What's the darling of the beloved budget bass heads these days?

Peavey MiniMax

Been rocking mine since summer. Sounds great through all of my cabs and DI into PA. Selling my Rumble, though it's a nice amp too, just not as much my thing as the Peavey.
 
Fender Rumble 500 head or the new Hartke TX-600. Both light D-Class at the very same $399.99 price. Take your pick.
A pick isn't necessary. The Rumble 500 sounds great with just fingers.
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Every Carvin I ever had let out the magic smoke. The Ampeg PF line is known to have been problematic in the past; I had a PF800 that died within an hour of turning it on, same with a PF500. They sound good, but only when they work.

I agree the Rumble line not having Speak-Ons is a problem, but I am a long-time pro and that little amp delivers, reliably.

IMO the best budget class D is the Rumble. If you can scrape together more money, the Mesa Subway D800+ is not only the current "darling," it's spectacular for rock.

Did not care for the Fenders at all. However both my Carvin and Ampeg have been rock solid with no issues. Both have taken a back seat to my Mesa D800 now, but that does not fit in the OP's budget sadly.
 
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You can get a GK MB800 used for well under $500. Don't like the GK tone? No problem, pony up a few hundred more for whatever flavor of preamp pedal you desire and you now have an 800 watt power amp that's smaller and lighter than the yellow pages.
 
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Which amp has the most present and pleasant, musical mids?

I think it's a matter of taste. I wouldn't say either shines over the other in the mids.The MiniMax has a flatter EQ response, which I like and plays better with pedals. The Rumble natively has a bigger bottom end, but the MiniMax has EQ options to add a bigger bottom end as well.
 
Peavey! Get a 70s aluminum model. They range from single channel 60W to roughly 210W dual channel heads. Loud watts, the wattage is usually half the series #--a Series 200 is 100W, etc...). Spend a $100 or so getting it up to snuff with solid caps and such. Rock out with a cool looking head that is surprisingly killer sounding. My Century 200 keeps up with a moderately volumed rock band. The parallel distortion circuit blends in a nice, old school hairiness to the tone.
 
I kinda like the tones this guy is getting from the Rumble 200 head in the intro of this video (up to the 1 minute 20 second mark), though I can sense perhaps a hole somewhere in the mids.



No idea if they share any DNA, but my old Fender RAD practice amp is still one of the best sounding amps I've ever played through.
 
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I think it's a matter of taste. I wouldn't say either shines over the other in the mids.The MiniMax has a flatter EQ response, which I like and plays better with pedals. The Rumble natively has a bigger bottom end, but the MiniMax has EQ options to add a bigger bottom end as well.

That's good to know, as I do have a pedalboard I may use sometimes. I think the Minimax is the winner in this, but I won't know until I try them when I eventually buy.
 
Peavey! Get a 70s aluminum model. They range from single channel 60W to roughly 210W dual channel heads. Loud watts, the wattage is usually half the series #--a Series 200 is 100W, etc...). Spend a $100 or so getting it up to snuff with solid caps and such. Rock out with a cool looking head that is surprisingly killer sounding. My Century 200 keeps up with a moderately volumed rock band. The parallel distortion circuit blends in a nice, old school hairiness to the tone.

Oh, but I hate that indestructible dust receptor tolex!
 
I think you already had it. I just picked up an LH500 for $146 used to my doorstep and I'm floored by how good it sounds. Seems too good to be true. Bass 2.5 mids 10 treble 2. Its tight, punchy, glassy and warm at the same time. Unbelievable. Rock tones are all I really play as well.