I'm very excited to introduce Lynn Seaton to TalkBass, and to this, our first jazz double bass "Ask a Pro" forum! Lynn Seaton is regarded as one of the foremost jazz bassists in the world, and I'm very pleased that he's agreed to take some time to host this forum, and to make himself available for your questions! For more information on Lynn Seaton, including a current concert calendar, visit his webpage at http://www.lynnseaton.com/
Lynn Seaton Bio:
Lynn was born in Tulsa, Oklahoma, July 18, 1957. He began studying classical guitar at age seven, switching to string bass at age nine. While studying music at the University of Oklahoma, he began working the clubs around the state.
In September of 1980, Lynn relocated to Cincinnati, Ohio to join the Steve Schmidt Trio and the Blue Wisp Big Band. He was awarded a Jazz Studies Fellowship in the summer of 1981 from the National Endowment for the Arts to study with Rufus Reid.
Lynn has been a faculty member at the College Conservatory of Music in Cincinnati, Long Island University, State University of New York at New Paltz, William Patterson College, and is currently teaching at the University of North Texas. He thoroughly enjoys teaching workshops, coaching ensembles, and doing artist-in residence programs, having done many throughout America and Europe including numerous schools, kindergarten through college, Jamey Aebersolds and UNT jazz camps, and Clark Terrys Institute of Jazz Studies. He currently has private students as well.
During September of 1984, Lynn joined Woody Herman and the Young Thundering Herd. July of 1985 brought him a position with the Count Basie Orchestra. During this time he moved to New York City (1986) where he resided until 1998. After his two-year engagement with the Basie Band, he did an extended tour with Tony Bennett and a six-month tour with George Shearing. Much of 1991 was spent touring with Monty Alexander. 1992 through 1994 was spent freelancing in the New York area. 1995 until the fall of 2000 was with the Jeff Hamilton Trio. He has performed at festivals world wide including the Bern, Concord, JVC, Kool, Kyoto, Chicago, Nice, Elkhart, Kansas City, Montreal, Edmonton, Newport, North Sea, Perugia, West Coast, San Sebastian, Ottercrest, Topeka, Sarasota, Paradise Valley and Poori. At present, Lynn is freelancing and touring as a performer and clinician with a variety of people.
Lynn has worked alongside many outstanding musicians, including: Toshiko Akiyoshi, Ernestine Anderson, Buck Clayton, Al Cohn, Kenny Drew Jr., Blossom Dearie, Bob Dorough, Harry Sweets Edison, Herb Ellis, John Fedchock, Frank Foster, Freddy Green, Tim Hagans, Jeff Hamilton, Scott Hamilton, Wynard Harper, Thad Jones, Mel Lewis, Marian McPartland, Jay McShann, Mark Murphy, Ken Peplowski, Bucky Pizzarelli, Jimmy Raney, Emily Remler, Diane Schuur, Maria Schneider, Bud Shank, Carol Sloane, Marvin Smitty Smith, Maxine Sullivan, Mel Torme, Frank Wess, Joe Willliams, Nancy Wilson, Steve Wilson, Mark Vinci and Teddy Wilson. In addition, he has worked in the jingle studios, pit bands for shows, with the Cincinnati Pops Orchestra, has performed on television broadcasts including CBS Sunday Morning and the Bill Cosby show, Japanese, Dutch, Swiss and German National TV, and radio broadcasts including NPR and several European stations.
Lynn has participated in over 100 recording sessions, including: the Grammy Award winning "Diane Schuur and The Count Basie Orchestra" and the Grammy nominated "Woody Herman 50th Anniversary."
He is currently living in Highland Village, Texas, working and recording with many great jazz artists, and leading his own trio. He has five recordings as a leader, Bassmans Basement, Solo Flights, Live !!!, Lower Convergence Bass Trio, and Puttin on the Ritz. Kendor Press has published his book "Jazz Solos for Bass".
Lynn Seaton has a spirit of bold experimentation while still embracing the Old School.
Bill Milkowski, Jazz Critic
Seaton lays down an imposing walking groove and demonstrates sublime lyricism
Bass Player Magazine
Seaton is a bass player with a technique beyond imagining his hand slides up and down the neck of the bass with the speed of the darting tongue of a cobra, his fingers dance on the strings ala Fred Astaire, and the notes come bursting forth.
Sid Weinberg, Blue Notes Jazz Letter
Milt Hintons Five Favorite Bassists
Ray Brown, Ron Carter, Rufus Reid, Lynn Seaton, and Christian McBride.
New York Times
Lynn is an excellent player, inspiring clinician, outstanding teacher and one of the finest musicians presently preserving the music through education
Jamey Aebersold
An imaginative and deft soloist, he draws a remarkable wealth of sonorities from his instrument. Seaton is particularly fond of playing with the bow, which he masters with great virtuosity. Regardless of the tempo, his music radiates exquisite swing.
Aleardo Buzzi, Claves Jazz
One of the best clinicians Ive seen is Lynn Seaton
Jiggs Wigham
Lynn Seaton is an outstanding musician who has provided our students with meaningful instruction during our jazz residency.
Rob Ratner, Director of Performing and Fine Arts, Mineola, NY Schools
His sound is like that of the fine orchestral bassist, for he has developed his Arco technique to the level of his formidable pizzicato Lynn Seaton has effectively established his own voice in current jazz music.
