In praise of Warwick Red Label NICKELS

Hey everybody. I'm opening this thread to share my experience (and discuss yours) with the best bang for the buck nickel string sets I've tried (and been consistently using for the past 5-6 years). I know we're all used to the WAY MORE COMMON stainless still Warwick Reds (in fact only place in the world that sell these nickel ones is thomann). I think because of those steels' bad reputation (justified, they feel horrible and die fast) not many people dare try these nickel Reds which, IME, are absolutely rocking.

Just a little background. At a time where I'd gig with some high profile acts I've had a couple strings' endorsement deals. First had a Slinkys' endorsement for a year, some 12-13 years ago. I used to liked them, for the first week, then they entered a prolongued "not dead but not that pleasant either" zone I didn't like that much. Then had a Magma endorsement for 4 years. It's an Argenitean brand from a 3 generation family business (Medina Artigas). Simply the best bass strings I've used, the core is sort of overly flexible (nothing bad, something you don't notice when playing). Had a supply of these for years after the endorsement deal ended, still keep one set intact. Never broke one of these strings (and I did break strings of every other string brand I've used).

Before those endorsements the only other brand I had used for a long time was Ken Smith, light steel sets (quite expensive). Also the only steel strings I have used for a long period, been a 100% nickel guy for years, there's a feel to them I prefer, but also, even tho' they're initially less zingy, in general, they take noticeably longer to die. I must clarify killing strings too fast is not that critical a factor in my case, my hands don't sweat at all, I'm fortunate, almost any nickel strings last a lot anyway (also far from obsessive with hand hygiene, hardly ever wash my hands before playing, only when obviously necessary because of previous contact with hazardous substances such as oil, grease, candy, diapers :roflmao:).

Now, as the endorsement era supplies depleted I started considering nickel options just to "check what I like" again. Tried 4 or 5 different sets for some time and I remember REALLY liking DR Nickel Lo-Riders. But those are 48€ per 5 string set as of today. Me coming from zero expense on strings to ~50€/set was shocking. I still went with it, got a couple more nickel Lo-Rider sets and not long after that I accidentally ran into these nickel Red Labels (12.20€ per 5 string set these days, I remember them costing 11.60€/set for years). Decided to try a couple sets (got .040 and .045) and have been constantly surprised ever since. I know, they don't silk wrap the ends, they're saving too much on winding at strings' ends too, but they sound as good as any strings 3-4 times the price (not boomy, not thin, balanced, just right), they last a lot (WAY MORE than the steel Reds -which I've managed to kill surprisingly fast the few times I used them-) and they even fit my 35" scale Schecter CV-5 (less than 1cm outside the nut end). I in fact much prefer these strings to Slinkys, by a long shot. I've had a chance to re-evaluate this with the aforementioned Schecter, which came with extra long Slinkys earlier this year, liked them for a week (and really hoped they'd improved, they still feel great), they're far from dead right now, but they're not in a pleasant sonic place either, been like that for almost 2 months :rollno:

Anything cheaper than these nickel Reds is crap zone (mind Stagg or any random AliExpress brand -Orphee, Alice, etc.-). Some of those go for as cheap as 5€/set, but I can confidently advice everybody not to waste their dough on those, after throwing some 20€ in sampling some sets. The common trait is they're bright (and it lasts), but they severely screwed up the tone on any bass I've strung with them: thin sounding, no mids, instrument losses character (I mean, I use ceramic Stingray5s for 90% of what I play and they can even make those sound generic, a no-no).

I've seen very few mention of nickel Reds here in TB, but there's dozens of rave reviews on the thomann website for anybody to check. Thought they deserved some discussion, these are very underrated strings that probably suffer from their steel counterparts' terrible rep. Funny thing is I've seen some Warwick catalogs in stores and these don't even show there (only the crappy steels), and a particular store owner told me they don't get offered nor can order them. Could Warwick have some commercial "exclusivity" deal with thomann?

I couldn't care less about the bells&whistles, it's OK if Warwick's saving on silk ends, tuner end winding. What I find outrageous is they (and many other brands) ARE USING WAY TOO MUCH DAMM PACKAGING (individual paper envelopes for each string, wrapped in vacuum sealed plastic, in turn inside a cardboard envelope -was a paper sleeve + plastic envelope before-). Not a Greenpeace nazi or anything, but can still find truth in trying to be as less predatory to the environment as possible, I'd definitely be happy if they reduced packaging, wouldn't care if they still charged me the same despite their cost reduction, just find it harder and harder to justify excess packaging on anything I buy. Feels like those 4x, 6x, 8x yoghurt packs, I mean, they hold together perfectly fine (most in fact are HARD to separate), yet they'll still wrap the whole pack around with some totally overkill cardboard. Makes me recurrently scratch my head.

