The cut just kept bleeding through all of this too, I ended up getting blood on the mothman drawing, the board I've got for the top and the walnut I'm going to use for the neck stringers. I'm not sure if I need to join a cult at this point, as I think I may have incidentally started one. 
There was quite a bit of panic, rushed actions, glue spread all over my pants, which were ruined anyway due to...uh...other reasons. I also got glue all over the neck and headstock which added a bunch of sanding time. All I could think about during whole endeavor was how badly I did not want to make another fretboard.
I can't remember where in the final process this is, but close to being finished.
Here too.
Finishing the neck blank meant I could carefully measure and align the template and rout the neck pocket. Here's a little mockery of the situation.
I have noticed that since offering it blood, everything I’ve worked on has gone swimmingly.I have certain..... doubts.... that the Mothman will be to offended about you bleeding on him, even in unassembled form. In fact, that may be what let you finish this part.
I routed out the body for the bridge block, chiseled the corners and glued it in with epoxy. This will give a nice hard level surface for the bridge to mount. It's 21mm thick and goes well into the cherry for a solid mount to the body. It's mostly hidden by the bridge. 
I'll be an Acolyte.I'm not sure if I need to join a cult at this point, as I think I may have incidentally started one.
...This is a ritual I regularly perform anyway... on purpose. 
The walnut had me at walnut tooYou had me at walnut!
There is some interesting stuff out there. To be honest, I can walk the beach weekly for two months without finding anything worth bringing home, and then only about 1/3 of that turns out to be useful. The best part is it's free! I think the guy that lives across the street from the beach I go to must think I'm nuts when he sees me unloading driftwood from my car and putting it on the beach.Dang @Beej you're making me think I need to spend time walking along the beach more often. That's some beautiful wood (and work)
My wife always offers to throw dog excrement into my builds, but I've usually declined this particular offering.I'll be an Acolyte.
Well, I'm secretly working on him too
). I then glued little half-dowels to the sides of the template to create little standoffs for screw holes.
I haven't noticed it before with wood or plastic, but I think if the top is thick, then one could potentially have to keep the pickup further away from the strings which could reduce some volume? I'm far from a pickup expert, but my understanding is that wood is magnetically transparent and doesn't directly impact it. Hopefully one of the pickup nerds can comment.
My covers usually only have a 2.5-3.0mm thick top, so they don't interfere much with the ability to adjust distance from the strings. I love the idea of the rope, nets and glass float. There's tons of such knick-knackery around here.Looking great! This thing is going to need a strap made from old rope and fish nets with a glass float accent
And since giving unsolicited advice is my superpower, when I saw the picture I also wondered what it would look like to continue the inlay theme onto the pickup cover, like the "window" in a gold foil pickup? Feel free to ignore or mock as appropriate
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We must be on the same page because I did up a template for a pickup inlay and everything, but decided not to do it for a couple of reasons. (I also planned to inlay it into the truss-rod cover and tops of the knobs ). The first was because the bass is already so visually busy, I thought it might be just a bit over the top. The second is because the top of the pickup cover would either have to have super thin inlay, or a thicker driftwood inlay would have to be routed into from the bottom of the pickup cover. Both of these present danger through 1) weakness of the top in final form, and also 2) the explosive nature of routing the stuff. 
