Double Bass Naming notes/tunings wrong on purpose?

Maybe the „soprano flute“ is a equivalent to the German „große Flöte“ which means the standard flute, but is seldom used.

In my (German) experience the terminology is exact, sonetimes with several names for the same instrument. At least in the classical and jazz scene.

But people with a very limited background and experience use wrong names for the instruments which gives the impression that there is naming chaos. But this chaos is produced by peoples use of names, not by definition.

The soprano recorder is typically taught in German elementary school as a first instrument (relatively cheap and easy to understand). All parents know this kind of instrument as „Flöte“ (flute) whereas it should be named correctly as „Blockflöte“ (recorder).
The naming of the size and basic pitch differs in some points from the flute and recorder family too. This can mix up people with partial knowledge and again generates more chaos.

Naming and existence/use of instrument sizes often also depends on the kind of ensemble. AFAIK the Eb flute and clarinet is used in military and marching bands only.

Sorry if I‘m not that familiar with alternate English names for flute, but in Germany if I hear the name flute from an amateur player, in almost all cases this means (soprano) recorder (sounding an octave above the orchestral flute).
So I always have to ask if they mean (traversal) flute („(Quer-)Flöte“) or recorder („Blockflöte“).
And often enough they simply don‘t understand the question or the difference …

OK, so let's run this pop fly out (sorry, you'll have to look it up).

For clarinet, flute, and saxophone the term "soprano" applies to the instrument where six fingers down gives a D just above middle C on the piano, or in the case of the Bb instruments, it gives middle C. However, most people refer to the common flute as "flute", "concert flute", or "C flute".

For all three of these families, "Alto" means a fourth or fifth below that: alto clarinet in Eb, alto sax in Eb, alto flute in G.

Unfortunately, after that it all goes to hell. An octave below the soprano voice is called "tenor" for saxophones and "bass" for flute and clarinet. An octave and a half below the soprano is called "baritone" for saxophone; "contra-alto_ for clarinet, and the flute makers can't agree on what to call it. Then two octaves below the soprano is "bass" on saxophone, "contrabass" for clarinet and flute. There's a rare contrabass saxophone, two and a half octaves below the soprano. I don't think flute or clarinet has anything in this position, but I'm not sure.

OK, let's go upward. On sax you have the sopranino a fourth above the soprano. Flute has the rare Eb which is ALSO called "soprano" at times, even though it's almost an octave above the alto flute, and there's the even more vanishingly rare G flute called "treble" (well, hell, everything above middle C on the piano is "treble", so what does THAT mean?); clarinet has the Eb clarinet which everyone just calls "Eb" but could be called "sopranino". Well, that's the top of the normal sax and clarinet families, but we have the flute an octave above the soprano flute, which is called the piccolo ("little") but could, I guess, be called the "sopranissimo" flute. If we followed saxophone terminology, the Eb and G flutes might be called sopranino flutes by analogy with the sopranino saxophone.

As far as I know all these names are the same in German (you may correct me on this), so the statement that "in German the terminology is exact" I suspect is not really accurate. I do know that Theobald Boehm called the flute in G the "bass flute" where we today call it the "alto flute".

It's true that in the US the Eb clarinet is largely a concert band instrument but it IS considered a standard orchestral instrument, just not one that's used very much. Kind of like English horn, heckelphone, or celesta. It's my understanding that the Eb flute may have been made to allow flute players to play Eb clarinet parts when there wasn't an Eb clarinet player competent to cover them - but the tone is quite different. Honestly there's not much use for the Eb flute which is why they're not made any more (except for one maker that makes a tiny number of INCREDIBLY EXPENSIVE Eb flutes). I"m unaware of any use for or makers of G flutes, but it'd be pretty handy for some of that Cuban charanga music where ordinary C flute players have to spend all their time wiggling around in the third octave (and up into the fourth!!)

