Side dot placement on fretless - make sense to you?

darwin-bass

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Mar 29, 2013
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Unlined fretless has the side dots aligned with the note position.

Lined fretless puts the side dots between the note positions which are marked by the lines.

The Ibanez Portamento puts both lines and dots on the side with the dots between the lines. Again, the lines mark the note position, the dots are to help you remember you where you are on the neck.

All of this makes perfect sense to me but I hear that others think differently. What are your thoughs?
 
For me it makes perfect sense. Side lines on the notes and dots in the middle for reference.

Here is mine:

IMG_20180208_202135.jpg


IMG_20180208_202034.jpg
 
Unlined fretless has the side dots aligned with the note position.

Lined fretless puts the side dots between the note positions which are marked by the lines.

The Ibanez Portamento puts both lines and dots on the side with the dots between the lines. Again, the lines mark the note position, the dots are to help you remember you where you are on the neck.

All of this makes perfect sense to me but I hear that others think differently. What are your thoughs?

The picture above is of a fretted neck/FB; the fret slots just got filled with veneer rather than metal frets. The dots represent the fingering positions for fretted reference. The dots are in the wrong locations for fretless positioning. Follow those dots, and you'll be
1/4 tone flat. I've defretted a couple basses over the years and have masked out the factory dots and put dots in the proper locations with a black sharpie.
 
I have trouble playing a lined board with the dots in between the "fret" position. Both my current fretli are unlined with the side dots at the "fret" position. I use them as a quick visual cue, and on fretless I have trained my eyes/ears to hit just below the dots (emphasis on the ear part). My theory is that lined presents more visual information which my brain then biases relative to the sonic information. But beyond my first fretless (which was a defretted SR800), all my fretli have been unlined. So there is a nature/nuture issue.

Just a theory, ymmv, enter as often as you like, offer void where prohibited, etc...
 
My Tune TWB63 started out fretted.
Then in 2010,I defretted it and added fret lines.
It still had the fretted dots in the old place.
Snapshot_20160501.JPG

I then last year,I had an unlined macassar fingerboard applied.Snapshot_20180114_3.JPG
The side dots now line up with the note points.
20180228_160804.jpg
 
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Someone said you need dots in some form, ummm NO, my upright doesn't have them. Since I started on upright I am probably less dependent on fret markers.
I prefer the face of the fretboard free of markings. So side dots are fine for me, I use mostly my ears. But, I can play them in either position, I prefer them not where the fret lines would normally be.

Edit, I was going to say you can always add dots where you want them. Use a White Out pen. Add the dot or small line where you want on the side of the neck. This will stick for quite awhile but you can remove easily with a fingernail and leave no damage to the finish. That is of course if you don't want to have a luthier do it more permanently you.
 
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Someone said you need dots in some form, ummm NO, my upright doesn't have them. Since I started on upright I am probably less dependent on fret markers.

Upright has a physical "marker" with the heel (usually Eb), so a lack of visual markers is a bit easier to deal with. A 24 fret fretless electric bass neck has no physical references.
 
Most of my good basses have a Volute like an upright. In assume that's what Nostatic means.

No, I mean the heel of the upright neck is usually around Eb (not talking about the nut - 6th fret equivalent). As you slide your hand up and down the upright neck, you bump into the heel which tells you that you're in that position. The heel of an electric neck is at the end of the fingerboard, so you don't have any physical reference between nut and end of fingerboard other than increasing width.