As a last disclaimer, I'm not affiliated by any means, not even a Warwick fanboy by any stretch of the imagination. In fact I plain dislike how Warwick basses sound, feel and look, save for the various Star Bass iterations (in fact a RB Star Bass 5 is the only thing missing in my -modest- fleet). Just spreading the words, as I usually do with any stuff that's proven great value and, in this case, insanely cost effective to me.

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Thanks for the post! Finding affordable strings in Europe that sound good and last for some time is hard, I definitely concur on your thoughts on the slinky's. I also play Schecter 5 strings with the 35 inch necks, so this helps a lot. I do not have a lot of experience with different brands, how do these strings compare to elixirs or hi beams, sound wise and in durability?
 
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how do these strings compare to elixirs or hi beams, sound wise and in durability?

Haven't put any Elixirs on any of my basses and the only time I've bought Hi-Beams was way before I started using these, so I wouldn't be a fair judge on that. The comparable option to Hi-Beams within the Warwick range seem to be the Black Labels. As per durability, these NIckel Reds last the same DR Lo Riders do, at least to the point I usually feel like changing them, which is sooner than other people in "deadness" but might take the same time (I just don't wear them out as hard, I guess, my "chemically inocuous" non sweaty hands are probably helping), can't really comment on how long they (nor any other string brand really) take to go into "real dead" territory, but I haven't noticed any drop compared to other strings, not at all.
 
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Hmm. I wonder who makes them for Warwick?

There is a thread specifically about it with no answers, but I've found this post in a thread about string brands' real manufacturers, only remotely useful piece of information I could come up with. A fellow TBer states the manufacturer is Cleartone (Phil Everly's string company), definitely nowhere near their CA facilities (if there still are) but in China (clearly stated in the front of the package). Also there's this thread in a Warwick forum where the subject is (briefly) discussed, around Warwick's (much more expensive) EMP coated strings, with someone suggesting that Cleartone manufacturing them might be the case. In fact, it's stated someplaces (i.e. here) that the EMP coating is a (patent pending) Cleartone thing.
 
I've tried every string going. Literally, name a string and I've probably tried it. The £ / € / $ 10-20 range for bass strings has endless choices so has a result, the marketplace is very competitive.

The Red Label SS strings were a dud in my opinion. They felt rough and did not last long at all. I, like the OP, thought the Red Label Nickels would be poor too.

I gave the RL Nickels a chance since they were only a tenner. I'm happy to say, I was pleasantly surprised. Hexcore string with medium tension, similar to Boomers. A touch more flexible maybe? Quite smooth for nickels and nice and bright when fresh on. The tone of these strings was good. Not amazing but a definite solid 7.5 / 10. I also liked that they lasted a fair amount of time, around two months before their peak tone disappeared. The RL Nickels also held their tuning well.

Would I buy these again? If you came to me and said here is a choice of strings - Slinkys, Rotobass, XLs, 7250s and RL Nickels - which one do you want? I would go for the RL Nickels. :)
 
Are the Ken Smith Bass Burners made by GHS?

I don’t answer those questions. We make strings for a LOT of people (and a couple that would surprise you), but it’s not my place to “out” our Private Label customers.

If “they” want to tell you who makes their strings, cool.
 
Recently I played one of my 6string bass that I don't use often (in fact it stays in a closet mostly) which is stringed with RL strings, and I was surprised how it sounds bright and fresh after probably 10 years after .
So, I thought I could put them in my new acquired 5string bass that I wasn't pleased with a sound of old strings on them, got them from thomann, and I can tell you, they sound very nice, growl is there, slap sound wonderful, I'm very pleased that they didn't change, except for a fact that they have a bit rough feeling on fingers, maybe that will change with frequent use . Finaly, I'm pleased with my new bass .
 
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Recently I played one of my 6string bass that I don't use often (in fact it stays in a closet mostly) which is stringed with RL strings, and I was surprised how it sounds bright and fresh after probably 10 years after .
So, I thought I could put them in my new acquired 5string bass that I wasn't pleased with a sound of old strings on them, got them from thomann, and I can tell you, they sound very nice, growl is there, slap sound wonderful, I'm very pleased that they didn't change, except for a fact that they have a bit rough feeling on fingers, maybe that will change with frequent use . Finaly, I'm pleased with my new bass .