No one in the US calls a recorder a "flute" any more. I'd guess that's because when the instruments started coming over the Atlantic the transverse flute was already well established in European music, whereas of course Europeans were there and playing "recorders" before there ever WAS a transverse flute, so to Europeans there are TWO basic "flutes" the block or fipple flute and the transverse.
 
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Memories...

As a kid in 4th grade my teacher taught us recorder. I think it was fairly common in the USA in those days (early 1960s). It was an excellent experience for me -- my musical wings on violin had just been clipped by a zealous school band teacher because I couldn't sight read. It left me pretty depressed, had it not been for that recorder/teacher experience I might have quit music altogether. I still have some recorders around the house, although now I'm more likely to pick up my flute or piccolo. Remarkably, I still remember that recorder teacher's name.
 
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One of the reasons I took up the bass was struggling to play the Eb clarinet after being talked into it in Junior High. Another interesting saxophone is the F mezzo,between the soprano and alto:cool-sounding horn.
 
One of the reasons I took up the bass was struggling to play the Eb clarinet after being talked into it in Junior High. Another interesting saxophone is the F mezzo,between the soprano and alto:cool-sounding horn.
Yeah, "mezzo" was Conn's marketing name; I think organologists would consider it an F alto, just like the C soprano sax (which I have one).
 
Memories...

As a kid in 4th grade my teacher taught us recorder. I think it was fairly common in the USA in those days (early 1960s). It was an excellent experience for me -- my musical wings on violin had just been clipped by a zealous school band teacher because I couldn't sight read. It left me pretty depressed, had it not been for that recorder/teacher experience I might have quit music altogether. I still have some recorders around the house, although now I'm more likely to pick up my flute or piccolo. Remarkably, I still remember that recorder teacher's name.

Funny, hate recorders and that's what I had to play in elementary school as well. Recorders ARE the reason why I hated music until I heard the band Queen when I was about 13 years old. :)
 
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Funny, hate recorders and that's what I had to play in elementary school as well. Recorders ARE the reason why I hated music until I heard the band Queen when I was about 13 years old. :)
I think in my case, as much as anything it was the teacher's approach -- everything was playing by ear, no written music. There might have been some form of recorder tablature, but that's it. I was probably more ready for that than any other musical mode at that time. Remarkably, most if not all of the other students enjoyed and did well in the class. That teacher probably started 30 kids on their way to enjoying and playing music by ear.
 
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Hey @turf3 — Great explanations!
As far as I know all these names are the same in German (you may correct me on this), so the statement that "in German the terminology is exact" I suspect is not really accurate. I do know that Theobald Boehm called the flute in G the "bass flute" where we today call it the "alto flute".

I'll just point out that in German there are other names for the instruments we're talking about. I'm not "correcting" though :
Recorder = Blockflöte (German)
Alto Flute (G flute) = Altflöte (German)
C Flute = Querflöte (German)...or just plain ol' ... Flöte (German)

@DoubleMIDI could elaborate on all of the names, I'm sure.

I'm surprised nobody has brought up the much-discussed topic of using tenor-clef in classical bass music. I've been working on a couple of classical pieces lately, and it takes me a minute to switch gears when the part jumps to tenor clef... I find myself asking "Is this really better to read in tenor clef than in treble or bass clef, 8va???"

There are some discussions on TB about tenor clef here, here and here.
 
Of note is that Ludus Gravis recorded Terry Riley's 'In C' as arranged by Scodanibbio for double bass and re-titled and transposed as 'In D.' Which is perfectly reasonable but turned out to be recorded in solo tuning, resulting in the piece 'In C' being referred to as 'In D' and performed in the key of E which, if you share my sense of humor, is both hilarious and possibly my current favorite record.

This is made even funnier by that fact that I went to verify this with a tuner just now and found out that I'd left this tuner in A415 for baroque hijinks and it told me the song was in F.

There's probably something to be said about not confusing maps for territories.