How has bass education improved your playing?

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I took private lessons when first starting out from someone who was a bassist as a hobby but a classical pianist and composer professionally. I started out on piano and switched to bass when my garage band needed a bass player more than we needed a keyboardist, so I was able to follow a lot of the theory stuff, much of which I have forgotten at this point. My lessons mostly focused on songwriting, chord voicings, WHY things sounded the way they did, etc.

"You hear that cool effect in these Faith No More songs? That's because the bassist is laying down one line but the chords are changing around it in unconventional ways. Here's how to incorporate that into your playing."

That kind of thing.

As a result of focusing on that, I like to think I come up with some pretty interesting bass parts, even when having to work around two eight-strings in 200bpm songs. I would, perhaps, be even better at that kind of thing if I worked more on technique, timing, etc, but those are practice issues rather than things you can be taught.
 
I did take classical piano from the age of 10 and was enrolled in a college music program for two years. though I've never had an actual bass teacher, I've had numerous piano teachers and lecture instructors. In addition to 400 years' worth of repertoire, music theory, history, composition, sight singing...

I think the most valuable aspect of having a teacher was having someone to point out how tense I was when I was playing and having someone to police me for a couple years until I could learn how to identify tension in my playing and how the release of tension could improve my technique & stamina, as well stave off what I think would have been inevitable injury later in life.
 
I took private lessons from two Amazing players on Staten Island, NY, . Luckily I did that early in the game. Without those two great teachers, my technique would have been sloppy forever and I never would have progressed beyond a certain threshold. Lessons made me slow down and develop a clean, legato, finger plucking technique. They also put the right books in front of me to develop my sight reading skills. And gave me some key tricks to walk a line.
 
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