Do you use the POST option of your DI?

Hello everyone!

I'm not sure if this is the right place to ask this topic or if it would be better in the Live sound subforum, but I'm writing it here.
In the case that you use the DI out of your amp, which one do you use, PRE or POST?

I think it would be better PRE for the sound guy (I think it's easier to handle and make a better a sound). However, I also think that it will not get exactly the tone in your head.
In my case, I used to set it PRE with my Ashdown head, but now it's not working and I will have to use my Line6 Lowdown which doesn't have that option. It's just POST. So I was just wondering guys which one do you use?

PS I was using the Line6 before I bought the Ashdown and never had any complains. Actually, people always said good things about it. I was not aware about the PRE/POST option though xD
 
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Most sound engineers will want Pre. What you hear in your head or on stage will be nothing like it sounds out front.
You EQ may not work for the FOH and it will make the engineer's job harder to dial in a good sound and he wont have to dink with your volume when you change it for what you hear.
The best way to get the tone you want out front is to talk to the engineer and describe what you want. If you have a wireless, go out front with the engineer where you can hear what he hears and help dial in your tone. If you don't, see if you can get another band member to play your bass while you go out front.
 
I have onboard EQ...and I use it...often changing it during the course of a song as the urge strikes.
I also adjust the volume on my bass as I go from backup to lead.
I'm a sound system operator's worst nightmare...unless he's willing to spend some time talking to me beforehand about what I do and what I want...and understands his role is to "reinforce" not "produce" the sound.
 
Most sound engineers will want Pre. What you hear in your head or on stage will be nothing like it sounds out front.
You EQ may not work for the FOH and it will make the engineer's job harder to dial in a good sound and he wont have to dink with your volume when you change it for what you hear.
The best way to get the tone you want out front is to talk to the engineer and describe what you want. If you have a wireless, go out front with the engineer where you can hear what he hears and help dial in your tone. If you don't, see if you can get another band member to play your bass while you go out front.

Yes, everything that Dav said. For a bass player in a loud band in a club/concert hall/festival going through a P.A..

But I'm using 'post' right now and here's why; I'm fortunate to have an ongoing gig in a stage play wherein I play in a trio. It's a set-it-and-forget-it type of situation with lots of sonic space for my bass as the drums aren't mic'd. I know for a fact that what I'm hearing from my cab next to me is exactly what the audience is hearing in the house. And it sounds consistently great every night.
 
Post, always. Mic-on-cab second (or at the same time). The amp and it's EQ is part of the tone for me. Despite how that sounds, my EQ isn't extreme at all. If the guy can't handle it, it's probably his first day ever running a board.

If a sound guy insists on pre, he better have his A-game handy for the monitor mix (or the side man better, anyway). I don't actually think I've encountered a sound guy that couldn't handle post and/or a mic, though. Worst case has been solved by "Hear this: *play a few bars* I want that sound *points to amp*, out there *points to room*. I don't care how you do it, just don't scoop the balls out of it."

If you're going to run pre, might as well leave your amp at home physically since that is essentially what you are doing signal-wise... Why risk the damage to your back or the amp/cab taking it out if it doesn't matter in your signal chain?
 
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