated (PWM) signals that drive the power devices between on and off levels, with power only being dissipated during the transitions.

These “digital” amplifiers greatly increase the efficiency of audio amps, resulting in lower heat dissipation and smaller physical size. Also, recent developments have changed the modulation schemes so that low-pass filters are no longer required at the outputs, further reducing size and complexity."


(Class D Amplifiers Offer Significant Advantages | DigiKey)



This article speaks about PWM & Duty Cycles:

Pulse Width Modulation (PWM) uses digital signals to control power applications, as well as being fairly easy to convert back to analog with a minimum of hardware. Uses for PWM vary widely. It is the heart of Class D audio amplifiers, by increasing the voltages you increase the maximum output, and by selecting a frequency beyond human hearing (typically 44Khz) PWM can be used. The speakers do not respond to the high frequency but duplicate the low frequency, which is the audio signal. Higher sampling rates can be used for even better fidelity, and 100Khz or much higher is not unheard of.

(Pulse Width Modulation | DC Motor Drives | Electronics Textbook)




Glossary:

Duty Cycle is the ratio of time a load or circuit is ON compared to the time the load or circuit is OFF. It is expressed as a percentage of ON time. A 60% duty cycle is a signal that is ON 60% of the time and OFF the other 40%.

Pulse Width is a measure of the actual ON time, measured in milliseconds. The OFF time does not affect signal pulse width. The only value being measured is how long the signal is ON (ground-controlled).

Bi-Polar Power Supply: A bipolar supply is a power supply with 2 rails - one positive with respect to ground, and one negative with respect to ground. A bipolar supply also must have 3 terminals for audio use.

Voltage Rails: A PSU (Power Supply Unit) supplies voltage to the system. These voltages are often called rails, referring to the fact that although there are multiple wires carrying a specific voltage, they are normally tied to a single rail (or tap) in the PSU. You can think of each rail as a separate power circuit, kind of like a power supply within the power supply. (Voltage Rails - Power Supply 101: A Reference Of Specifications)
 
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Thanks for this link.
Assuming all this is accurate (and I have no reason to think it is not accurate since the writer has 50 years experience as well as being an EE with a masters degree), he doesn't mention the fidelity of class D amplifiers.
I'm assuming the fidelity is good but curious as to how it compares to class A (other than effeciency).
 
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A good amplifier is a good amplifier no matter what the class (other than class C which is not used in audio).
Please tell me more about why Class C is not used in audio.

I envision this as a thread that is less about "what is good," and more as something informative for those of us who lack knowledge and experience. Please view this as a teachable moment.
 
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Thanks for this link.
Assuming all this is accurate (and I have no reason to think it is not accurate since the writer has 50 years experience as well as being an EE with a masters degree), he doesn't mention the fidelity of class D amplifiers.
I'm assuming the fidelity is good but curious as to how it compares to class A (other than effeciency).
That's a good question. I can't say that my ears perceive any real difference in fidelity while in playing thru different amplifier topology, but maybe I'm just too busy paying attention to other things?

It would indeed be good to know some more about how the two compare... Or even what one should be listening for.
 
I came across this article today while at work and thought that it would be a good primer for folks who know a little bit about electronics but don't know much about amplifier topology (myself included). The following is quoted from the article, and the link to it is included at the bottom of the post.



"The development of analog power amplifiers has been focused on improving fidelity while at the same time improving amplifier efficiency. Amplifiers are classified by the letters A, B, AB, or C based upon their operating or bias point, and the percentage of the input signal cycle over which they conduct.

This article will explain the difference between the various types of audio amplifiers, detail the theory of operation of Class D amplifiers, and show how they increase efficiency and reduce power requirements and size.

Audio circuits [...] demand the vital characteristics of low power, small size, and low heat dissipation. However, audio amplifiers are often inefficient heat generators that require bulky heatsinks. To reduce size and power requirements, Class D, or digital amplifiers, offer a good solution.

What the switched mode power supply brought to power sources, the Class D amplifier brings to audio playback. With Class D amplifiers, audio inputs are encoded as pulse width modulated (PWM) signals that drive the power devices between on and off levels, with power only being dissipated during the transitions.

These “digital” amplifiers greatly increase the efficiency of audio amps, resulting in lower heat dissipation and smaller physical size. Also, recent developments have changed the modulation schemes so that low-pass filters are no longer required at the outputs, further reducing size and complexity."


(Class D Amplifiers Offer Significant Advantages | DigiKey)



Feel free to add some more info for us newbs who'd like to learn about this stuff... and - if I may make the request - please try to explain things as simply as you can, ie: ELI5


There is also class G and H What is Class G/H Amplifiers? - PSI Audio

I believe the GK RB series is class G.
 
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I think class H is close to class D. But it's propriatary technology. But I could be totally wrong

Class G and class H are nothing like class D, they simply modulate the supply rails of linear (class A, AB and B) amps to decrease dissipation loss. Can't have G or H without the linear amp.

(Edited for typo)
 
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