Was looking at fender jazz Basses and noticed they make two different 70s jazz bass models. the American original series and the Vintera? Anyone know the differences and which is better?
I guess the million dollar question is whether the American Original is worth an extra $1000. Neither of them is a nitro finish. I think the Am. Orig. is 9.5" fretboard radius, while the Vintera is 7.25" radius. The other consideration is that all of the Vintera line has only Pau Ferro fretboards (bound with blocks), while the Am. Orig. is maple (also bound with blocks). I'd try out a Vintera if you can, then if you like the feel of it that $1000 savings will let you put whatever pickups you like into it and still have a ton of money left over.
The 60s J Bass is a different story, IMO. With the 60s J Am. Orig. you are getting a lacquer finish and an actual rosewood fretboard, neither of which are available on a Vintera Fender.
Lastly, I wouldn't totally throw the Squier Classic Vibe 70s J bass out of contention. It's alot of bass for only $399. I wouldn't buy into the notion that more expensive equates to better, either. When I bought my first bass I chose a Mexican Fender over other basses the shop had in stock, including an American Fender and other brand basses (both cheaper and more expensive) as it just felt the most natural for me to play. I don't know where you are located, but try a few different Jazz basses out in a local shop if you can.
A really good MIM gender is basically how they made fenders back in the day. Joe Dart plays a MIM jazz and his tone is killer, sounds just like any great jazz bass does at any price point. The new Squier basses are really well made as well these days. If a bass plays great and sounds great I could care less where it’s made or the name on said bass. I didn’t always feel this way but as I am getting older I realize I spent waaaay to much time chasing gear. I like what the YouTube guy from “five watt world” had to say about thinning the heard and not buying more gear and just playing more. Wish I had done that years ago, it was such an addiction in many ways. The high of waiting for that new bass, glad it’s gone !I guess the million dollar question is whether the American Original is worth an extra $1000. Neither of them is a nitro finish. I think the Am. Orig. is 9.5" fretboard radius, while the Vintera is 7.25" radius. The other consideration is that all of the Vintera line has only Pau Ferro fretboards (bound with blocks), while the Am. Orig. is maple (also bound with blocks). I'd try out a Vintera if you can, then if you like the feel of it that $1000 savings will let you put whatever pickups you like into it and still have a ton of money left over.
The 60s J Bass is a different story, IMO. With the 60s J Am. Orig. you are getting a lacquer finish and an actual rosewood fretboard, neither of which are available on a Vintera Fender.
Lastly, I wouldn't totally throw the Squier Classic Vibe 70s J bass out of contention. It's alot of bass for only $399. I wouldn't buy into the notion that more expensive equates to better, either. When I bought my first bass I chose a Mexican Fender over other basses the shop had in stock, including an American Fender and other brand basses (both cheaper and more expensive) as it just felt the most natural for me to play. I don't know where you are located, but try a few different Jazz basses out in a local shop if you can.
thanks a lot, I actually own the Squier Classic vibe jazz bass and a fender rumble 25 Which was a gift from my girlfriend last Christine and I love it to death. But I noticed these two models the American original and the Vintera. Which cause me to be curious. Whether or not to upgrade down the line
When you get up into these price points, you really gotta play them. It comes down to very small details (some very measurable and objective, like the specs; some more subjective, like the sound of the pickups.) For me, it’s which neck I like better.
In my opinion I don't think the Am. Orig. is worth an extra $1000 and "better" is such a subjective term. But, if you have a local shop where you can try both the Am. Orig. and Vintera then you at least owe it to yourself to try them all. It sounds like you're set on a 70s style J, so that's about all that Fender offers (I think). If I were in your shoes I'd go and play a Vintera and see if it feels noticeably better than the Squier CV. I wouldn't necessarily listen for how it sounds as you can always swap pickups or add a preamp if you want, but really pay attention to how neck feels and if it just seems easier to play. If you can get someone to go with you, better yet. Then maybe you can bring your own Squier CV and do a blind test. Close your eyes and have your friend hand you a bass, play on it for a minute or two, then give it back to him/her, and then try out the other one. One of them is bound to feel better than the other. If not, then save your money and keep your Squier.
A really good MIM gender is basically how they made fenders back in the day. Joe Dart plays a MIM jazz and his tone is killer, sounds just like any great jazz bass does at any price point. The new Squier basses are really well made as well these days. If a bass plays great and sounds great I could care less where it’s made or the name on said bass. I didn’t always feel this way but as I am getting older I realize I spent waaaay to much time chasing gear. I like what the YouTube guy from “five watt world” had to say about thinning the heard and not buying more gear and just playing more. Wish I had done that years ago, it was such an addiction in many ways. The high of waiting for that new bass, glad it’s gone !
Haha, sorry didn’t mean “go play your bass” I just meant if you play these basses yourself you will see what YOU like better, because it’s largely subjectiveumm ok I do play daily. Was thinking of something to upgrade to or even worth upgrading to down the line
The USA Geddy-Jazzes really are nice instruments. Played one not too long ago and I kicked around the idea of getting one, but I sosmehow just cant get past those fugly high-mass (formerly BadAss) bridges. Ruins the whole vibe for me. And since those are screwed down so tight at the factory before the finish is fully cured, 90% of the time they leave behind a huge rectangular impression when removed...so even if you wanted to replace it with a vintage bridge, the outline of the original bridge is still visible in the finish, which would undoubtedly trigger my "cosmetics OCD".I recently decided that I too wanted a Fender 70’s style jazz bass With maple fingerboard.
I purchased a Fender Geddy Lee USA.