Non-tribute, single artist cover band?

Feb 12, 2024
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Since my rhythm guitarist buddy and I left our bar band we've been playing around with the idea of a 'sing-cubator', where we connect with a singer and work up and open mic set for them. First collaborator is a young dude, Rydell, who wants to be in an R.E.M. cover band. He's a very talented singer, and has sung on stage with Dead Letter Office (an R.E.M. tribute act out of NY) at one of their shows. We've got a 25 minute set of IRS era songs (Radio Free Yurp, So. Central, Boxcars, Can't Get There from Here, Annelise, Rockville, Driver 8) and it's been well received at the handful of open mics we've played at. Even got offered a last-minute gig at one of the venues, but had to decline as they wanted an hour and we've only got half of that ready to go. So in a very limited format the concept seems to work.

So here's my deal; huge fan of R.E.M.'s early stuff, which I discovered as a HS freshman, and love playing Mike's lines. Over the years I've likely at least played along to everything they wrote prior to '87. So I'm super intrigued at the possibility, but don't want to lead a young dude astray. Had a look at Dead Letter Office's schedule, and it looks like they play about every weekend, but it's always a Friday night in one city, then Saturday in another city in the same state. Kind of what I figured a successful tribute band would be doing, as they're not going to get booked at the local bar more than once a year or so, I expect. We do have two more singers in the pipeline, and Rydell has met the one of them. They seemed to hit it off, and I think we can probably get them to sing backup for each other during their sets. She's got a more mixed list of Alanis, Cheryl, No Doubt, etc. Got a couple of drummers lined up to audition over the next couple of weeks.

Realistically, I think the play is to prod our little project into becoming a band with 2-3 singers, and eventually writing some original songs that suit our combined style. Should be no problem getting 2-4 gigs a month locally with the usual 'covers and a few originals' format. But I'm also pretty into the idea of the single artist cover thing. We're in the DC area, so we could likely book a show in VA, one in DC, and another in MD to keep from cannibalizing our own crowds, but that still not a whole lot of chances to play out. Guess Baltimore, Fredericksburg, Richmond, etc. are also in range, but my guess is we'd be able to book 6 local-ish shows a year at best.

Anyone got experience in a band like that? Am I possibly entirely wrong in my demand estimate? Not really into going full tribute, or spending entire weekends on the road, but if we could keep even a little busy close to home I'd be way into it. I guess the thing to do would be to keep working on the multi-singer configuration while adding R.E.M. songs and see which setup gets asked to play?
 
I think you're going to wrap yourself in knots trying to justify that your "single artist cover band" is different to a tribute... I'm not really sure what distinction you're trying to make or why an audience, or venue would care.

What you have is a bunch of musicians who you can market under a couple of different brands. Either as a tribute, a tribute+cover support act, a cover band with various singers, potentially with some originals. Book gigs for each of them, and see if you can fill your calendar.

But don't cross the streams, or invent new categories - the venue don't want to listen to your explanation. Call them and tell them you have an REM tribute, and can provide support for a certain price. If you get gigs then it's working. If you need more switch the vocalist and offer a different tribute. If you need more offer a generic cover.
 
Here in town we had a couple of bands that I think fit the bill of what you're describing.
One called " The Abby Roads" that just cover Beatles, usually whole Albums, but they don't dress up to look like the band. They don't use the original instruments, and they "interpolate " the songs to their own style. I dig them, and have been to a few of their shows.
Also, the drummer I played with for years had several other projects, one of which was an ACDC cover band, called" Bonn Again". Same thing, no dress up etc.
I think it would be alot of fun myself.
 
i'm with @Oddly, "sing-cubator" is a great idea!

Realistically, I think the play is to prod our little project into becoming a band with 2-3 singers, and eventually writing some original songs that suit our combined style.
👍

my advice: don't lose track of what you have while you're thinking about the other possibilities! good luck! :thumbsup:
 
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Thanks for the replies. Pretty reassuring. I'm excited to see whether we can book this thing. Might ask the singer to reach out to Dead Letter Office and offer to open when they're in the area. And the Singcubator has been a blast so far!

Had a long chat with the guitarist about our direction last night, and the air is clear. The current project is all he has time for, and scratches his itch, and I really dig it, so once we start working on our 3rd singer set we're going to advertise the Singcubator on Craigslist and see what kind of response we get. Learning an extra 6-7 songs every couple of months won't put much strain on me, so the singer and I will carry on trying to staff the R.E.M. mission... quest... thing.
 
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Ian is
I think you're going to wrap yourself in knots trying to justify that your "single artist cover band" is different to a tribute... I'm not really sure what distinction you're trying to make or why an audience, or venue would care.

What you have is a bunch of musicians who you can market under a couple of different brands. Either as a tribute, a tribute+cover support act, a cover band with various singers, potentially with some originals. Book gigs for each of them, and see if you can fill your calendar.

But don't cross the streams, or invent new categories - the venue don't want to listen to your explanation. Call them and tell them you have an REM tribute, and can provide support for a certain price. If you get gigs then it's working. If you need more switch the vocalist and offer a different tribute. If you need more offer a generic cover.
correct. The concept will totally work, but very clear in your pitch to clubs. It’s an REM tribute, or you’re pitching a No Doubt tribute, or a cover.
 
How big is the demand in 2024 for an REM tribute? That’s the thing I’d be asking before I took any further steps.
Process this info as you will, but I Googled “R.E.M. Tribute” and came up with about seven, at least with an online presence. Not sure if all are in the US.

The thing to always consider is, does the appeal extend beyond a band’s original fan base demographic? Is the original band just stuck in their era, with little or no significance beyond it? For Stipe and company, their loyal following is in their mid 50’s into their 60’s for the most part. How often at this point do they get out to clubs and whatnot? How often do you hear the band on radio, and is it just one or two songs? Who’s still listening to radio?
 
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I guess we're going to find out. Landed a drummer on Sunday and plan to have a couple of sets ready by Spring.
The demographics of the band do seem to support your analysis (and mine) with me and the guitarist in our 50s, and the drummer in his late 40s, but the singer whose dream this is is only 20, so maybe...
 
Here in town we had a couple of bands that I think fit the bill of what you're describing.
One called " The Abby Roads" that just cover Beatles, usually whole Albums, but they don't dress up to look like the band. They don't use the original instruments, and they "interpolate " the songs to their own style. I dig them, and have been to a few of their shows.
Also, the drummer I played with for years had several other projects, one of which was an ACDC cover band, called" Bonn Again". Same thing, no dress up etc.
I think this post illustrates that there's a meaningful difference between being, say, an REM tribute versus an REM cover band (assuming that "interpolate" is intended to mean something like "adapt" or "interpret"). I don't think most people would consider you a "tribute" -- or at least not a very good one -- unless you played everything note-for-note per the originals and made considerable effort to look like, as well as sound like, the original. I think it would be a mistake to tell a bar owner/manager that you were a "tribute" unless you meet those latter two criteria, or he/she (and audiences) might be expecting something different from what you're actually offering.
 
Another update!

Had a jam with a couple of guys I met on Craig's last weekend, and we hit it off. They're looking for F vox, and I showed them some video of darling daughter singing at a family jam back in August. Not sure she's got time for much more than the occasional open mic, but we're going to get that up and running asap and then try to convince her to dedicate a little more time, so now I'm in 2 bands!