Tips and Tricks for playing a Ric

Jun 20, 2005
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I've owned three or four Rics (4003) in the past decade or so. Like many, I have a bit of a love/hate relationship with them.

LOVE
  • The tone
  • The appearance
  • The necks
  • The way they balance on a strap
  • The mono/stereo option
HATE
  • The way the edge/binding cuts into my right forearm
Perhaps a 4003S would solve my "hate" issue, but I love the look of the binding and inlay that would be missing. Sooooo....can anyone offer any time-tested tips or tricks on how I can adapt to a 4003 without hurting my forearm anymore? I'm open to hearing everyone's specific experiences with technique adjustment, wearing arm bands, etc.


EDIT: I would like to add that the reason I am asking is because I am considering going back to a Ric. My comfort zone has been Fender basses for a long time; I'm trying to see if there are solutions out there that will allow me to play a Ric just as comfortably as a Fender.
 
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I'm with you 100% that the look of the binding looks way better than a 4003s, but is also uncomfortable. The only way around it for me was to lower my strap so that my hand hangs over the strings, rather than resting my forearm on the corner and then dangling my playing hand over the strings
 
sell them all & get a 4004

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Interesting ideas, so far. Generally, I wear my basses about medium-height on the strap. It sounds like maybe lowering the bass may help to keep pressure off the forearm?

This will probably be a silly question, but is there a certain type of arm band that I should look for?
 
+1 on the wristband comment. My personal ergonomic issue was with the knurled knob that raises/lowers the mute pad. I play down there alot when using a pick and it was tearing up the side of my hand. Took the knob off and match it with a standard bolt from the hardware store. Problem solved.
 
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Perhaps a 4003S would solve my "hate" issue, but I love the look of the binding and inlay that would be missing.
I always thought the same thing. Been through about 11 regular 4003 models over the years. The "S" was just not for me. Until I found a Ruby "S" several months ago. It was ok in photos. But when it was in my hands? WOW!!!!!! The curves feel great, the edges feel great, the neck is the best of all of them I've owned. Just a perfect keeper. And I don't miss the look of the binding or inlays.
 
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Are you a fingers or pick player? I play my 4001 with a pick; it has a reissue horseshoe pickup, which restricts where I pick. I wear a wristband low on my wrist, which catches the binding when I pick behind the pickup (close to the bridge). When I pick in front of the pickup, I don't make much contact with the binding, this might have to do with wearing the bass medium high.

So, I guess it's the same advice others have given: wristband, and adjust the strap length for comfort, not for style.
 
This will probably be a silly question, but is there a certain type of arm band that I should look for?

I am using sheepskin. Don't have problems with my 4001, but playing my acoustic guitar, I needed a padding that can be placed on the guitar.

So I took sheepskin, sewed two vacuum cups onto the back (of the sheepskin), so I can place the sheepskin on my guitar without damaging the finish. Holds reliably.

However, it's placed on the side of the guitar. As the Ric has a narrow side, it may be best to place the vacuum cups on the front top and bottom; stretching the sheepskin from front top over the upper side via the back to the bottom front; e.g. by using cloth straps or a longer sheepskin.
Just mentioning, since placing vacuum cups on the back of your Ric might not be a reliable hold; since your body might rub away the cups.

Hope that helps, even if it sounds weird :D
 
sell them all & get a 4004

e4228408bffa8cdc7ffcc65e3e9b33d7.jpg

Correct me if I'm wrong, but doesn't this bass have different pickups; different controls, and a somewhat different sound from the 4003?

I suggest at least trying some different arm positions, and see if one can work; otherwise, KBD's suggestion may be the only choice.
 
Take a razor blade and shave down the binding to a 45 degree angle. Then smooth it out with fine grit sandpaper. Just be super careful not to mar the paint anywhere but the binding. Full disclosure, I don't have a Rick (yet) but I've don't this trick on all of my instruments with binding. It's basically a clandestine arm contour.