Show us your "parts basses"

I like mint guards, I have one on my Fiesta red early '60s bases parts jazz bass build. However, Aztec gold + tort + rosewood is an automatic classic combo, IMO.

Since I mentioned it and I guess I never showed it here.

My working name for the one above is Project 58 and I this one is 601234 Jazz. Fiesta red and mint are PITA colors to photograph well.

Two piece alder body from Warmoth. Fender American Original '60 Jazz bass neck.

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Fiesta red finish on body by Marty Bell. I asked him to put it on thin and did exactly that.


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Lindy Fralin split coil Jazz bass pickups with typical stacked CTS pots, Switchcraft jack, and .47uf orange drop caps.


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A/38 mm nut width, bone nut, heavy rolled fingerboard edges by me, Gotoh Res-O-Lite GBR640-4 Nickel tuning machines.

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C neck profile, .80" at 1st fret, 1.00" at 12th fret, lacquer finish.
 
Ok, not "really" a parts bass, but it's close enough.

2021 Samick built Squier CV 50s P purchased direct from fender, with upgrades.

SD SCPB-3 Quarter Pounder, Fender brass high mass bridge, Schaller strap locks, Fender vintage neckplate (for vanity), Gotoh FB30LP lollipops, Graphtec Tusq-xl nut, Hipshot string retainer, and very soon to receive full size CTS 500K pots, orange drop, 22 gauge silicone wiring, genuine Switchcraft jack, and Hipshot O ring knobs. Possibly a pickguard delete.

I name all my basses. This one is Bumblebee.

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Hanging out with its stablemates...

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Boy... I'm getting a lot of milage out of posting this parts bass... But, I gotta tell ya... I love it!

This bass was built up recently... The pups are Lollars with a 920D Custom PB Pre-Wired Wiring Harness, the neck is a Nash, and the body is a nitro finished, MIM Nate Mendell... All other hardware is Fender/Fender licenced... Turned out a little heavier than I wanted (about 11lbs), but it sounds wonderful -- not to mention it has a look I've always wanted but could never quite get from Fender (including the custom pickguard with a wide bevel so the white really pops)!
My local Luther put it together... Mr. Mike Drasin of East Bay Guitar Repair... He did a wonderful job. The parts came together perfectly... It looks vintage, sounds amazing, and I'm not scared to take/play it anywhere... All for less than $1,300 (because I include the case price in the build -- a MONO Vertigo Bass Guitar Case; the only soft case I trust):
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I'm soooo pleased with this build! :hyper::bassist::hyper:
 
Some of the sweetest instruments around are parts basses. You chose each part, you spent forever changing things around in your head, eventually dropped your money, waited for it all to arrive, then you made it all work, with every tiny detail being just for you, just the way you like it. It doesn't get more custom than that.

I'll start, with my Jazz bass.

The body is northern ash, it was made by a UK company called Guitarbuild. Shipping was reasonably priced and fast, it came in at a little under $120. What I really liked was that if you choose their "buy from stock" option, you get the exact same item you saw on their website. Very cool. It's a 3 piece body with nice figuring, and is a 1960 pattern, with pre-CBS pickup spacing and it even has a Fullerton hump. All the finish is Tung oil and beeswax.

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The neck is Chinese and is made by Kmise. Mine has carbon reinforcing bars, allegedly. I haven't cut it in half to confirm this. It came with a paddle headstock, and was completely unfinished, which for me was a positive factor. On the downside, the heel was 2mm too thick to fit a body using standard Fender dimensions, so it needed a little work. Otherwise, it ticked all my boxes - maple fretboard, black block inlays, and unbound. I dislike bound necks for many reasons, and it goes nicely with the pre-CBS body for the sake of enthusiasts. It needed fretwork. It needed a LOT of fretwork. But I'm happy with it. After a little work, I got the neck pocket super tight.

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I gave it an early 50s P shape head shape just to be rebellious, and gave it my own fake branding.

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Tuners are Guyker, made in Korea. They are very nice. String retainer is a Hipshot.

Preamp is Guyker, too, and works really nicely whilst still looking stock J unless you look closely. Annoyingly, the stacked tone controls don't have a center detent position. I've become used to it.

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The bridge is a Babicz because I think it's the best Fender bridge going, and the strings go thru the body.

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Pickups are Wilkinson vintage alnico-v, in genuine Fender covers, and although they do sound really good, they are placeholders for something better.

I'm going to be ordering a Geddy Lee set from Tom Brantley very soon, to replace them.

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Show us your parts basses


how u like the sound of the preamp ?
 
My first parts p-bass from random components that I gathered, over the year, from people advertising “cleaning out the garage” sales.
Unfinished unknown p-bass body.
Squire Jazz neck that I sanded off the headstock to match the body.
Hipshot ultra-lite tuners and Kickass Bridge.
EMG Geezer pickups.
TI Flatwounds…

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Since I mentioned it and I guess I never showed it here.

My working name for the one above is Project 58 and I this one is 601234 Jazz. Fiesta red and mint are PITA colors to photograph well.

Two piece alder body from Warmoth. Fender American Original '60 Jazz bass neck.

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Fiesta red finish on body by Marty Bell. I asked him to put it on thin and did exactly that.


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Lindy Fralin split coil Jazz bass pickups with typical stacked CTS pots, Switchcraft jack, and .47uf orange drop caps.


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A/38 mm nut width, bone nut, heavy rolled fingerboard edges by me, Gotoh Res-O-Lite GBR640-4 Nickel tuning machines.

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C neck profile, .80" at 1st fret, 1.00" at 12th fret, lacquer finish.
I've never loved Fiesta Red more than after looking at these pictures. :thumbsup: