Rounds for P Bass

Dunlop Super Bright Nickels are my favorite strings right now but I wanted a little higher tension string on my P Bass so I tried my old standby DR Nickel Lo-Riders and they weren't bad. I ended up being really happy with the Elixir Nickels on that bass and they had a nice, bright'ish top end. YMMV.
 
I use these on my P's. They last, they respond, and sound good through different genres.View attachment 1911736

They were a strong choice for me for many years, but the manufacturing process has substantially changed (including no silk which makes mounting on the G tuner a real pain). I'd steer clear these days. Enjoying DR Pure Blues as an alternative.
 
They were a strong choice for me for many years, but the manufacturing process has substantially changed (including no silk which makes mounting on the G tuner a real pain). I'd steer clear these days. Enjoying DR Pure Blues as an alternative.
Just strung up my Ibanez SRX400 with a set of Pure Blues for a fest I played this past weekend. I used to have Sunbeams on that thing, too. Would have kept using them, but the local GC didn't have them. Went for the Pure Blues cuz the box was blue, like Sunbeams (which is a great reason to choose a set of strings). They sounded really great! The SRX400 has a 4 band Audere installed in it that lets me boost 1k, which mixed really really well with the voice of those strings. That's what made me pose this question, actually. I really liked the Sunbeams on that Ibanez, but the Pure Blues were just hitting the mark so well that I think they may have become my new go-to string for that bass. Got me thinking there might be a better string out there for the P, as well.

+1 for Boomers, but those red wraps on a blue bass are gonna annoy me. I know I shouldn't care, but I do. It's the same reason I won't stop using Rotos on my T-40s (one of the pair is red, and I like the matching wraps) despite the fact that they die faster than a mayfly.

Dunlop Super Brights worry me since the Split P pick-up is already brighter than your average P. I like some zing to my tone, but I dunno if the combo of bright strings and bright pick-ups will put me over. I watched two vids of the Super Brights at work, both on Jazz Basses - had to work with what was available. One demo seemed like they had a sweet kind of tamed high, the other demo the highs were out of control. Hard to get any real idea of what those strings will sound like with youtube vids, tho.

Really interested in checking out a set of the Sfarzos, but I am weary to try a coated string after getting burned by set of Elixirs a few years back. I know not all coated strings are created equal, tho. I have been using Black Beauties on a 91 SR PJ I have, and I'm happy enough with them. The coating is starting to wear, but it's not gumming up like the Elixirs did.

I used to use Blue Steels when I played guitar in high school. I really liked them, though my opinion on anything at that age should be taken with a grain of salt.

My thought process with the P bass and it's strings is this -

By the nature of the location and style of the pickups in the bass, I would say there is a propensity for 300-800hz to be somewhat augmented. The pick-ups seem to expand the top range and and focus around 4k, maybe even higher. I feel like the area I want a set of strings to shine would be in the 1-2K area.
 
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I have been a huge fan of GHS Bass Boomers for 30+ years. I use them on all of my basses with the exception of my Am Std P bass. On that P bass I have been using Fender 7250ML strings and have been super pleased and surprised by them. My hands sweat a lot and I can burn through strings. I also clean my strings often to try to add longevity and brightness. The Fender 7250MLs have been lasting longer than most any other string I have tried and I love the tone they get with the P bass. The price tends to be low on these also.
 
I have been a huge fan of GHS Bass Boomers for 30+ years. I use them on all of my basses with the exception of my Am Std P bass. On that P bass I have been using Fender 7250ML strings and have been super pleased and surprised by them. My hands sweat a lot and I can burn through strings. I also clean my strings often to try to add longevity and brightness. The Fender 7250MLs have been lasting longer than most any other string I have tried and I love the tone they get with the P bass. The price tends to be low on these also.
I have very little experience with Fender strings. I've actually been pretty biased against them. I dunno why, but I have a hard time taking them seriously in comparison with companies like DR, GHS and Rotosound. Maybe I should give those 7250s a try, but in a heavier gauge. I've been stringing my jazz bass with .110 Roto 66s and it feels pretty good. The feel is stiff - kinda feels like it's strung with old tv antennas - but I like it
 
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I've only used 2 kinds. Rotosounds, and when I couldn't get them Boomers. Had a place up in Highwood put a nut on for me and he asked if he wanted me to put strings on it, they didn't have Rotos so he put on DR I think high beams. Very nice. I'd use them again. I've tried the "flat thing" I just couldn't handle it. They felt weird. But I've got a set of LaBella tapewounds coming today, I have a feeling I'm gonna like them. They will go on my 12lb Precision (NOT A "P") with the Geezers on it.

