Jazz Bass or a Ric?

@Mo Boogs sell the Gibson T-Bird.
Use that $$ to buy an Epi T-Bird Vintage(the new ones with the chrome pickups and great sound) AND buy a MIM Fender Geddy Jazz.

I've had a newer Gibson TB and multiple 60's Gibson TBs(used over a decade, sold in 1989).
The Gibson got sold because a Rondo T-Bird clone kicked it into the dirt at more than one gig.
Current "go to" basses are the new Epi vintage TB, Fender P, and Geddy Jazz(MIM). Greco's get pulled out sometimes just for something different.
 
JAZZ JAZZ JAZZ...Ric is nice but very much a one dimensional sound....but that is just my opinion....1-1/2 cents.
 
A few years ago I purchased a brand new Gibson Thunderbird. It’s an awesome looking rig and has pretty good meaty tone but I just don’t find myself grabbing for it when it time to R’N’R. My other ride is an American Standard P. I’m seriously considering trading the T-bird and a rare Marshall in for a brand new American Jazz Bass. Also in the back of my mind is a Ric 4001. Any recommendations between the two? I play in a classic rock cover band that does 70s, 90s pop and Smithereens and a power trio. I’m just wondering is the Ric more of a one trick pony? I also dig playing funk every now and then and I know a J can nail that.
My vote is 4001. Youtube has funksters spanking it. More versatile than one tone only jazz
 
Anyone who thinks Rics are "one-trick ponies" or "not versatile" doesn't know much about them. Chris Squire and Paul McCartney sounded nothing alike on their Rics.

For someone who already owns a P-bass, either a J-bass or a Ric will open up some new sounds, and there is some degree of similarity between them (Geddy Lee switched from a Ric to a Jazz and you could hardly tell on the records), but I would argue the Ric will provide more variety relative to the P-bass. P's and J's still sound basically like Fenders, and neither of them has a pickup as far toward the neck as a Ric, which makes for quite a different tone.
 
My vote is 4001. Youtube has funksters spanking it. More versatile than one tone only jazz

It comes across that you don't have much experience with the o̶n̶e̶ ̶t̶r̶i̶c̶k̶ ̶p̶o̶n̶y̶Jazz Bass. They're considered one of the most versatile basses ever created.

I'm NOT saying that the Ricky is not versatile either BUT they are typically modded to achieve more versatility... both Squire and McCartney had done special mods, they weren't typical by any means.
 
Most basses from any manufacturer are "typically modded to achieve more versatility" -- half the discussions on TB are about replacing pickups, pots, etc. to get a certain kind of tone, after all.

But you don't have to mod a Ric (particularly a modern 4003 with the push-pull knob, which basically makes one of the classic Ric mods official and goes it one better by making it optional) to get a good approximation of Squire's or McCartney's tones (as good an approximation as you're likely to get without using the same amp, recording studio, engineers, etc. as they did for their classic records). Squire's is basically a typical Ric bridge pickup sound pushed to extremes, with Rotosound 66's, very low action (fret buzz is actually part of his sound) and some clever studio engineering (he never sounded the same live). McCartney's is the neck pickup with flatwounds and the tone knob rolled back. In both cases, obviously, a suitable amp with the right EQ settings helps a lot.
 
Let the ox goring begin!!!!!
Nice to see this thread has descended into another Rick bashing thread. :rollno:

JAZZ JAZZ JAZZ...Ric is nice but very much a one dimensional sound....but that is just my opinion....1-1/2 cents.

My vote is 4001. Youtube has funksters spanking it. More versatile than one tone only jazz

Anyone who thinks Rics are "one-trick ponies" or "not versatile" doesn't know much about them.

It comes across that you don't have much experience with the o̶n̶e̶ ̶t̶r̶i̶c̶k̶ ̶p̶o̶n̶y̶Jazz Bass. They're considered one of the most versatile basses ever created.