That's probably the notoriously coarse STEEL RLs, which most people don't like that much and IMHO are what give Warwick Reds a bad name. Swap to NICKEL RLs, thank me later. Totally different string IME (smooth, longer lasting, bassier).
 
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UPDATE !

Don't know if I noticed this first day, but it seems that the E string sound a little bit dull .

Only happened to me a couple times with the STEEL Red Labels. Sounded dead out of the package. Still on some more occasions I had this happend with other string sets, but it was due to twisting, usually loosening the string and letting it naturally rest undid the twisting and the bright came back.
 
Hey everybody. I'm opening this thread to share my experience (and discuss yours) with the best bang for the buck nickel string sets I've tried (and been consistently using for the past 5-6 years).

Hi! I can't believe, I'm saying this, but I have to agree.
I've never used RLs even on my 1st $100 bass cuz it always had that bad reputation of "the worst bass trings ever made". and I'd not if my hands did not start sweating this year effectively killing new EBs and Dads like in 2 weeks. So I decided to get 2 RL sets just to experiment how long will uncoated strings will last with extra care like string conditioners, wiping strings with alcohol after each session etc. Because I really did not want to buy Elixirs or any other coated stuff (too expensive, still biased towards coated stings :D).
It went surprisingly well, despite it's quite tedious to clean the strings each session, but it's not the topic.
I did not expect RLs are going to be any good at all, but it's actually pretty nice, at least pretty much acceptable for practice or rehearsals. A bit more coarse and buzzy, but not much and slightly harder to set up proper intonation.
After like 3.5 months of using RLs I decided it was enough to safely buy some Slinkys (my all time fav strings).
I got 50-135 for my Stingray and it was fine (I feel it's really hard to mess SR tone anyway :D). And 55-110 for my Schecter Stiletto Elite-4 for drop C#, cuz I thougt 105 is a bit floppy for that. When I swapped used RLs with fresh EBs it did not feel like upgrade, I instantly became unhappy with the tone. I'm sure there is something wrong with E string, and I don't claim that EBs are worse than RLs (cuz it's not), so I immediately went to a local store, bought another set of RLs and I'm happy enough again, even with a bit floppy 105 E. This is really crazy.
It's not perfect, but like someone above said - it's solid 7.5/10 imho.
 
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Hi! I can't believe, I'm saying this, but I have to agree.
I've never used RLs even on my 1st $100 bass cuz it always had that bad reputation of "the worst bass trings ever made". and I'd not if my hands did not start sweating this year effectively killing new EBs and Dads like in 2 weeks. So I decided to get 2 RL sets just to experiment how long will uncoated strings will last with extra care like string conditioners, wiping strings with alcohol after each session etc. Because I really did not want to buy Elixirs or any other coated stuff (too expensive, still biased towards coated stings :D).
It went surprisingly well, despite it's quite tedious to clean the strings each session, but it's not the topic.
I did not expect RLs are going to be any good at all, but it's actually pretty nice, at least pretty much acceptable for practice or rehearsals. A bit more coarse and buzzy, but not much and slightly harder to set up proper intonation.
After like 3.5 months of using RLs I decided it was enough to safely buy some Slinkys (my all time fav strings).
I got 50-135 for my Stingray and it was fine (I feel it's really hard to mess SR tone anyway :D). And 55-110 for my Schecter Stiletto Elite-4 for drop C#, cuz I thougt 105 is a bit floppy for that. When I swapped used RLs with fresh EBs it did not feel like upgrade, I instantly became unhappy with the tone. I'm sure there is something wrong with E string, and I don't claim that EBs are worse than RLs (cuz it's not), so I immediately went to a local store, bought another set of RLs and I'm happy enough again, even with a bit floppy 105 E. This is really crazy.
It's not perfect, but like someone above said - it's solid 7.5/10 imho.

Told ya'! Still using these ones, of course. Still, I'm surprised about the coarseness you mention. Maybe you got STEEL RLs? (those still retain the title for "the worst bass strings ever made", at least by a major brand, coarse, they die fast, and get black -and your fingers too-). What I'm praising here is NICKEL Red Labels (rare, only sold by thomann). The nickels don't feel any coarser than EB Slinky's (I know, been a Slinky's endorser for some time). I indeed like Red Label Nickel better than Slinky's. My problem with Slinky's is that too quickly they enter a "half dead" zone which then lasts long until real dead, but it's not specially pleasant for me. The RL Nickels keep that new string "ring" for longer.
 
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