I have always been a roundwound guy...should be interesting.
 
I have very little experience with Fender strings. I've actually been pretty biased against them. I dunno why, but I have a hard time taking them seriously in comparison with companies like DR, GHS and Rotosound. Maybe I should give those 7250s a try, but in a heavier gauge.

I always had the same perception of Fender strings, but when I bought that P bass new, I really liked the strings on it and stuck with them. Haven't tried anything else. I'm typically a light gauge player, but I dig the mediums on this (again, what it came strung with) and have stayed the course.
 
Agreed- I use the 66.
I use Rotos on 3 of my basses (two T-40s and this 70's style Jazz I converted to dual MM buckers). On all three of these, my decision for using Rotos is for the worst of reasons: The 70s style jazz cuz I'm trying to only use parts and accessories available in the 70's, and the T-40s cuz one of them is red, and I like that the strings wraps match the finish. I like to keep the same strings on both of them so the white '79 T-40 gets the Rotos, too.
 
I play a Fender American P5 for what it's worth, stock electronics, and Rotosound 66s are my go to. Period. I love em.

Much like the OP, I tend to boost around 1k as that's where the EQ point for the Hi-Mid on my GK is centered. Have done a bit of string experimenting and I keep coming back to the Rotos. Particularly liked the Billy Sheehan set + a .135 for my low B. When I can't get those, EB Slinky are my fallback due to availability in local stores, but I've never been too crazy about them. They're just missing something, to my ear and in my context. Tried the flatwounds thing using Rotosound 66s. Wasn't a fan. They just don't work for my playing style.

I used to have an Ibanez BTB 6 string and I loved DR High Beams on it with D'Addario Pro Steels being a close second. However, on my P5, Pro Steels just don't cut it anymore. They sound odd, something's off. Still can't determine why they sound so off to me now. Have yet to try High Beams again, but plan to do so.

Also thinking about going back to my high school days as a guitarist and trying GHS Boomers and Dean Markley Blue Steels. Nothing but time and money, right?
 
I've only used 2 kinds. Rotosounds, and when I couldn't get them Boomers. Had a place up in Highwood put a nut on for me and he asked if he wanted me to put strings on it, they didn't have Rotos so he put on DR I think high beams. Very nice. I'd use them again. I've tried the "flat thing" I just couldn't handle it. They felt weird. But I've got a set of LaBella tapewounds coming today, I have a feeling I'm gonna like them. They will go on my 12lb Precision (NOT A "P") with the Geezers on it.

I have always been a roundwound guy...should be interesting.

I use Black Diamond Ultra Jazz flats on my fretless acoustic. Those strings are phenomenal! The only reason I wont use them again is their tension is too much for the belly of that acoustic - it's starting to develop a little bulge. I'll probably be looking at some of the newer low tension flats that have popped up. There are rare times that I won't touch any of my fretted electric and just play that acoustic for a few days. It feels so strange going back to fretted basses with rough strings after those days.
 
I use Rotos on 3 of my basses (two T-40s and this 70's style Jazz I converted to dual MM buckers). On all three of these, my decision for using Rotos is for the worst of reasons: The 70s style jazz cuz I'm trying to only use parts and accessories available in the 70's, and the T-40s cuz one of them is red, and I like that the strings wraps match the finish. I like to keep the same strings on both of them so the white '79 T-40 gets the Rotos, too.
Maybe consider the Rotosound Nickels?
 
Maybe consider the Rotosound Nickels?
Do they die as quickly as the steel Rotos? I really hate that I have grown to love the tone of Rotos on certain basses, since they only sound good to me for about a month. New Rotos on my double MM bucker Jazz are unbeatable, though! Also would prefer to stay away from red silk. The bass is blue, and from a purely aesthetic perspective, I think red wraps will look a little loud.
 
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