Sirena Instrumentos Musicales - Expositions and Aspirations Regarding Luthiery in Fillmore, CA

Finally took the time to listen. Sweet vocals and grove!! I dig it!! way better than any of the over produced stuff I've heard lately. Showed it to the wife and she thinks this track is beautiful and already added it to her spotify. She thinks I should ask you to do my old unplayable hollow body....if she insist :)...need to save a few bucks first though.
 
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Finally took the time to listen. Sweet vocals and grove!! I dig it!! way better than any of the over produced stuff I've heard lately. Showed it to the wife and she thinks this track is beautiful and already added it to her spotify. She thinks I should ask you to do my old unplayable hollow body....if she insist :)...need to save a few bucks first though.
Thx!! I'm glad the wife likes it - My Conversation is a really beautiful song. I've been wanting to play it for maybe 25 years. When my niece brought it in to our first rehearsal, I was like, "Wait... What?! Hell yeah, I want to play that song!"

As far as production, the song is fairly stripped down. However, it is... produced... Diego writes and records his own songs, and each piece is and epic masterpiece of recording work. For this song, I was kind of giving him a direction to work with. We were striving for that stripped down, low-tech vibe. The crappy drum sound, the Farfisa, the toy instruments - those were all really deliberate choices (picking sounds for my niece is really fun). And the drums - well, let me point out that I am not a drummer. The fact that it comes across as drums is in itself an editing miracle!

Haha - at this point, I'm pretty sure that I can fix the unplayable hollowbody. I'd be happy to give it a go.
 
My niece, Acacia, and I recently discovered that we share a deep love for Rocksteady music. For those of you who don’t know, Rocksteady is a very specific style and era of music produced in Jamaica during the years 1966-1968. To those who do know it - imagine my surprise when I found out that my twenty-something niece is as big a Phyllis Dillon fan as I am, and has been singing her songs since she was a little girl. It felt like the universe had played a strange trick on me as it simultaneously conspired to bring the two of us together. For years, I’d been searching for a Rocksteady singer, not knowing that I already had one. And, that singer was someone I’ve spent countless ordinary moments with — waffles on Sunday mornings with the kids, holiday celebrations, family trips to Magic Mountain, and the big move into her first apartment.

Acacia and I agreed that we absolutely should be making this music together. I engaged in some step-parent jujitsu, and drafted my step-son Diego (her cousin) as the engineer/producer for our recording. My niece and I rehearsed the song together twice, and we subsequently recorded this track with Diego in basically one take (with some looping). Acacia sang and played ukulele, Diego played guitar, keyboards and toy xylophone, and I played drums and bass. Since we are not Jamaican, nor is this the mid-late 1960’s, we decided to do our own thing instead of trying to be traditional. We are called Love Ocean, and for our first release, we chose to cover the classic Slim Smith and The Uniques track, My Conversation.

The new Love Ocean single is available on all major streaming platforms.

On a side note, I used my Watermelon Pistolera on this recording. It was set on the neck and middle pickups to get that big, dubby tone.






That's a great rendition of a great song! Big fan of Slim Smith.

Your niece's singing is great and your bass tone is right on!
 
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That's a great rendition of a great song! Big fan of Slim Smith.

Your niece's singing is great and your bass tone is right on!

Thanks, that means a lot! Yeah I was pretty impressed that my niece had the stones to bring that song in. She said, “I got this.” She just went for it and turned it out into her own sensitive girl party jam.

I can’t believe there’s another Slim Smith fan on TB! Right on! Usually when I mention Slim Smith, even to people who are supposedly into this music, they’re like, “Slim Smith? Naw bro, I’m on the Jenny Craig program.”
 
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Thanks, that means a lot! Yeah I was pretty impressed that my niece had the stones to bring that song in. She said, “I got this.” She just went for it and turned it out into her own sensitive girl party jam.

I can’t believe there’s another Slim Smith fan on TB! Right on! Usually when I mention Slim Smith, even to people who are supposedly into this music, they’re like, “Slim Smith? Naw bro, I’m on the Jenny Craig program.”
I'm not a singer by any means, but I think she nailed it!

Yeah, so I'll out myself a little here...
Despite growing up in NorCal, I'm actually a Caribbean white boy. Born on St. Croix USVI, so I was steeped in reggae and calypso as a kid.

Also, no joke, I heard "My Conversation" this morning!
 
I've been getting back to work on the cowboy bass. Taking a cue from the build for my niece that I completed last month, I made an adjustable bridge and tailpiece.

