1957 4000...1957 Rickenbacker 4001...
1961 4001
1957 4000...1957 Rickenbacker 4001...
I don't have an issue with the list of basses, but, really, isn't it about the players?
Doesn’t it also have to be a tritone burst with rosewood fretboard?In most instances I would agree with you, however it has been widely accepted as fact now that just holding a torted P-Bass will give you +10 to skill level and +50 to sex appeal.
I don't have an issue with the list of basses, but, really, isn't it about the players?
Doesn’t it also have to be a tritone burst with rosewood fretboard?
I've owned every bass on that list with the exception of the Ampeg AUB-1. And I was just watching a show on the Band over the weekend and saw Danko playing his and thought, I need to get one of those. I think the universe is trying to tell me something....
You know, Danko's very own (supposedly) Ampeg AUB-1 was up for sale on eBay a couple of years ago (if I remember correctly). Maybe it'll be relisted.I've owned every bass on that list with the exception of the Ampeg AUB-1. And I was just watching a show on the Band over the weekend and saw Danko playing his and thought, I need to get one of those. I think the universe is trying to tell me something....
Wasn't an oddball amp also part of Jack Casady's set-up? Even before the proto-Alembic electronics. A Versatone guitar amp or something like that, and lots of splitting of signals. I remember reading about his early set-up and thinking that if I tried to use such a set-up, electrocution would probably ensue.I find it strange that the author talks about Jack Casady's Guild single coil version and say never improved upon when it really didn't sound very revolutionary until they put all the proto-Alembic electronics in it. In fact, the photo used clearly shows that bass sporting the low impedance humbuckers and about 38 knobs and switches...