Good luck with that. He's utterly useless when it comes to dealing with customers. But the pickups are great!
I've never compared my Creamery P-bass pickup with any other pickup using the same bass and the same strings so any comparisons will be more or less guesswork. Also, like I mentioned before, I asked if he could make mine around 11k, which is in fact slightly UNDERwound compared to his stock '58 (but overwound compared to his stock '65...). I guess it depends on how you define overwound. Personally I consider 10.5k - 11k (ish) to be "normal" for P-bass pickups. From 11.5k (ish) and upwards would be overwound in my world. But of course, the DCR reading is only part of the puzzle. Other things will affect the tone of a pickup too. In fact, comparing DCR specs doesn't really say much unless we're comparing two pickups from the same manufacturer, using the same type of wire, the same type/strength magnets, etc.
Anyway, on this particular bass with a broken-in set of Pyramid Pure Nickels my 11k Creamery definitely leans towards warm/smooth. But then again, pretty much ANY P-bass pickup will sound warm/smooth with a broken-in set of Pyramid Pure Nickels... It basically sounds like a P-bass.
Lollar/Fralin (both standard wind) are two pickups I actually HAVE compared on the same bass, using the same strings. Lollar definitely had a more aggressive upper mid presence. Fralin definitely had fatter lows/low mids and a smoother tone overall. But it was still a relatively subtle difference. Both sounded like classic P-bass pickups and both are great. On that particular bass I slightly preferred the Lollar, but on another bass, with different strings it might have been the other way around. Both delivered a nice traditional P-bass tone and I could easily have used both for the same song/genre. Simply moving the point where I pluck the strings 2 cm closer to the bridge will change the tone considerably more than the difference between Lollar/Fralin.