Maybe the old fashion way .... call them? Just a thought.
....Fender 9120 Tapewounds, end of discussion. Tension similar to rubberbands, easy on the fingertips, and last literally for years because crap doesn't get into the windings. Tone is somewhere between dead rounds and flats. Highly recommended.I recently picked up a cheapo Asian-made Höfner Club Bass for next to nothing, because the top has started sagging underneath the bridge - the two layers of the laminted top had separated there, I assume it might have got hit on the bridge or sat in a case that wasn't tall enough.
At any rate, I tinker around with guitars and basses a lot, so I used this opportunity to test my repair skills - wicked in some glue between the separated plywood layers, and glued a layer of maple veneer as a kind of bridge plate to the inside of the top - seems solid now...
But still, I don't want to take chances, so I'm going to use lower tension strings; the bass came with roundwounds (which I hate) - on my Precision I use D'Addario Chromes flatwounds, not sure what to use here?
I heard Thomastik Infeld flats have less string pull than other brands? What about tapewounds? Never tried those, how's the string pull with these, compared to flats? LaBella makes those in medium scale (which I need for the Club Bass). Other options for low tension strings?
BTW, the tone I'm shooting for is a thumpy, upright-bass-like old-school tone (I only use the neck pickup, and pluck the strings near the end of the neck).
....Fender 9120 Tapewounds, end of discussion.
Except they don't come in the string length that is needed for a Hofner. The Fenders only come in Fender length made for top load bridges scale. I know, I have them on my P-inspired fanned fret bass that has a 34 inch E string and the strings fit the standard Fender headstock. They are too long for a Hofner and will break trying to wrap the speaking portion of the E string around the thin tuner post.....Fender 9120 Tapewounds, end of discussion. Tension similar to rubberbands, easy on the fingertips, and last literally for years because crap doesn't get into the windings. Tone is somewhere between dead rounds and flats. Highly recommended.
My experience is that the tapes (at least the ones i have) tension is like a roundwound. Definitely more flexible that my ghs precision flatsGreat sound, but 65-115 gauge might require a bit of work on the nut - and I'm not sure how much string pull they have (as I said, I'm looking for something with less tension - no experience how tapewounds compare to flatwounds there...)
I recently picked up a cheapo Asian-made Höfner Club Bass for next to nothing, because the top has started sagging underneath the bridge - the two layers of the laminted top had separated there, I assume it might have got hit on the bridge or sat in a case that wasn't tall enough.
At any rate, I tinker around with guitars and basses a lot, so I used this opportunity to test my repair skills - wicked in some glue between the separated plywood layers, and glued a layer of maple veneer as a kind of bridge plate to the inside of the top - seems solid now...
But still, I don't want to take chances, so I'm going to use lower tension strings; the bass came with roundwounds (which I hate) - on my Precision I use D'Addario Chromes flatwounds, not sure what to use here?
I heard Thomastik Infeld flats have less string pull than other brands? What about tapewounds? Never tried those, how's the string pull with these, compared to flats? LaBella makes those in medium scale (which I need for the Club Bass). Other options for low tension strings?
BTW, the tone I'm shooting for is a thumpy, upright-bass-like old-school tone (I only use the neck pickup, and pluck the strings near the end of the neck).
Good to know. ThanksExcept they don't come in the string length that is needed for a Hofner. The Fenders only come in Fender length made for top load bridges scale. I know, I have them on my P-inspired fanned fret bass that has a 34 inch E string and the strings fit the standard Fender headstock. They are too long for a Hofner and will break trying to wrap the speaking portion of the E string around the thin tuner post.
Sir Macca uses the LaBella flat Hofner set on his bass.
BTW, the tone I'm shooting for is a thumpy, upright-bass-like old-school tone (I only use the neck pickup, and pluck the strings near the end of the neck).
I've had thomastiks on my fretless for decades. They have a spongy easy to bend feel. Never feel tight or hard to play. Highly recommended to try at least once. Recently I put some bright flats on the stingray and they are working and slappable. The only thing I don't like is the gritty feeling. When you pluck its almost like a bow on a violin string. I think this is why Rudy Sarzo always used to lick his fingers. Left hand fretting up and down the neck is as smooth as butter.I recently picked up a cheapo Asian-made Höfner Club Bass for next to nothing, because the top has started sagging underneath the bridge - the two layers of the laminted top had separated there, I assume it might have got hit on the bridge or sat in a case that wasn't tall enough.
At any rate, I tinker around with guitars and basses a lot, so I used this opportunity to test my repair skills - wicked in some glue between the separated plywood layers, and glued a layer of maple veneer as a kind of bridge plate to the inside of the top - seems solid now...
But still, I don't want to take chances, so I'm going to use lower tension strings; the bass came with roundwounds (which I hate) - on my Precision I use D'Addario Chromes flatwounds, not sure what to use here?
I heard Thomastik Infeld flats have less string pull than other brands? What about tapewounds? Never tried those, how's the string pull with these, compared to flats? LaBella makes those in medium scale (which I need for the Club Bass). Other options for low tension strings?
BTW, the tone I'm shooting for is a thumpy, upright-bass-like old-school tone (I only use the neck pickup, and pluck the strings near the end of the neck).
That damage to the bass is probably due to an impact … the proper repair would be an installation of a solid wood block inside the hollow bass body under the bridge ...
that is probably not what you want to hear at all ...
a good luthier may be able to put some wood dowels in the body under the bridge
That style of bass has a unique tone that is interesting
TI Jazz Flats are terrific, and pretty low tension. Can you get them cheap in Vienna?