I wish I could use a pick well, but I can’t. I don’t care if other players use a fork or their elbow. The method in which a bassist puts the string into oscillation is of no concern or wish of mine.
From an interview with Joe Osborn:
On switching from guitar to bass:
"...I was the new bass player. Still got the pick, lotta treble on the amp. I didn't know anything about playing the bass or what it's supposed to sound like. I got it where I thought it sounded just fine. I wanted to hear the notes instead of booming around. Some of the upright bass players and electric players who had converted from upright, were busy trying to get their new electric bass to sound like that. And I got a lot of flack playing this clicky sound with a pick. "Oh no! One thing you need to know," they were telling me. "It's that the bass needs to be felt and not heard." Well, that snowed me for a second, And I thought "Well, if I gotta do that, I can't do it, so forget that, this is what I like." I don't care whether it sounds like a bass or not. Sounds good to me! So I stuck with that, and it eventually proved to be good."
I grew up watching The Wild Wild West on TV so to me, pick bass is a normal part of everyday life.
With you there. But I continue to try and get better with a pick. And unless someone has rewritten history, Paul uses a pick.Carol Kaye used a pick also, and sometimes a mute. Might be a studio/recording thing, I dunno. I've tried it over the years and have always found it awkward as opposed to using my fingers. I use a pick to play guitar but it never worked for me on bass.
From an interview with Joe Osborn:
On switching from guitar to bass:
"...I was the new bass player. Still got the pick, lotta treble on the amp. I didn't know anything about playing the bass or what it's supposed to sound like. I got it where I thought it sounded just fine. I wanted to hear the notes instead of booming around. Some of the upright bass players and electric players who had converted from upright, were busy trying to get their new electric bass to sound like that. And I got a lot of flack playing this clicky sound with a pick. "Oh no! One thing you need to know," they were telling me. "It's that the bass needs to be felt and not heard." Well, that snowed me for a second, And I thought "Well, if I gotta do that, I can't do it, so forget that, this is what I like." I don't care whether it sounds like a bass or not. Sounds good to me! So I stuck with that, and it eventually proved to be good."
I toyed with picks since starting out Marshall, but it wasn't until joining Bond Girl that I focused on it. It's second nature now and I never drop a pick. I can also cup a pick, play finger-style, and return to the pick within one song.With you there. But I continue to try and get better with a pick. And unless someone has rewritten history, Paul uses a pick.
I agree - I dig the articulate "plunk" a pick brings to the table. It's usually a blend of bass/strings, amp/speaker and technique. I favor mid-centric basses with nickel strings (rounds or flats) and a 15" or 18" speaker cab. The amp-cab brings the low-end and the bass/how I play it delivers the articulation/tone.Been playing bass for 31 years and have never used anything but a pick. Love the way the string responds and the clarity of the notes. That said, probably half of my favorite bass players are finger players only.
See user name. About 60/40.