Low B String How do you use it?

Is playing low as possible on a 5 string the sign of a seasoned bass player

  • Yes

    Votes: 27 14.5%
  • No

    Votes: 165 88.7%

  • Total voters
    186
I player several instruments and I started with a 5 string bass when I was a teenager but went away from it for years to play keys and drums. I have now gotten back into playing bass for a band I am starting so I begin to study other bass players and noticed that most of the pro's either played a 4 string or played a 5 string like a 4 string using only the low B string just for taste. Because I learned on a 5 string I am use the B string and use it as often as possible because I feel comfortable with it. So I am curious how others who are playing a 5 string as to how much do you use the low B string. I feel like I am cheating because I play as low as possible but when listening to records I can hear the 4 string tones which are higher. Thanks in advance
 
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I use it two ways.

1) To be able to stay in second position and move vertically. In other words, I can play anything you can on a four string in the first two positions while staying in one.

2) Big low notes when I need them.

Playing extra low all the time just because you can isn't a sign of a seasoned player by itself. Like any other aspect of playing, if done well it can add to your overall sound.
 
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I use it two ways.

1) To be able to stay in second position and move vertically. In other words, I can play anything you can on a four sting in the first two positions while staying in one.

2) Big low notes when I need them.

Playing extra low all the time just because you can isn't a sign of a seasoned player by itself. Like any other aspect of playing, if done well it can add to your overall sound.

This displays what I was thinking about my playing!
 
I use it two ways.

1) To be able to stay in second position and move vertically. In other words, I can play anything you can on a four sting in the first two positions while staying in one.

2) Big low notes when I need them.

Playing extra low all the time just because you can isn't a sign of a seasoned player by itself. Like any other aspect of playing, if done well it can add to your overall sound.
This. Period.
 
For clarity can you explain what second position

Past the fifth fret to the 12th

Edited to say this is incorrect information. While I probably learned the correct information in theory class years ago, it appears I modified this to something that I used to make sense to me, which is an incorrect description as defined by actual theory.

Thanks to Jimmy M for pointing this out, and well, I feel a little embarrassed right now. Funny thing is I practice scales using the actual second position all the time....
 
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I use it two ways.

1) To be able to stay in second position and move vertically. In other words, I can play anything you can on a four sting in the first two positions while staying in one.

2) Big low notes when I need them.

Playing extra low all the time just because you can isn't a sign of a seasoned player by itself. Like any other aspect of playing, if done well it can add to your overall sound.

Lol beat me to it...
 
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As for camping out on those low low notes on a B string . . .
could-should.jpg
 
For me it has so much to do with musical context,and overall range of any other instruments present in the moment. Low C's and D's etc can be really dramatic when used at the right moments, and help create a dramatic musical point. Also as others mentioned, being able to hang in 2nd position is really handy as well and offers many note choices with efficient left hand movement. Granted some new country and pop material has an abundance of driving low notes as well, so that can be loads of fun too, especially with a big PA and a deft technician!
 
I play with a band that tunes their guitars down a whole step, I just play everything on a standard tuned 5 string. I also opt to play notes on the B string instead of the E for the fatter, rounder tone it has. That and nothing ends a tune like that low bass note sustaining out under the final chord especially in the Keys of B or C.