Shielding successful for my PBass using conductive adhesive tape

Not all shielding paint is alike. I don't like the water based stuff.

I use solvent based shielding paint (Miller-Stephenson MS-487N) which works well but may be hard to find.

The good thing about solvent based paint is that subsequent coats bite into the initial coat so there's good adhesion and continuity between coats as a film thickness is built up. The solvent based paint also wets out the surface it's painted on better than water based material. And with the amount of toluene it contains, it dries very fast.

Also, not all copper foil is the same. The first foil I ever used came with a Carvin bass kit 20 plus years ago. It was thick, stiff, and miserable to handle. And the adhesive backing was low grade and had a short adhesion life before detaching from the surface being shielded.

Higher grade copper foil is thinner, easier to work with and has good quality adhesive backing.

I generally use copper foil when it's easy to apply, such as on the underside of cavity covers and pickguards, and use paint when foil would be a major nuisance.

I had a vintage tube amp whose chassis cover panel needed to be re-shielded. It was a lot of surface area to shield and good copper foil is expensive. I shielded the panel with aluminum foil glued down with 3M aerosol contact cement. It worked very well.
 
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I did the same for my Player Precision even though the black paint in the cavity is SUPPOSED to be conductive (total BS From what my multimeter measured).

^This!

I modded a lot of guitars and basses for myself and friends. And I’ve found that the so-called conductive paint actually isn’t about a third of the time, and too thinly applied to be more than marginally effective about half the time in any event.

Conductive adhesive backed copper foil can be a little fussy to work with until you get the hang of it. But it works better for most people. And it sure beats applying several coats of messy, and IMO ridiculously overpriced, shielding paint. Copper foil is also easily removable. So if you have a vintage collectible and you’re worried about hurting its future resale value, you can always remove the foil with nobody being any the wiser prior to selling it.

tl:dr - Don’t bother with shielding paint unless you’re making a lot of instruments. Copper foil is a better option for one-offs and small production runs. And if you do insist on using shielding paint, definitely heed @Low Main ’s recommendation to go with a solvent rather than water based product for the reasons given.
 
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