Precision-bass vs Jazz bass, same old story :)

Spare yourselves from all the doubts and reiterate mistakes and regrets about churning from one to the other. Conclusion is that you need BOTH, lol Been there, done that many times, and now I am in peace with the universe.
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Used to Precision bass-my improper technique prevents me from fully taking advantage of Jazz basses. On a PJ it's different-do not currently have one, but could enjoy it without altering my right hand finger work. Do not know how to use a pick (harder and slower/clumsier than fingers at this point-not being anti-pick). It is not a flaw with the Jazz Bass itself, but with my way of playing-it is likely perfect for 99.9% of everyone else.

I admit I *could* play any 4 string bass, just does not feel the same due to lacking the finger feedback of a "ramp"-a Jazz with an installed ramp would be fine. I do use humbucker basses without issues, as I can use these more easily as "ramps". I also enjoy playing over the fingerboard, using it as a ramp as well for deeper tones.

Due to the scooped sound, the Jazz can sound nicer to many, but I do prefer the mid-rangey and "honky" tone of the Precision-which again, is just what I am most used to. But Jazz basses honestly have a great tone for thousands of musicians. Blame the bassist, not the bass (my issues alone.)

Some music loves Jazz basses. But anything can work, if one puts in the work.

(Right now I do not need more basses, but wouldn't mind a PJ, or a J with a ramp.)
 
I’ve said this ad nauseum…

Jazz or Jazz-style
Precision or Precision-style
(I add the “-style because my Jazz and
Precision basses are not Fenders)
Stingray (only one stingray)
Fretless

And maybe for traditional Gospel, a Ken Smith or MTD….:D

With these 4 (or 5) instruments, one should be able to cover most anything.
 
Used to Precision bass-my improper technique prevents me from fully taking advantage of Jazz basses. On a PJ it's different-do not currently have one, but could enjoy it without altering my right hand finger work. Do not know how to use a pick (harder and slower/clumsier than fingers at this point-not being anti-pick). It is not a flaw with the Jazz Bass itself, but with my way of playing-it is likely perfect for 99.9% of everyone else.

I admit I *could* play any 4 string bass, just does not feel the same due to lacking the finger feedback of a "ramp"-a Jazz with an installed ramp would be fine. I do use humbucker basses without issues, as I can use these more easily as "ramps". I also enjoy playing over the fingerboard, using it as a ramp as well for deeper tones.

Due to the scooped sound, the Jazz can sound nicer to many, but I do prefer the mid-rangey and "honky" tone of the Precision-which again, is just what I am most used to. But Jazz basses honestly have a great tone for thousands of musicians. Blame the bassist, not the bass (my issues alone.)

Some music loves Jazz basses. But anything can work, if one puts in the work.

(Right now I do not need more basses, but wouldn't mind a PJ, or a J with a ramp.)
Ramp?
 
Its taken me nearly 40 yrs but I've finally realised the P bass is it for me. Prob got something to do with experience, my technique fits it perfectly....and I always get compliments on the slam eminating from where Im standing. Light smallish body, nice hand filling neck shape and total simplicity means I can concentrate on the music and not spend the gig fiddling which is what I notice watching a lot of jazz bass players.