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Pretty simple, really. The whole process basically involved drilling holes in blocks of aluminum, and roughing out the shapes with a coarse file. I'm going to start cleaning up the pieces this week. The bridge itself will have to be recessed about .125" into the body, and the height will be adjustable via a pair of 10-32 grub screws. Pretty cool! I'd kinda put this one on the back burner for a while, but all of a sudden, I'm really excited about this instrument!
 
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I've been getting back to work on the cowboy bass. Taking a cue from the build for my niece that I completed last month, I made a adjustable bridge and tailpiece.

img_3279-scaled.jpg


img_3280-scaled.jpg


img_3281-scaled.jpg


Pretty simple, really. The whole process basically involved drilling holes in blocks of aluminum, and roughing out the shapes with a coarse file. I'm going to start cleaning up the pieces this week. The bridge itself will have to be recessed about .125" into the body, and the height will be adjustable via a pair of 10-32 grub screws. Pretty cool! I'd kinda put this one on the back burner for a while, but all of a sudden, I'm really excited about this instrument!

A nice example of custom hardware........
 
I consulted with Mr. Bruce and did some more work on the bridge for the cowboy bass this week. First, Mr. Bruce machined up these little flanged cups to hold the 10-32 grub adjuster screws.

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These little cups got press fitted into the bridge cavity. I used a drop of CA glue to hold them in.

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The adjuster screws fit into the little cups. I used little o-rings to center the posts and keep them from rattling against the sides. I also machined a little plate to cover the cavity.

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The cover is mostly cosmetic. I suppose if I had thought this through a little bit more beforehand, I could've machined this as one part and eliminated the need for the plate. Perhaps just a little bar with two holes in it that got epoxied into the cavity.

Here's the bridge installed. I'll get shorter posts eventually.

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And now this bass is ready to get painted! I have some pix soon.
 
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The cowboy bass is now in finishing. I forgot to take pix of the neck finish, and I also forgot to photograph sealing the body with epoxy. Fortunately, I've documented these processes elsewhere on this thread.

I taped off the binding and after sealing and leveling the finish with a few coats of Varathane Ultimate. After that, I sprayed the body with Generals Waterbased Amber Dye Stain.

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Next, I mixed some brown Smooth-On So Smooth into some VU and started laying some thin coats of color to create a burst.

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This is my first burst. I've never been a burst guy, mainly because aside from black, burst is the most common guitar finish. However, this bass kinda called for a plain brown burst. Execution wasn't too bad. The main thing is getting the dark section even. The sides I finished in opaque brown.

Here's the finish after I pulled the tape. This is when painting binding gets fun!

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I used a #2 Swiss file to clean up the binding and round over the edge.

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Here's the bass all cleaned up. From this stage, it's merely a matter of laying down some coats of clear. Classy!

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The only sad part is that the only headstock decals I have in stock are a few leftover "braid" logos from the guitar I built for my niece. It is a little big for this headstock. The main issue I have is that I wanted that logo to be special for my niece. (Just FYI, I don't think she would care if I did) However, ordering a new standard logo is an issue of time and money. The braid logo is a little large for this HS, but it's all I have right now. I gotta figure that out.

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I suppose I could wait. I have yet to order tuners and strings.
 
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The only sad part is that the only headstock decals I have in stock are a few leftover "braid" logos from the guitar I built for my niece. It is a little big for this headstock. The main issue I have is that I wanted that logo to be special for my niece. (Just FYI, I don't think she would care if I did) However, ordering a new standard logo is an issue of time and money. The braid logo is a little large for this HS, but it's all I have right now. I gotta figure that out.

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I suppose I could wait. I have yet to order tuners and strings.

How about just hand-painting the logo on this one? Black paint and a small brush. Draw it out in the computer, modifying it from your current file. Print it out in actual size on white paper. Lay the paper printout over carbon paper on the headstock to draw some light guidelines. Then go for it with a brush. I'm sure you have the artistic skills to do that. It's not that complicated a logo. And being hand-painted would add to the character of this instrument.

I think your standard mermaid logo, wearing a cowboy hat.
 
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I think this job would require a CNC brush for... precision...

Aw come on......Didn't you use to hand paint logos and pin striping on model cars with a 0000 brush?

Another approach would be to use my engraving machine to make an engraved aluminum plate badge for the headstock. You'd make up a 10X size routing template of the logo in a piece of maple. Carbon paper, hand routing it in the MGPR. You've seen how I do it.
 
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