tips for learning and memorizing notes on the fretboard?

Dec 10, 2020
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i’m still a beginner, despite being a total gear head, and i just wanted to ask for some tips on memorizing notes! it’s a bit time consuming hitting the open e or a or d or g string and being like “ok that’s a g... one two three...” etc and counting the half steps between b and c and e and f, just to arrive at a fret you’ll forget about once you move away for a second or two. beginners problems i guess :hyper:. my picking technique and left hand technique are pretty okay, one finger per fret (sometimes i cheat and either use my middle finger or pinkie when i should use my ring finger), but i want to start getting into theory to better my playing. what’s the point of playing good if you play the wrong stuff??
 
Learn your 12 first position roots. Then learn where the octaves are and what positions you need to play to get to them. Then learn where the octaves for those notes are.

If you know one note, you can find just about any other of the same note by moving over two strings and up two frets. IMO you only really need to memorize the first position roots and you will soon know them all if you practice playing the octaves. That's how I did it, anyway.
 
This is the way I did it, from an article on the topic from one of the bass mags (forget which one and when):

Each day, work on learning a single note across all strings. Example: staring with 1st (E) string: Open E, then E on the 12th fret. 2nd (A) string: E at 7th fret, again at 19th fret. D string: E at 2nd fret, E at 14th fret. G string: E at 9th and 21st (if you have 21 frets). Say E when you play each note - it helps to reinforce your learning. Do this a few days and then move to the next note, F - F at 1st fret of E string and again at 13th fret, etc.

This is a good 'warm-up' just to get your fingers moving, doing double time by learning the notes and their locations. A 20 or 21-fret fingerboard will have either one or two of the same notes (at different octaves) on each string.

In a few short weeks, you'll know where all the notes lie.
 
I would combine learning the fretboard with learning some basic music theory -- e.g. intervals, arpeggios/chord tones, scales -- along with common fingering patterns for scales and arpeggios. For example, if you know that a C chord contains the notes C, E, and G, you can practice finding those notes all over the fretboard and various ways to get from one to the next.
 
This is the way I did it, from an article on the topic from one of the bass mags (forget which one and when):

Each day, work on learning a single note across all strings. Example: staring with 1st (E) string: Open E, then E on the 12th fret. 2nd (A) string: E at 7th fret, again at 19th fret. D string: E at 2nd fret, E at 14th fret. G string: E at 9th and 21st (if you have 21 frets). Say E when you play each note - it helps to reinforce your learning. Do this a few days and then move to the next note, F - F at 1st fret of E string and again at 13th fret, etc.

This is a good 'warm-up' just to get your fingers moving, doing double time by learning the notes and their locations. A 20 or 21-fret fingerboard will have either one or two of the same notes (at different octaves) on each string.

In a few short weeks, you'll know where all the notes lie.
21st century schizoid man, strangely enough, helped me learn where the g is on all 4 strings! the key of the song is g and i believe the three low notes in the bass riff are an e string g while the rest is either an a string g where you hit the string right above it and when you hit the “bridge” you move to the f fret on the a string and the string above that. man this note talk is confusing! no wonder i’ve been a drummer for so long :nailbiting:
 
You know the notes of the open strings. (EADG if it’s 4-string standard tuning. Same principle for other tunings) So you should be able to name the notes as you ascend each string. E-F-F#-G etc.
 
I’ve been playing the bass for 50 years and I still feel like a beginner. Try taking any simple musical idea-a melody, a lick, or a scale fragment, and find every possible way to play it on the entire fingerboard in one key. Once totally comfortable with that, change keys and repeat. When doing this, remain mindful of the note names.