How I converted to using IEMs despite being the only band member doing it

DaveParker39

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My band is a fun dancy rock cover band. Bars, weddings, clubs, you know the drill. We have our own style but we play covers.

When people started recommending in-ears to me, I was stuck on the fact that I couldn't afford to get everything set up for it, the band not putting every instrument through the PA, no silent stage, hating my DI tone, etc. etc. etc.

I'm so glad I tried anyway.

I'm the only one in the band using IEMs. I keep a little mixer on my amp. I run my amp's DI out into one channel, and a send from our main mixer (which just amplifies vocals for most spaces) into another channel. I have custom sleeves now, the universal foam was fine though. The monitors themselves are Shure SE-215's and I use a MiPro wireless transmitter/body pack to send my personal mix to my monitors. So I just balance vocal mics and my bass.
I let guitars and drums bleed through. Inevitably one of the vocal mics picks up a little guitar and drums too.

It's a total game changer for me as someone who sings four part harmonies, and for playing bass it's brilliant because I can mix myself higher than anyone would ever want the bass to be and actually not worry about being able to hear myself.

Most of our gigs are pretty loud and I don't miss having ringing in my ears. And the ones that we have to lay back and play really quietly in, I can turn myself up without blasting the room.

Anyway. If I can do it you can too.

My whole setup:
Shure IEMs ($99)
MiPro wireless transmitter with bodypack ($350 used)
Yamaha personal mixer ($137.99)
Cable from amp to personal mixer ($10)
Cable from FOH mixer to personal mixer ($20)

TOTAL: $615

If you want to do custom molds, add $300 (that includes the audiologist appointment assuming your insurance won't cover it, if they do then just add $175 for the sleeves)
 
Most excellent idea.

I’ve done this for many years, using XLR splitters to split my bass and vocals to send to both my small mixer and the house mixer, if I can’t get my own aux mix from it.

I haven’t had to do this in a few years, but the little mixer and the bits are still handy should they be needed again.
 
Glad this is working out for you.

I'm about to try a similar setup - too many festival backline amps this season that were either crap, or *missing altogether*. (Nothing like sending a rider/stage-plot and getting a "woops! Sorry!" when we show, but you gotta roll with it...)


Are you still using an amp on stage? If not, how is the rest of the band dealing with the lack of bass amp?
EDIT: Duh...Just re-read the OP - so basically your amp is at about the same volume you would've had it at pre-IEM?
 
Glad this is working out for you.

I'm about to try a similar setup - too many festival backline amps this season that were either crap, or *missing altogether*. (Nothing like sending a rider/stage-plot and getting a "woops! Sorry!" when we show, but you gotta roll with it...)


Are you still using an amp on stage? If not, how is the rest of the band dealing with the lack of bass amp?
EDIT: Duh...Just re-read the OP - so basically your amp is at about the same volume you would've had it at pre-IEM?
Still using amp on stage, for my band to hear and for the crowd to hear, the IEM mix from the DI is just for me.
 
I'm in a somewhat similar situation. Just 2 of the 5 of us are consistently on IEMs. Everything is always miced so we always have our own mixes. I bring a small rig so the guys not on IEMs can hear my mistakes. I use custom molds and I'm pretty much always surprised how loud the room is when I take them out.
 
Very similar to where I started. Great little set up.
Yamaha MG06 mixer and MiPro Mi808TR IEM
Parallel out of FOH sub to Line in of mixer
Split line on my Vox mic to Mic pre channel of mixer
Bass out to line in of mixer
Rode M3 as drum overhead to mic pre channel of mixer as some venues were small and we didn't always mic the kit other than kick
 
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