Here is a clip of me playing with a pick. Other than the obvious need to simply practice more with a pick. What are weaknesses or strong points in my technique?
Rather than point out everything, just study Carol Kaye's pick method.
Looks to me like you are almost exclusively using downstrokes.
The Carol Kaye method has you use downstrokes on the down beat and upstrokes on the up beat if I'm reading her correctly. Not sure if her intent is to have an overall more efficient picking motion or if she is trying to instill a better sense of overall timing.
I thought it looked like you were doing pretty much what Carol recommends. If you're playing mainly quarter notes, you can use all downstrokes except when you sneak in an in-between eighth note; likewise if you're playing mainly eighths and occasionally squeezing in an occasional sixteenth. Nothing wrong with that. I've been working on adding pickstyle to my own repertoire over the last couple of years, and I've found that I'm personally more comfortable alternating downstrokes and upstrokes almost all the time, but I make no claims that this way is "better."That's interesting. I thought I was alternating, although sometimes I favor downstrokes.
I thought it looked like you were doing pretty much what Carol recommends. If you're playing mainly quarter notes, you can use all downstrokes except when you sneak in an in-between eighth note; likewise if you're playing mainly eighths and occasionally squeezing in an occasional sixteenth. Nothing wrong with that. I've been working on adding pickstyle to my own repertoire over the last couple of years, and I've found that I'm personally more comfortable alternating downstrokes and upstrokes almost all the time, but I make no claims that this way is "better."
I did a couple of Skype lessons with Julie Slick woot a while back -- I think she's one of the best pick players (among other things) out there -- and I was amused and a little surprised to hear her say that she usually uses only downstrokes, and only alternates when she is playing "really fast." I think that's basically the same idea as Carol's, except Julie's idea of "really fast" is entirely different from that of us ordinary mortals. She plays stuff using only downstrokes that I can't keep up with using alternate picking. It's all relative, I suppose.
Julie's 30, right? She's in good health and good shape right now. Wait till she's about 45...she'll change her tune about all downstrokes and playing by the bridgeI did a couple of Skype lessons with Julie Slick woot a while back -- I think she's one of the best pick players (among other things) out there -- and I was amused and a little surprised to hear her say that she usually uses only downstrokes, and only alternates when she is playing "really fast." I think that's basically the same idea as Carol's, except Julie's idea of "really fast" is entirely different from that of us ordinary mortals. She plays stuff using only downstrokes that I can't keep up with using alternate picking. It's all relative, I suppose.
Julie's 30, right? She's in good health and good shape right now. Wait till she's about 45...she'll change her tune about all downstrokes and playing by the bridge
Rather than point out everything, just study Carol Kaye's pick method.