Tiny frets; easier or harder to play on?my n

I did some measurements with calipers and was surprised to see that they are actually the same width as the frets on my RW jazz. They are however about ten thousandths lower @ approximately .030 in height, which would explain the feeling of almost playing right on the board.

my fat fingers would never be able to detect any difference on something that varies by 10,000's of an inch
 
In general my response would fall in the ”just different” category but coming from playing a fretless the majority of our set, it is an easier transistion for a fretted bass choice. I find I have been gravitating towards vintage lower profile frets more and more while jumbos feel awkward and weird. I would think it is a matter more related to what one is used to.
View attachment 2863860 My new bass purchase from last week has really tiny “vintage” style frets. I’m wondering what the consensus is on whether they are easier or harder to play on or just different. For me it seems that I actually have to be a little more careful and attentive to fret a note properly. What say you. They actually seem smaller in real life than the photo.
 
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Don't know, but it definitely "seems" like it to me. If the frets are big enough, the board feels scalloped and it can feel like you're not even coming in contact with the wood if you have a light touch.
With regular sized frets, the strings almost never touch the wood, even out at the first few positions where you'd think the string would touch the fingerboard. You'd have to be using very light gauge strings and have a very hard left hand technique. If the frets have been worked over a few times, are worn down in spots, or are the lower type then you'd see it more often - like on an older bass where you see marks from a set of rounds in the wood - but go look at a newish bass and you're unlikely to find string marks on the fingerboard. Most people who put those block decals on never wear them out.
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I recently saw a youtube video of a Leland Sklar interview. He really likes small frets. He has all of his basses refretted with mandolin fretwire.

Small frets, or no frets, for me. According to Lee, there's a semi-fretless sound you can get from those tiny frets, which stands out in a lot of his recordings. My Harmony bass has the tiny frets, and prefer the feel of that compared to the large frets on the Ibanez. Not enough to refret it though.
 
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My pet peeve is with my G&L bass; the default Fret for them is jumbo and that is what I've got. Thinking about ripping them out and putting small frets in- it bugs me that much.
I like to feel the wood under my fingers.
Dingwall come
With mandolin frets
 
I'm a fan, but that's probably because I am vintage myself.

Yeah, me too... I don't mind bigger frets, and have actually replaced smaller frets (on a Rick 330 guitar - stupid small, and very soft) with larger, harder ones; and built my Warmoth Mini-P with Medium Jumbo stainless ones. But, I learned to play bass on a friend's new-at the-time '69 Rick 4001, so I'm always drawn to a "vintage" bass with smallish frets. As for the rest of my basses? I just play them; the frets are what they are...:whistle:
 
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View attachment 2863860 My new bass purchase from last week has really tiny “vintage” style frets. I’m wondering what the consensus is on whether they are easier or harder to play on or just different. For me it seems that I actually have to be a little more careful and attentive to fret a note properly. What say you. They actually seem smaller in real life than the photo.

I don't like them. Fender went to "vintage narrow tall" frets with the AmPro, et al, and I sold mine after getting uncontrollable fret rattle despite a tuneup. I came away realizing there was a reason the manufacturers went with medium jumbo as standard frets: they're more comfortable and work better.