How I Play: My Rickenbacker 4001v63

Appropriate shmopriate. If you get any feedback that helps, then it was. I opened myself up for criticism on an original song and got pages and pages of useless tripe from haters, and then ONE POST made it all worthwhile, with some noteworthy feedback that was very helpful.

Leave our egos at the door, pick up our instruments and cameras, and other recording devices, and COMMENCE ROCKING!!!!
Speaking of One Post making it all worthwhile, I have to thank @rtav for a comment he made on my Roundabout cover. He mentioned that I had "Economy of motion" (great name for a band, btw). I knew what it was, but had never put it into words before. Not wasting movement - using all the strings and staying in a position (if possible) can be preferential to jumping up the neck, unless you're doing it for effect. That phrase he used has stuck with me for a while now. We can all learn from each other, if we "Leave our egos at the door, pick up our instruments and cameras, and other recording devices, and COMMENCE ROCKING!!!!"
Thanks for that one.
 
It's funny, since I retired, I seem to have less spare time than ever for doing something like this. Plus, I am a complete novice when it comes to editing and splicing video. Any recommendations for inexpensive, intuitive software?
I use Filmora to edit video. Video has always been an interest of mine. I have a huge movie collection. 3000+ movies that take up 3 Terabytes (3000 gigabytes!). I used to play around with the most basic editing software - Microsoft MovieMaker - but Microsoft stopped putting it on Windows when Windows 10 came out. It worked fine (for free), but when you start using effects, or large files it would often lock up and crash. It crashed a lot. When I decided to go forward with the channel, I wanted a decent video editing software program, so I did a lot of research. I had using a Split Screen in mind and Filmora had that feature. Man, it has a lot of effects, titles, overlays, etc. but it also has a quick edit feature that's really simple and easy to use. I've used it a lot, with some very large files (10+ gig movies) and it has never (touch Rickenbacker) crashed. Ever. It wasn't cheap (I think it was $69), but it is the most solid program, of any program I have ever used. Can't speak highly enough about it. I looked at Free stuff, but in my opinion, if you cheap out on video editors, you're going to be screaming at your screen a lot. I knew I was going to be using it often, so I got the right tool. Same with the lights and camera. It was a bit of an investment, but like your workshop, you need the right tools. Some stuff you can cheap out on, some stuff not. That's what you have to decide.

Actually, it's a lot like your wood shop. Only I build bass lines for fun! Last night I did "I Need You", Sandman" (which I had never played before) and "Ventura Highway" (which I had played maybe 10 times before), all in one night. I got a migrane halfway through and couldn't really see, so I was worried I got some text wrong, or something, but I was amazed that I didn't want to stop. It was satisfying to complete 3 videos, from start to finish in one evening, with maybe 30% of my vision! That tells me how much I like doing it. I guess maybe I was hoping this thread would turn out to be a little (very little) like one of your amazing build threads. I think there's a bit of potential. There's a lot to discuss; cameras, lights, sets, costumes, playing technique, angles, video effects, note selection, shielding, mods, song choice (requests), string choice, bass choice, bass effects, etc., etc. I think there's a world of discussion available.
 
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I was just in my photos folder, trying to help on another thread and I saw these pics of mine. So, for those that are not in the Rickenbacker Club and haven't seen my wacky Recording setup (TL;DR warning).

I dreamt up this setup over 40 years ago and finally made it happen just this year. It feels good. Works better than I thought it would. It looks more complicated than it actually is :rolleyes:. One of the nice things is, with Rick-O-Sound on a push/pull (my basses originally have a single jack - no Rick-O-Sound - @Aceonbass made me a couple of FANTASTIC wiring harnesses with New Old Stock 1960's Ajax Capacitors and ROS on a push/pull), I can take just my bass and amp (Mono) to a gig, quick and easy. If I feel the need, tearing down "Ground Control" and setting it up again is actually easier than it looks, though. Most of the cables are tie wrapped together, so when I unplug all the boards, it makes one big wiring harness that I just plug back in after moving it. I'm going to do a Rig Rundown video and a review of my Repro wiring harnesses soon.

studio.jpg


StudioLegend.jpg


ROS-Flow.jpg
 
Oh, and these pics show what my RP1000 Editor looks like on my PC screen. Options for Effects, Amps and Cabinets are selected, respectively. I use a Marshall Master Volume Amp Sim for the FireGlo Ric (with rounds and an extra 0.0047uf Cap on the bridge pickup) and a (believe it or not) Fender Blackface Twin Amp Sim for the MapleGlo Ric (with Flats and no exrtra brige Cap). Editing and saving up to 100 presets (on each board) is a breeze with a mouse click or 2. I have 10 banks of 10 user presets (100 total user presets). I label "F", or "M" at the beginning of the names, so I know if it's a "FireGlo" bank, or a "MapleGlo" bank.

Effects:
RP1000-Effects.jpg


Amp Simulators:
RP1000-Amps.jpg


Cabinet Simulators:
RP1000-Cabinets.jpg
 
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How do you decide when to use fingers and when to use a pick? I'm a guitar player and the first time someone handed me a bass way back on the 19th century I just assumed I should use the same pick I was using on my guitar. It was many years later when I noticed someone on tv playing with fingers and no pick. I've never learned to use just fingers, but I think some of the bass sounds and riffs I want to make cannot be done with a pick.

It looked like you were using a pick on Roundabout, but then I noticed just fingers on this last America thing Tin Man.
 
How do you decide when to use fingers and when to use a pick? I'm a guitar player and the first time someone handed me a bass way back on the 19th century I just assumed I should use the same pick I was using on my guitar. It was many years later when I noticed someone on tv playing with fingers and no pick. I've never learned to use just fingers, but I think some of the bass sounds and riffs I want to make cannot be done with a pick.

It looked like you were using a pick on Roundabout, but then I noticed just fingers on this last America thing Tin Man.
Thanks for listening and replying.
To decide on pick or fingers I use my ears. If I hear a click at the beginning of the note on the original recording, I figure it's a pick. Also, I ask myself what would be the most appropriate sound for that particular song. Then, I do research and see if I can spot what the original bass player used. You might also notice that I move from picking/plucking over the neck pickup, to doing it near the bridge. This alters the tone a lot. I also used a mute, dialed to different heights on some of the America tracks. So, I recommend experimenting until it sounds right to your ear.
 
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