One of them will easily handle a small acoustic gig. Two of them will handle a loud rock gig. They’re quite powerful.
I’ve got an sm112, used it last night, and it’s my favorite small cab. No problem handling a small- med volume gig with a nice big sound. I haven’t put it in a situation yet with a bashing drummer and will try not to but I’m not positive it wouldn’t hang.
An HPF is beneficial anytime you need an HPF. This room was insanely boomy at about 100hz, and generally useless below that. The HPF was handy here, but I also could have accomplished the same thing with the lowest band on the B1K set to 80hz.
Not me personally. The Pascal power module in the amp seems to work just fine. I will say that something about either the power module, the gain structure, or some other implementation seems to be highly dependent on EQ and gain knob settings. That's true of any amp, but seemingly more so with this design. As long as you keep the gain meter near the top of the orange or occasionally peaking onto the first of the two reds it will slam with the best of them. They even mention this in the manual, so it would seem that the designers took this into account. Additionally, those TF112 cabs can really take a beating without breaking a sweat. I've gotten away with just one of them rather than the pair on a gig where there wasn't room in the van to bring both and I just had to keep my fingers crossed that it would work. It did work by the wayHave you ever had problems with the 1 K not having enough power ? Just asking
