Hello, Mr. Neher. Before I get to the questions, I want to thank you for taking your time to address your questions to all of us, I think that it's really helpful for everyone of us.
My name is Alberto Jara, I am from Costa Rica, and I have been studying DB from about three and a half years.
Something that I have been struggling with, it is my practicing routine. My teacher is an excellent double bassist and great instructor, but he hasn't been able to explain me, how a good practicing routine could be. I know that's something I have to learn by myself, but a little hand could be nice, . Before I present you my questions, I think you should know this things first: I use French bow (I think it is important for you to know it)I have from 4 to 7 hours per day to dedicated to the double bass (except for Sundays, in which I have "0" hours!!!); my "etudes literature" have been Simandl II and 30 studies, Kreutzer; I have a "scale-routine", by playing each mayor scale in three octaves on long/slow bows on the fifths circle, after that I focused on one scale and play it in different bowing, in thirds, fourths, etc., with the minor scale(eg CM-Cm) and their respective arpeggios; whit repertoire, I just sing it a lot, and then focus on some phrases (this next semester assigned repertoire it's gonna be the Song without Words by F.Mendelssohn, Piece in G minor by Gabriel Pierne, and the Concerto in F Mayor by G. Capuzzi.
These are my questions:
1) What should be a good warm-up for me?
2) How do you see my scale routine? On what things should I focus when studying scales and arpeggios?
3) What should be the right way to practicing studies? How should I choose them? What do I need to focus on them? How do I know if an study it's right to correct any technical problem?
4) What it is the correct way to study repertoire?
5) Should I take some time to study some orchestra excerpts?
6) And finally, how can I distribute the time for all this aspects?
P.S.1.: What can you say to me about my repertoire (Mendelssohn, Pierne, Capuzzi)?
P.S.2.: I'm sorry if there's something difficult to understand, but my english isn't that good .
Thank you, thank you a lot!!!. ALBERTO
My name is Alberto Jara, I am from Costa Rica, and I have been studying DB from about three and a half years.
Something that I have been struggling with, it is my practicing routine. My teacher is an excellent double bassist and great instructor, but he hasn't been able to explain me, how a good practicing routine could be. I know that's something I have to learn by myself, but a little hand could be nice, . Before I present you my questions, I think you should know this things first: I use French bow (I think it is important for you to know it)I have from 4 to 7 hours per day to dedicated to the double bass (except for Sundays, in which I have "0" hours!!!); my "etudes literature" have been Simandl II and 30 studies, Kreutzer; I have a "scale-routine", by playing each mayor scale in three octaves on long/slow bows on the fifths circle, after that I focused on one scale and play it in different bowing, in thirds, fourths, etc., with the minor scale(eg CM-Cm) and their respective arpeggios; whit repertoire, I just sing it a lot, and then focus on some phrases (this next semester assigned repertoire it's gonna be the Song without Words by F.Mendelssohn, Piece in G minor by Gabriel Pierne, and the Concerto in F Mayor by G. Capuzzi.
These are my questions:
1) What should be a good warm-up for me?
2) How do you see my scale routine? On what things should I focus when studying scales and arpeggios?
3) What should be the right way to practicing studies? How should I choose them? What do I need to focus on them? How do I know if an study it's right to correct any technical problem?
4) What it is the correct way to study repertoire?
5) Should I take some time to study some orchestra excerpts?
6) And finally, how can I distribute the time for all this aspects?
P.S.1.: What can you say to me about my repertoire (Mendelssohn, Pierne, Capuzzi)?
P.S.2.: I'm sorry if there's something difficult to understand, but my english isn't that good .
Thank you, thank you a lot!!!. ALBERTO