I have really no idea what forum this fits in, but octave pedals are often used to this purpose, so I'll stick it here. I also made an effort to search the forums for similar topics, but there are way too many to do so comfortably.
I would like to discuss the effects and playing techniques that would be helpful to achieving an old-school electric organ/piano tone that would be fitting for styles in funk, soul, and blues.
I have tried experimenting with my Boss OC-2, and it gets me somewhere, but not ultimately as far as I would like. Polyphony would be great, but I've heard mixed reviews concerning digital octaves. Tracking is also an issue, but a tip I received (using compression before the octaver) has helped me keep it relatively glitchless. For transparency, I have a Boss OC-2 and CS-3, Ibanez CF7, and EHX Bass Muff Deluxe.
My next question is that are there other effects which could help me, combinations of effects and technique, etc.? I've seen the EHX B9/C9/Key9, but I don't want to drop $200 on something before I know how well it works for bass (which is not often guaranteed).
I would like to keep this a live-friendly discussion, that is, propositions ought to be friendly to live contexts.
I would like to discuss the effects and playing techniques that would be helpful to achieving an old-school electric organ/piano tone that would be fitting for styles in funk, soul, and blues.
I have tried experimenting with my Boss OC-2, and it gets me somewhere, but not ultimately as far as I would like. Polyphony would be great, but I've heard mixed reviews concerning digital octaves. Tracking is also an issue, but a tip I received (using compression before the octaver) has helped me keep it relatively glitchless. For transparency, I have a Boss OC-2 and CS-3, Ibanez CF7, and EHX Bass Muff Deluxe.
My next question is that are there other effects which could help me, combinations of effects and technique, etc.? I've seen the EHX B9/C9/Key9, but I don't want to drop $200 on something before I know how well it works for bass (which is not often guaranteed).
I would like to keep this a live-friendly discussion, that is, propositions ought to be friendly to live contexts.