- May 30, 2000
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- Creator of: iGigBook Sheet Music Manager
Any chance you, Kento, could give us close-up pictures of the detachment area and the screws and/or bolts? I'd love to get a consensus as to whether the configuration could stand up to multiple disassemblies and re-assemblies.
Sorry for getting you back late. To de-touch the neck, unscrew top 2 bolts on the first photo and the big bolt on 2nd photo. I got chance to travel internationally with SLB300 with me. I might going to take a photo or movie to disassemble the bass.
I purchased the 88-keys hard case but I sold it because it is too too big and I really don’t feel like to carry it around airport or subway. Also, they might refuge getting put it on as a baggage or charge for oversized a lot. 61-keys hard case is not gonna overcharge for my international flight. It is not very compact but not as bothering as 81-keys hardcase.
Thanks, Kento, for taking the time to document this. It looks like you wouldn’t want to break it down on a regular basis, but the occasional disassembly should be too much of a problem.
I liked your busking clip, by the way. You should share more of your playing with us.
Haha sorry I’m super lazy. I just didn’t want to break it down when it doesn’t need.I attached it broke down. It takes 4 minutes to break down. 7-10 minutes to get it back. I put band on the strings not to come apart from pegs and tailpiece.
You can just put your clothes in the empty part of the case.
And glad you liked my clip! I just didn’t want to take my upright for busking because upright is just fragile. Also drunk people might hit the bass. As a lot of gigs has been cancelled, I’m playing SLB300 more than upright in front of people.
I have an SLB300 and the neck is certainly NOT designed to be detachable. I would imagine that you're assuming any warranty and/or repair risk by doing so. The stock case is long enough for the bass and the detachable end pin and everything fits inside. There's even a compartment in the case for a bow. You can see the case in the link below.
Hope this helps...
SLB300 and SLB300PRO Silent Bass - Yamaha USA
Ok guys .... this is all FYI and it's a real thing with this bass ... maybe I'll find an answer/solution here, maybe not, but here goes.
THIS BASS HISSES.
i'm talking you've recorded it, put 2-3 dB of GR on it with an LA3A plugin or something similar, and along with squishing the signal a bit .... there's the HISSSSSSSSSSS. (like 8k and up noise floor hissy hiss - ok when you "EQ it out", well .... now it just sounds like there's a LPF on it, like it's more underwater than it should be, plus i shouldn't have to be EQ'ing out any NOISE ARTIFACTS - neither hiss nor hum - from this brand new $4k instrument to begin with....).
I'm checking cables, using a different interface, checking EVERYTHING in and out of the box (i guarantee you nothing else is hissing here) .... nope, its the BASS. The $4k Yamaha SLB300.
Plug it into my Phil Jones BG400 - yep, it's there.
And now I'm thinking, oh, in addition to having to take it to my luthier for a bridge shave down (the action was stupid high out of the box), now I've got a bit of a lemon with the electronics too.
And then I re-watch Yamaha's OWN video on it, and LO AND BEHOLD!
right there at the TOP of the video .... LISTEN!!!
You can also catch another lovely hiss cameo at 5:20, and basically wherever it's soloed.
I know that i never caught that before on that vid ... I feel like i wrote it off as their specific signal chain, the amp, something to do with YT conversion quality ... just ANYTHING except for the actual $4k BASS!!!!!!
my $150 squier PJ has NO NOISE FLOOR.
Same with my fodera.
My upton with either rev solo or nadine ... nope, all clean recordings, NO HISS.
with this wavemap stuff did Yamaha assimilate the HISS into the "simulation"?!?! ***
^^(this is probably not the case because when I go to 100% piezo mix on the blend knob, the hiss is still present, which leads me to believe this hiss is in the actual friggin electronics like what?!~?!)
now here's the Kicker:
I LOVE THIS BASS.
yep.
since i had the bridge shaved down, love damn near everything about it.
guaranteed no feedback? check.
plays/feels WONDERFUL? check.
take it on vacation? check.
mic sims actually great/better than piezo? check.
it goes on and on ...
but, everywhere I go, I will bring this hiss, this noise floor.
UNACCEPTABLE.
TSK TSK Yamaha!!!!
I will be catapulting myself down this rabbit hole until further notice.
-DUTCH
Funny you ask, I just put Gut-A-Like Swingmaster on mine yesterday and am in the process of tuning it a hundred times. I‘m really no expert on gut strings but I can provide a little before and after soundfile for you once the thing stays in tune again.I searched the thread and didn't see a conclusive answer to this one so I thought I'd ask...
Has anyone tried guts on the SLB-200? Since I got the Tyrolean, I just don't play this bass like I used to so I thought it might be an interesting experiment. However if someone's already don't it and absolutely hated it then it could save me some time/frustration/money.
Thanks!
Funny you ask, I just put Gut-A-Like Swingmaster on mine yesterday and am in the process of tuning it a hundred times. I‘m really no expert on gut strings but I can provide a little before and after soundfile for you once the thing stays in tune again.
Has anyone tried guts on the SLB-200?
I appreciate that info. I think I’ll give it a shot.I acquired an SLB-100 a few months ago and have strung it with all guts. Whatever is true of guts on an acoustic double bass is true on this instrument. I will admit to preferring a bridge-wing-mounted piezo pickup to the Yamaha's integral pickup, regardless of strings.
I acquired an SLB-100 a few months ago and have strung it with all guts. Whatever is true of guts on an acoustic double bass is true on this instrument. I will admit to preferring a bridge-wing-mounted piezo pickup to the Yamaha's integral pickup, regardless of strings.
sigh... rolling through strings on a DB is not nearly as cost effective as it is on the electric.
Cost effective? I don't think any of it is cost effective, even on bass guitar! I've never been paid more because of the strings I use...