Ok, a simple question and a strange one:
What are your setup prefs for string height and neck relief for a fretless J-bass?
Typically on a fretted bass, I start with relief adjustment capo at 1st measured at 7, fretted at 17, then string action height above the top of the 17th fret and bottom of the strings to factory setup specs, then adjust to taste and set intonation.
I've heard varied opinions on fretless setups.
Also, I've got in my hands a fretless that the fretline markers are thin plastic inserts into the fretboard. There's a point as my finger slides up towards the line that I get a little tiny "fret buzz" right ahead of the line marker and I think it is the line marker itself. It goes away right over and past the line marker, until sliding up close to the next one. The markers seem to protrude ever so slightly from the rosewood in places. By slightly, I mean just barely sense it dragging a fingernail over it. Mostly evident on the small strings, (flatwound Fender 9050 .100-.045).
I think the fretboard might have suffered a low-humidity condition of the type that causes, "end sprout", which seems to have caused some of the lines to ever-so-slightly protrude above the board surface.
My inclination is to get a radius block out and lightly sand fretboard surface to make it uniform. Or do I just need to set the action higher than 6/64"?
What are your setup prefs for string height and neck relief for a fretless J-bass?
Typically on a fretted bass, I start with relief adjustment capo at 1st measured at 7, fretted at 17, then string action height above the top of the 17th fret and bottom of the strings to factory setup specs, then adjust to taste and set intonation.
I've heard varied opinions on fretless setups.
Also, I've got in my hands a fretless that the fretline markers are thin plastic inserts into the fretboard. There's a point as my finger slides up towards the line that I get a little tiny "fret buzz" right ahead of the line marker and I think it is the line marker itself. It goes away right over and past the line marker, until sliding up close to the next one. The markers seem to protrude ever so slightly from the rosewood in places. By slightly, I mean just barely sense it dragging a fingernail over it. Mostly evident on the small strings, (flatwound Fender 9050 .100-.045).
I think the fretboard might have suffered a low-humidity condition of the type that causes, "end sprout", which seems to have caused some of the lines to ever-so-slightly protrude above the board surface.
My inclination is to get a radius block out and lightly sand fretboard surface to make it uniform. Or do I just need to set the action higher than 6/64"?