pics or it didn't happen, right? sorry there aren't better pics of the bass itself. It belongs to the studio owner who told me that he met Stanley Clarke at a jazz fest. He asked Stanley to sign the front of the bass but he didn't want to "ruin" the look of the bass, so he signed on back of the headstock.
The bass felt absolutely enormous -- it was hard to reach the tuning pegs to tune it! Sounded great with brightness, growl, and zero "mud."
That's my friend the songwriter (who hired me for the session) laughing on the left.
This is a stock photo of what the bass looked like so you all can tell me what exactly I was playing.
The bass felt absolutely enormous -- it was hard to reach the tuning pegs to tune it! Sounded great with brightness, growl, and zero "mud."
That's my friend the songwriter (who hired me for the session) laughing on the left.
This is a stock photo of what the bass looked like so you all can tell me what exactly I was playing.