Another Scary Neck Repair! Steve sent us a Roscoe 6-string bass with.....you guessed it...a stripped out truss rod. Jeremy and I have never done surgery on a Roscoe before, but we're up to the challenge. We don't turn away fine basses suffering from neck problems.
A handsome looking bass. Red-orange/black sunburst on the body and a plain maple fingerboard. The neck is fine overall, no real bow or twist or anything bad. But the truss rod nut is stripped out, so the truss rod can't be adjusted. Steve decided that he'd like to get it fixed right, so it can be accurately dialed in. So, he sent it to us for the surgery, to replace the truss rod.
Jeremy (aka Dr Freekmagnet) and I will both be working on this job, doing different parts of it. He got started by disassembling the bass, and putting the body back in the case.
We'll be routing off the fingerboard, pulling out the truss rod, and making up and installing a new truss rod. Then a new maple fingerboard, and new frets.
Roscoes have these cool oval inlays. Part of the signature of their design. Steve asked if it was possible to save these inlays, and reinstall them in the new fingerboard. I said that I couldn't guarantee it, but I'll give it a try.
Note how the Roscoe fingerboard is heavily rounded at the edges. And the fret ends are blended in. Nice details. This is a high quality, well made bass.
Okay, Dr Freekmagnet has finished his first part. The hardware is removed, the frets are pulled out, and the neck is set up in our main neck fixture. Ready for me to try to extract the inlays.
A better look at the inlays. They are synthetic pearl, quite thin. I believe the black arches were cut by a CNC router, and then filled with some kind of black resin.
Here's the basic technique for extracting the inlays. The neck is set up in the fixture, with the fingerboard surface leveled just below the height of the rails. I set up a router with a flat base and a 1/4" bit, to slide on the rails. I'm going to steer the router freehand, sliding it around.
I set the router depth to cut about 1/16" deep, and freehand a "P" shape around the oval. Close to it, but being very careful not to touch the inlay.
Then I use a narrow 1/8" chisel to peel away the maple around the outside of the oval....Gently.....
Then I put the edge of the chisel under the edge of the inly and very gently pry it up....It popped up, no real problem. They're glued in with CA glue.
With the first one successfully removed, I went ahead and routed around all the rest of them.....
And used the same technique with the chisel to trim the maple around the outside, then pry them up.
And there they are....Three of them broke while prying them up, but that's not really a problem. I saved the pieces, and I'll CA glue them back together as I install them in the new fingerboard.
Next up: Continuing routing off the fingerboard, and pulling out the truss rod! Some mild violence involved! No, not really.
A handsome looking bass. Red-orange/black sunburst on the body and a plain maple fingerboard. The neck is fine overall, no real bow or twist or anything bad. But the truss rod nut is stripped out, so the truss rod can't be adjusted. Steve decided that he'd like to get it fixed right, so it can be accurately dialed in. So, he sent it to us for the surgery, to replace the truss rod.
Jeremy (aka Dr Freekmagnet) and I will both be working on this job, doing different parts of it. He got started by disassembling the bass, and putting the body back in the case.
We'll be routing off the fingerboard, pulling out the truss rod, and making up and installing a new truss rod. Then a new maple fingerboard, and new frets.
Roscoes have these cool oval inlays. Part of the signature of their design. Steve asked if it was possible to save these inlays, and reinstall them in the new fingerboard. I said that I couldn't guarantee it, but I'll give it a try.
Note how the Roscoe fingerboard is heavily rounded at the edges. And the fret ends are blended in. Nice details. This is a high quality, well made bass.
Okay, Dr Freekmagnet has finished his first part. The hardware is removed, the frets are pulled out, and the neck is set up in our main neck fixture. Ready for me to try to extract the inlays.
A better look at the inlays. They are synthetic pearl, quite thin. I believe the black arches were cut by a CNC router, and then filled with some kind of black resin.
Here's the basic technique for extracting the inlays. The neck is set up in the fixture, with the fingerboard surface leveled just below the height of the rails. I set up a router with a flat base and a 1/4" bit, to slide on the rails. I'm going to steer the router freehand, sliding it around.
I set the router depth to cut about 1/16" deep, and freehand a "P" shape around the oval. Close to it, but being very careful not to touch the inlay.
Then I use a narrow 1/8" chisel to peel away the maple around the outside of the oval....Gently.....
Then I put the edge of the chisel under the edge of the inly and very gently pry it up....It popped up, no real problem. They're glued in with CA glue.
With the first one successfully removed, I went ahead and routed around all the rest of them.....
And used the same technique with the chisel to trim the maple around the outside, then pry them up.
And there they are....Three of them broke while prying them up, but that's not really a problem. I saved the pieces, and I'll CA glue them back together as I install them in the new fingerboard.
Next up: Continuing routing off the fingerboard, and pulling out the truss rod! Some mild violence involved! No, not really.