Matthew Hughes, International Society of Bassists Magazine
Lynn Seaton Bio:
Lynn was born in Tulsa, Oklahoma, July 18, 1957. He began studying classical guitar at age seven, switching to string bass at age nine. While studying music at the University of Oklahoma, he began working the clubs around the state.
In September of 1980, Lynn relocated to Cincinnati, Ohio to join the Steve Schmidt Trio and the Blue Wisp Big Band. He was awarded a Jazz Studies Fellowship in the summer of 1981 from the National Endowment for the Arts to study with Rufus Reid.
Lynn has been a faculty member at the College Conservatory of Music in Cincinnati, Long Island University, State University of New York at New Paltz, William Patterson College, and is currently teaching at the University of North Texas. He thoroughly enjoys teaching workshops, coaching ensembles, and doing artist-in residence programs, having done many throughout America and Europe including numerous schools, kindergarten through college, Jamey Aebersolds and UNT jazz camps, and Clark Terrys Institute of Jazz Studies. He currently has private students as well.
During September of 1984, Lynn joined Woody Herman and the Young Thundering Herd. July of 1985 brought him a position with the Count Basie Orchestra. During this time he moved to New York City (1986) where he resided until 1998. After his two-year engagement with the Basie Band, he did an extended tour with Tony Bennett and a six-month tour with George Shearing. Much of 1991 was spent touring with Monty Alexander. 1992 through 1994 was spent freelancing in the New York area. 1995 until the fall of 2000 was with the Jeff Hamilton Trio. He has performed at festivals world wide including the Bern, Concord, JVC, Kool, Kyoto, Chicago, Nice, Elkhart, Kansas City, Montreal, Edmonton, Newport, North Sea, Perugia, West Coast, San Sebastian, Ottercrest, Topeka, Sarasota, Paradise Valley and Poori. At present, Lynn is freelancing and touring as a performer and clinician with a variety of people.
Lynn has worked alongside many outstanding musicians, including: Toshiko Akiyoshi, Ernestine Anderson, Buck Clayton, Al Cohn, Kenny Drew Jr., Blossom Dearie, Bob Dorough, Harry Sweets Edison, Herb Ellis, John Fedchock, Frank Foster, Freddy Green, Tim Hagans, Jeff Hamilton, Scott Hamilton, Wynard Harper, Thad Jones, Mel Lewis, Marian McPartland, Jay McShann, Mark Murphy, Ken Peplowski, Bucky Pizzarelli, Jimmy Raney, Emily Remler, Diane Schuur, Maria Schneider, Bud Shank, Carol Sloane, Marvin Smitty Smith, Maxine Sullivan, Mel Torme, Frank Wess, Joe Willliams, Nancy Wilson, Steve Wilson, Mark Vinci and Teddy Wilson. In addition, he has worked in the jingle studios, pit bands for shows, with the Cincinnati Pops Orchestra, has performed on television broadcasts including CBS Sunday Morning and the Bill Cosby show, Japanese, Dutch, Swiss and German National TV, and radio broadcasts including NPR and several European stations.
Lynn has participated in over 100 recording sessions, including: the Grammy Award winning "Diane Schuur and The Count Basie Orchestra" and the Grammy nominated "Woody Herman 50th Anniversary."
He is currently living in Highland Village, Texas, working and recording with many great jazz artists, and leading his own trio. He has five recordings as a leader, Bassmans Basement, Solo Flights, Live !!!, Lower Convergence Bass Trio, and Puttin on the Ritz. Kendor Press has published his book "Jazz Solos for Bass".
QUOTES about LYNN SEATON
Lynn Seaton has a spirit of bold experimentation while still embracing the Old School.
Bill Milkowski, Jazz Critic
Seaton lays down an imposing walking groove and demonstrates sublime lyricism
Bass Player Magazine
Seaton is a bass player with a technique beyond imagining his hand slides up and down the neck of the bass with the speed of the darting tongue of a cobra, his fingers dance on the strings ala Fred Astaire, and the notes come bursting forth.
Sid Weinberg, Blue Notes Jazz Letter
Milt Hintons Five Favorite Bassists
Ray Brown, Ron Carter, Rufus Reid, Lynn Seaton, and Christian McBride.
New York Times
Lynn is an excellent player, inspiring clinician, outstanding teacher and one of the finest musicians presently preserving the music through education
Jamey Aebersold
An imaginative and deft soloist, he draws a remarkable wealth of sonorities from his instrument. Seaton is particularly fond of playing with the bow, which he masters with great virtuosity. Regardless of the tempo, his music radiates exquisite swing.
Aleardo Buzzi, Claves Jazz
One of the best clinicians Ive seen is Lynn Seaton
Jiggs Wigham
Lynn Seaton is an outstanding musician who has provided our students with meaningful instruction during our jazz residency.
Rob Ratner, Director of Performing and Fine Arts, Mineola, NY Schools
His sound is like that of the fine orchestral bassist, for he has developed his Arco technique to the level of his formidable pizzicato Lynn Seaton has effectively established his own voice in current jazz music.
Matthew Hughes, International Society of Bassists Magazine
