So, for a pandemic project i decided to build a fEARful 121261. My good friend Dr.Jim encouraged me to pursue the T3W crossover network. It seems like there had not been a T3W crossover designed for the 121261,so SClifts and some other great guys here on TalkBass came up with the schematic! I ordered the components, flat pack and drivers... and ... well.... this thing
sounds so amazing..... beyond accurate description..
Enjoy the benefits of a premium membership!
Upgrade Account
-
Welcome to TalkBass! Want to remove ads? Register an account and login to see fewer ads, and become a Supporting Member to remove almost all ads.
fEARful 12/12/6/1 with T3W crossover
- Thread starter Gemtone
- Start date
-
- Tags
- bass block fearful greenboy
Foz posted it below. It was not that hard to build. I have built several CBG crosses for 1261 Cubes, so I had a bit of experience. I dont have anytning to really compare it to, but it is amazing...
These cabs (those with the t3w) have always fascinated me, as the amount of care that went into designing the crossover by the community I find very impressive. I've never been able to hear one in person though. 
I have a quick semi related question: does the crossover only affect the interplay between the mid and tweeter? As in, would there be a benefit to using aspects of the t3w design at all with one of the tweeterless Fearfuls?
I have a quick semi related question: does the crossover only affect the interplay between the mid and tweeter? As in, would there be a benefit to using aspects of the t3w design at all with one of the tweeterless Fearfuls?
Yes.
AFAIK the cheap but good crossover does not apply an LPF to the mid range, so you get a bit of a bump in the response and some phase nastiness between the mid range and tweeter.
From fEARful passive crossovers by greenboy
A high-pass filter is essentially half a crossover. The idea is to let the midrange driver (Alpha6A/Alphalite6A or 6ND410/6NM410) roll off naturally. The tweeter then just fills in the top of the spectrum. The difference in mid driver sensitivities and user tastes can be compensated for by using a variable L-pad.
The T3W adds an LPF so the mid and tweeter integrate better.
Here is the response plot of the Alpha 6A
Here is the response for the 18 Sound 6ND410
The 6ND410 has been superseded by the 6NM410, but I can't find the new driver on 18 Sounds website
.
Yes.
AFAIK the cheap but good crossover does not apply an LPF to the mid range, so you get a bit of a bump in the response and some phase nastiness between the mid range and tweeter.
From fEARful passive crossovers by greenboy
A high-pass filter is essentially half a crossover. The idea is to let the midrange driver (Alpha6A/Alphalite6A or 6ND410/6NM410) roll off naturally. The tweeter then just fills in the top of the spectrum. The difference in mid driver sensitivities and user tastes can be compensated for by using a variable L-pad.
The T3W adds an LPF so the mid and tweeter integrate better.
Here is the response plot of the Alpha 6A
View attachment 4025406
Here is the response for the 18 Sound 6ND410
View attachment 4025421
The 6ND410 has been superseded by the 6NM410, but I can't find the new driver on 18 Sounds website
Awesome, thanks for that! So it seems like the mid has fairly even response on its own when not combined with the tweeter. Great, now my eyes are wandering to other Fearfuls...
From what I have read, the T3W tames the spikes/resonance of the mid driver's upper response. I couldn't find a good frequency response chart, but I remember seeing some in the past and there was a bump in the high mids with the CBG crossover.
Another thing to keep in mind. If you use the L-pad to vary the level of the tweeter, you're shifting the effective crossover and most likely screwing up the phase response across the crossover region.
Probably not generally a concer as most bass players don't put out enough energy in this frequency range for it to cause problems. I tend to use fairly hyped mids and highs, so it's noticeable to me....this is a general statement about the tweeter in bass speakers, I have never seen a fEARful.
The low/mid transition is roughly the same as with the CBG. The differences are above 1 kHz. Without a tweeter the response drops rapidly above 3 kHz. I sometimes use mine with the tweeter turned off, but wouldn't necessarily recommend building one without the tweeter.
IIRC the 6NM410 is a 6ND410 with a different connector arrangement, made for Clair Bros. The published specs differ a bit, but they measure about the same. The 18sound plot above is somewhat optimistic - there is typically a ~5 dB peak around 4 kHz. Some measurements here high-efficiency_midrange-drivers except I don't recall a kink at 700 Hz.
The phase match between the mid and tweeter around the crossover frequency is fairly good, so the L-pad works like a shelving control.
DiabolusInMusic
Functionless Art is Merely Tolerated Vandalism
I bet it sounds great. I have the original 12/12/6/1 with the T3W, done in 2015. I honestly thought the plans have been online since then. @12bass worked with some folks to design the pre-amp then, it's all over my paygrade. It did make a huge difference over the CBG mid.
True 3-way fEARful bass enclosures
True 3-way fEARful bass enclosures
Really nice work there. Been feeling like I’ve been having a Fearful itch for a bit now. Had an idea to go with a Carbine/fEARful pairing, although I picked up a TT800 recently. Liking it so far. Pondering the idea of a pair of 12/6 cubes or a 1212/6.