Poll: Tweaking Jazz Bass Tone—DiMarzio Model J vs. Series Wiring vs. Both

Which would you choose to tweak the character of a Jazz bass?


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    42
Hey there, I'd love to get your thoughts on this: I've got a Jazz bass I've had for a number of years, and I'm looking to tweak the character on the tone a bit. I like the way the midrange sits on a Precision bass, and the breadth of the treble frequencies. That said, I'm not strictly looking for a fatter Jazz bass sound, and I'm not looking to turn my bass into a P-bass; I know that pickup design and location get in the way. I'm just looking to nudge it in that direction so it sits a little more like that in the mix, without routing the bass or spending too much money.

With that said, would you recommend installing a pair of DiMarzio Model Js (with each pickup wired in series), rewiring the stock electronics so the pickups are in series together, or installing Model Js and then wiring those as a series pair?

I'm a longtime bass player and fan of the forum, so I'm open to all sorts of suggestions, but also a realist about what I can and can't do while keeping the bass I have.

Thanks!
 
Speaking strictly out of my ass, I think it was middier and meatier in series and treblier and a bit more focused in regular parallel mode. Series was better for fingerstyle and parallel was better for slap. Couldn't say how it comes across in the mix.
 
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MyBacchus Jazz bass lets me pull up the tone knob to put it in series mode. Its really cool. That being said, I never use it. The main reason is the transient attack of the bass is lost due to the phasing in series mode. In layman's terms, the bass loses focus on the attack.

It is a usable tone though, I just haven't tracked on a song that needs it. I believe the volume will go up by 30% or so and you will have more meat to it. Played with a pick in a heavier band, it could be awesome if you want that initial attack to blur a little bit. It reminds me a little of the meat of a music man. Main thing to do when you are testing the tone is to remember that the volume is a little louder, and adjust accordingly. It is one of those luxury tones that is nice to have, but you may find yourself not using it very often.
 
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I experimented with this on my Fender jazz before I bought my P bass. I installed the Model J's wired in series. The tone was much fatter, louder, with much less treble and clank. What bothered me is that it wasn't very musical, almost like a wall of sound with no dynamics.
After I bought the P Bass I went back to the stock pickups in the Jazz, I didn't need that thick tone in my Jazz anymore.
 
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Thanks Trent, that's useful to hear. It sounds like series wiring might be a good next step. I like to have access to a fair amount of treble regardless of what bass I'm playing (whether that treble falls in the 2k–5k range versus the 10k–20k range is part of what I'm trying to impact).
 
I bought DiMarzios, a couple of other sets of pickups, too to try to fatten up my Jazz bass. The Series wiring did MORE for beefing up the sound than the pickup swap did.
And it's cheap, just one switch.
 
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Added the series switch to my #1 Jazz long after I added Super 55s and don't know why I waited as long as I did. Still need to add it to my others. It gives a nice option for a different, fuller tone that really helps when you need something akin to that P sound. I'd say, start with the switch and then, if you're still not feeling it, change out your pickups. You may find you don't need to.
 
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Added the series switch to my #1 Jazz long after I added Super 55s and don't know why I waited as long as I did. Still need to add it to my others. It gives a nice option for a different, fuller tone that really helps when you need something akin to that P sound. I'd say, start with the switch and then, if you're still not feeling it, change out your pickups. You may find you don't need to.
Thanks! I appreciate it. This is also the second time someone's mentioned Super 55s on this thread—any idea why they're popular?
 
Thanks! I appreciate it. This is also the second time someone's mentioned Super 55s on this thread—any idea why they're popular?
Because they've got a great, vintage sound with a little more bite and growl and they're split coil so there's no noise. In a questionable move by Fender, they stopped making them so they're getting harder to find.
 
Model J's are fantastic pickups. I never had cutting issues with them wired in series, so if you're after that it's a good way to go. Are you just stuck on the DiMarzio Model J's or do you already own a pair or something, OP?
 
Hey there, I'd love to get your thoughts on this: I've got a Jazz bass I've had for a number of years, and I'm looking to tweak the character on the tone a bit. I like the way the midrange sits on a Precision bass, and the breadth of the treble frequencies. That said, I'm not strictly looking for a fatter Jazz bass sound, and I'm not looking to turn my bass into a P-bass; I know that pickup design and location get in the way. I'm just looking to nudge it in that direction so it sits a little more like that in the mix, without routing the bass or spending too much money.

With that said, would you recommend installing a pair of DiMarzio Model Js (with each pickup wired in series), rewiring the stock electronics so the pickups are in series together, or installing Model Js and then wiring those as a series pair?

I'm a longtime bass player and fan of the forum, so I'm open to all sorts of suggestions, but also a realist about what I can and can't do while keeping the bass I have.

Thanks!

Since rewiring my bass for single neck - both series - both parallel - single bridge with a rotary switch, it spends 95% of the time in series mode. It's so much tastier. I'd recommend it to anyone who wants to vary their tone. Easy, reversible, and only takes an hour of soldering/tinkering with the electronics.
 
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Since rewiring my bass for single neck - both series - both parallel - single bridge with a rotary switch, it spends 95% of the time in series mode. It's so much tastier. I'd recommend it to anyone who wants to vary their tone. Easy, reversible, and only takes an hour of soldering/tinkering with the electronics.
Awesome, thanks for the feedback—I didn't consider a rotary switch.