I bet it sounds great!
Next week I'm going to studio for a friend and I'm excited to see what the studio ends up using. I've been to this place before and know what's available.
B-15
Vintage SVT
A bunch of other tube amps
Some great tube pre's
Some great compressors
Radials
P-15's
I know in the past he has used at least two signals, so I'm sure he will do the same. But what two, through what I'm not sure of and that's the best part of it.
It also looks like I'll get to use a Hagstrom 8 string. So that should be interesting.
For studio sessions I usually try really hard to forget any preconceived notions of what should be used, and try to keep an open mind about using whatever sounds best in the context of the session. If that means leaving the t00bs at home and grabbing a Sansamp then I might pout, but the end result is all that matters.
That being said, I once recorded a whole album for one of my old bands where the engineer insisted on using a Sansamp for the dirty tones. I protested but eventually agreed, and the album turned out great. A short time after that I got my Verellen tube head, and the same engineer was doing sound for us at a gig. I convinced him to try using my JDI off the speaker output of the head, and he told me after that it was the best live bass tone he could have asked for, and that all he had to do was pull the volume fader up on the channel. We even briefly discussed reamping all the bass tracks for the album with that amp and a speaker tap DI, but unfortunately never got around to it.
Actually, I think that is the night that my avatar/profile pic was taken... The head is sitting on my guitarist's second cab, and I "borrowed" the opening band's 810 for our set.
Just keep in mind that if using a speaker tap DI with a tube head it still needs to be connected to a cabinet (or other speaker load)! A DI cannot be used on its own for silent studio recording with a tube head.
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