So this is sort of about two different basses that I have.
The first one has a pretty interesting layout: one single P-bass pickup, but ample room for an active preamp, with space for four knobs and a switch.
I put in a Lindy Fralin pickup, and had someone connect it to a Bartolini TCT. They made a custom active/passive harness with the 3-band EQ, mid selector switch, and a passive tone as well. The idea being that in passive mode it could work like a regular P bass, but the TCT could give it a bit of extra Vintage Vibe(TM).
Unfortunately, not everything worked out as planned. While the TCT actually worked as expected and sounded quite lovely, the bass almost always made a considerable amount of noise. Mostly a buzz whenever I wasn't touching the strings, but sometimes it would be super loud even if I was.
I then took the bass to a shop (more vintage-oriented and experienced than the person who put my harness together) and they said that the Fralin and the TCT are actually not right for each other at all. They said that for the TCT to sound good, the bass would need an active pickup. I was confused about this, because I have other basses with full Bartolini electronics which can be played in passive mode. But I guess those pickups are still wired differently from the more traditional ones?
This would make sense to me, because this reminded me of the second bass I'm going to talk about: a fretless PJ currently set up with a Bartolini bridge pickup, a Bartolini NTBT preamp, and a mystery P pickup in the neck. The bridge pickup has always been fine, but the P pickup has always made a ghastly amount of hum. I was thinking of getting a Bartolini P pickup to match, but I just scored a Fralin PJ set in a trade.
So my first question: am I right in guessing that Bartolini pickups, while technically passive, are still wired differently from other passive pickups and should be coupled with an active OBP?
And secondly: where do I go from here?
I had the vintage shop rewire the one P bass just like a regular P bass, so now the other knobs and the switch are just for show. It sounds great, but I would love to unlock this bass's full potential. Are there some OBP's that are made specially for pickups like this? The Tone Monster SEB3-ABPA+&MT looks promising, though I'd have to find a way to hardwire the balance to always be on one side.
As for the PJ - is it worth trying to put the Fralin set into the Bartolini OBP, or is it better to just get a passive vol-blend-tone setup? (I can't stand vol-vol-tone.)
The first one has a pretty interesting layout: one single P-bass pickup, but ample room for an active preamp, with space for four knobs and a switch.
I put in a Lindy Fralin pickup, and had someone connect it to a Bartolini TCT. They made a custom active/passive harness with the 3-band EQ, mid selector switch, and a passive tone as well. The idea being that in passive mode it could work like a regular P bass, but the TCT could give it a bit of extra Vintage Vibe(TM).
Unfortunately, not everything worked out as planned. While the TCT actually worked as expected and sounded quite lovely, the bass almost always made a considerable amount of noise. Mostly a buzz whenever I wasn't touching the strings, but sometimes it would be super loud even if I was.
I then took the bass to a shop (more vintage-oriented and experienced than the person who put my harness together) and they said that the Fralin and the TCT are actually not right for each other at all. They said that for the TCT to sound good, the bass would need an active pickup. I was confused about this, because I have other basses with full Bartolini electronics which can be played in passive mode. But I guess those pickups are still wired differently from the more traditional ones?
This would make sense to me, because this reminded me of the second bass I'm going to talk about: a fretless PJ currently set up with a Bartolini bridge pickup, a Bartolini NTBT preamp, and a mystery P pickup in the neck. The bridge pickup has always been fine, but the P pickup has always made a ghastly amount of hum. I was thinking of getting a Bartolini P pickup to match, but I just scored a Fralin PJ set in a trade.
So my first question: am I right in guessing that Bartolini pickups, while technically passive, are still wired differently from other passive pickups and should be coupled with an active OBP?
And secondly: where do I go from here?
I had the vintage shop rewire the one P bass just like a regular P bass, so now the other knobs and the switch are just for show. It sounds great, but I would love to unlock this bass's full potential. Are there some OBP's that are made specially for pickups like this? The Tone Monster SEB3-ABPA+&MT looks promising, though I'd have to find a way to hardwire the balance to always be on one side.
As for the PJ - is it worth trying to put the Fralin set into the Bartolini OBP, or is it better to just get a passive vol-blend-tone setup? (I can't stand vol-vol-tone.)