I just put GHS precision flatwounds on my Fodera

Anyone else ever try flats on a Fodera? I have an Emperor 5, Alder body with Rosewood fretboard. I was having a difficult time dialing in the precise sound I wanted so I thought I'd order up some flats - and replace the Fodera strings. GHS Precisions.

The sound is really awesome! I gave it slightly more bridge pickup, slightly upped high and low on the preamp. Grindy, but traditional.

Others with same (or different) experience?
 
@steubig runs flats on a couple of his Fodera 6'ers, but I think they are all TI Flats. I have a set of TI flats on my unstandard fretless. They do take awhile to settle in, but once they do they have consistent sound/feel for a long time. I think some of steubigs flats are many years old.
 
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Never tried flats on a Fodera. A bit rich for my blood. But GHS flats are my flat of choice when I want flats.
My Squire P/J 5 has them and I have them on one of my SX 6 string Fender clones. I love what they do.

Also of interest are GHS ground wounds (they call them Brite Flats). A bit brighter than flats. They are my
string of choice for fretless. Brighter, but no fingerboard chews. They do work great on fretted too.
 
Just today I put Labella 760FL's on my 5-string Valenti - it's not a Fodera, but it shares a NYC heritage. I did replace Fodera nickel rounds, which I think are really nice roundwounds. I'm hoping these work out. I've had great luck with Labella flats over the years, but never tried a flatwound B-string of any kind before. It sounds great out of the box! I'll also be looking forward to hearing how the GHS flats work out. I'm a big fan of GHS Pressure Wounds, and have used Precision Flats as well. ...will stay tuned. Thx.
 
Well put!
My new flats from Earnie Ball sounded, and felt, so wonderful on my 2000ish MIM P Bass that I had to buy another set for my ‘70 Univox EB-1!
Everything old is new. :thumbsup:
I played electric bass for 20 years before I ever saw a set of roundwounds (Rotosound). Now I'm hooked on Round wounds. So I'll probably be the last bass player on earth to switch back to flatwounds. :roflmao:
 
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This could be a case where strings with opposite tonal characteristics of the bass, can really get you a nice balanced tone. For example, a bass thats a bright or "active" sounding, can be balanced out by a more classic sounding flatwound. I have a 77 jazz that has an old set of 1980's Bart's, so it's a bit darker and on the "tame" side, a set of nickel Super Brights woke it right up.