TIs sound good on single and double pickup basses.I’ve never tried the TI’s.....all of these praises makes me want to go try them. J or P?
TIs sound good on single and double pickup basses.I’ve never tried the TI’s.....all of these praises makes me want to go try them. J or P?
La Bella LTF cost me £33.58,for TI's I'm £37.51La Bella Low Tension, I find, a very close second to TI and a lot cheaper.
Lol yes. Is that an appropriate answer? I have them on 3 five string J’s, 2 four string J’s, 5 P basses, 2 Jack Casady’s, and a Tacoma Thunderchief.I’ve never tried the TI’s.....all of these praises makes me want to go try them. J or P?
Everyone always seems to recommend D'addario Chromes and Ernie Ball Cobalt Flats. The consensus is that they can get you close, but not close enough.
Has anyone mentioned either of the Dogal Flatwounds in this thread?
Actually, he didn't say that. He just said that tension affects tone.Your original comment was stating that the tension is the sole reason TIs sound like they do
Not quite. TIs are created like double bass strings, so there's a silk filament that runs the length of the string, which greatly affects the sound. The tension doesn't have an affect on the sound; it's a byproduct of their construction technique.
Double Bass strings come in a variety of gauges in light, medium and heavy (sometimes called orchestral gauge), and still sound the same. TI could make a "heavy" gauge set of their flats and achieve the same tone with more tension.
4 pages in and only one person has mentioned Sadowsky flats? Specifically the new Blue Label flats.
I have TI Jazz Flats on all of my basses but one (both fretted and fretless). My traditional Precision bass (American with David Allen pickups) didn't work well with the TIs. For some reason, the lower tension bothered me on that bass, but not on any of the others. I absolutely love TIJFs. They are more "musical" to me than anything else I've tried, and respond to the different ways I play them.
After some experimenting and some advice here on TB, I settled on Sadowsky Black Label flats for that Precision bass. A bit more tension than the TIs, maybe a bit more bottom end, but they still have that piano-like musical quality to them. The bad- Black Label flats are discontinued, but there's a "new" Sadowsky flatwound released about a year ago, specifically the new Blue Label. I haven't tried them yet, but if I recall, others have written about some similarities to TIJFs, but with a bit higher tension.
Here's a thread on the new Blue Labels -- Opinions on the NEW Blue Label Sadowsky flats .
@ljazz might be able to give you his opinion on the comparison (now that he's had the new Blue version for a while) as he has extensively played both and provided a lot of feedback in that thread.
Good luck!
As a long time TI user, you will adapt to their tension unless you just can’t get over being a ham fisted gorilla
I used to tune my bass down a half step to Eb in a country band when I was using TI's on my American P and it sounded and felt amazing. Not sure why I ever took those strings off?I had TI flats on a 35.5" jazz style bass, and the magic sound wasn't there unless I downtuned. Tension is part of it.
I used to tune my bass down a half step to Eb in a country band when I was using TI's on my American P and it sounded and felt amazing. Not sure why I ever took those strings off?