"Check In" here before and after your gigs, set 3 - everyone's drunk now!

The mental math is making my head hurt! You got this.

I grew tired of trying to keep it all straight (when my BL says we’re playing in standard, he means “as recorded” even if recorded is a half step down) so I used to use CAPO which can adjust keys and tempos of MP3s. Made it easier to learn and build muscle memory.

I’ve since switched to Moises.ai which, in addition to adjust keys and tempos, can break down songs into multiple tracks and extract the bass track making it really easy to hear what you should be playing.
Love me some moises.ai. Like crib notes!

Here's an email I got regarding "Proud Mary" as done by Tom Jones. Killer arrangement I'd never heard.

"Note: tune starts a whole-step down from the "key" we're in. So for us, we'll start on the Db note for the little intro. Later on in this song we modulate up a half-step just like in this recording. (Us: 1st half Eb, the rest of song E) We'll soundscape/improvise after completing the "head", the come back to reprise a verse and choruses."

I just played through it a bunch of times and it's fun and easy enough.

One that will be fine once I understand where he's starting is Rick James' "Super Freak." The song starts on note D in bass with the iconic bassline (key of A, I think). But he has it listed as the key of G (tuned down to Eb, of course). So, that means my starting note is what, C? OMG.
 
Post gig update:

20 songs in and out, no big deal. $200 richer. Brought my Orange Terror Bass and Avatar 212, which was way too much for the room. But I dialed it back and just plugged my L-1000 straight in, no pedals.

Despite all the teeth gnashing of the Eb tuning and then adjusted keys, it ended up being fine. In fact, issues that arose were that the guitarist forgot to tune back to Eb after dropping to a D for a few songs.

We had about 12 people in Sid's house and we were well received. I enjoyed playing with my YR band's keyboardist on drums, his main instrument. He was tasteful, powerful and creative and we vibed really well. I only wish I had recorded the gig as I do with my rehearsals.

I didn't play perfectly, but I was pleased with how I played. Most of the goofs were structure related vs note related, but nothing to worry about.

20241027_161331.jpg
20241027_161315.jpg
20241027_160744.jpg
 
My Doors debut went by without major incident Saturday night.
We were at a bar, full of Dodger fans, so we naturally waited until the ball game was over.
People were happy (the Dodgers won) and three sheets to the wind, so the 20 or so Doors songs went over great.
No pics, I was trying to concentrate on the music.
 
Happy to report got my show coming up on Sat. It is a place we have played at only one time before and had a decent turnout.
Going to be running my Elf through a 2000w powered speaker and my new to me Epiphone by Gibson Power bass to it's first gig.
Here is the flyer nice 8pm kick off View attachment 7064775
How are you making that work? Headphone out on the ELF to line in on the powered cab? Curious minds want to know. :)
 
I play in a band with some people from work, which is especially fun when you work at a Zoo. We were asked to play on our company float during Atlanta's Pride Parade and it was a ton of fun! Some tips for anyone else getting ready to play on a parade float- make sure you have the power/generator situation figured out well in advance. Ours went out for the first 5 minutes or so of the parade due to overheating. We were luckily able to get it running again, but those 5 minutes felt like an eternity. Also, make sure you have your sea legs- staying steady on a moving parade float was difficult at times, especially on Atlanta pavement. Overall it was a ton of fun despite the sun burn and we can't wait to do it again next year!
PXL_20241013_153247721(1).jpg
 
So Ran For Cover played a private function at the Crowne Plaza hotel in Auckland CBD

The Auckland CBD is a mess at the moment because they are putting in a city rail loop, many streets are closed / blocked or one way, and the usual direct way to the hotel was blocked, so took us an extra 10 minutes of driving around the city to find a way to get to the hotel
We had to drive up the ramp to the hotel carpark and park outside the payment office and from there it was literally 6 meters walk through the doors to the conference room we were playing in. We had to unload fast and move our cars as we weren't allowed to leave them there - luckily Mrs Bassman was dropping me off so I quickly unloaded so she could leave.

The stage was one of the biggest / longest I've played on, but we still kept it pretty tight
Setup dance well underway
IMG_3007.jpeg


We set up 4:30pm-6:30pm - only issue we had was Griff (guitar) and Bear (vocals acoustic guitar) had plugged their guitars into the wrong DI boxes - took about 5 mins of trying to figure it out before the problem was identified and quickly resolved

This is the room - certainly the biggest I've played in with this band
IMG_3006.jpeg


Steve (keys / PA) took a bit longer than usual to EQ the sound, but everything sounded great on stage and out front by all accounts

We had almost finished setup when we were told that the 'bar was open' - thank you.... a nice cold beer went down a treat

A couple of shots of the setup

IMG_3009.jpeg


IMG_3010.jpeg


Mrs Bassman picked me up about 6:30pm and we grabbed a bite to eat before she dropped me back at the hotel about 8pm (she was going to see a movie while I was doing the gig)

We had been told 9pm - 11:30pm was our playing time, so we shortened out setlist from 3 sets to 2 sets of about 17 songs each
for soundcheck we played a song that we had actually removed from the set list, but one of the organisers said "Gee - That's a great song"! so we decided to open with it. We ended up playing til about 11:45pm?

3 times during the gig, one of the organisers came up to the stage with beers for the band - which was nice, and as Mrs Bassman was driving home I decided to partake in the consumption of approximately 5 beers. :smug:

We got a couple of band photos taken at the end of the hight so it will be interesting to see how they turn out

One lady came up to us after the gig and said OMG OMG you played my favourite song ever! (Dakota by Stereophonics)

I found out the back behind the stage there was a big trolley that tilts back and it was big enough to fit all my gear on except my mic stand and guitar stand, so I loaded that up and took it down the carpark ramp to where Mrs Bassman was waiting outside. I loaded it into the car and went back up to help the others, but was told I could go if my wife was waiting for me and not to stick around, as they said they could handle it - which was nice.

Overall it was a good gig and we were pretty happy with how it turned out
 
Last edited:
So it was certainly a night to remember start out good drove to the club got there on time for the 7 pm load in and later would have been sound check, but the place was dark and set up for the day of the dead and it did not set well with my wife who immediately went into sundown mode and started having a panic attack and nearly passed out my only option was to take her back home 1 hour and 30 minutes with no traffic. Got her back to the house and hit the road again.
I did not get to the club until 8:24 with a 8:30 start time and I hadn’t even set up anything. I rush to get everything done and hit the ground running at 8:45. We had a pack house and after get over the fact that I had bring her home. I started to get in the groove and we rock the house and 3 incur songs we them yell for one more song. We had a club owner and his wife come out to see us and they say that they absolutely loved the band and they had to have us play in their club! So all in a no so ok start turn out to be a great night tip jar was full and we got a decent paycheck. Hopefully we will have some fan video to share because I had no time to set up my stuff :(. Hopefully the of you a great gigs! Till the next time RTS.
 
Hey y’all….been a while since I’ve been in here! The Michael Ingalls Band has been trying to lock down a drummer for about 1.5 years now. We’ve had a couple come and go but in the last 3-4 months we have put the pieces together and also added a keys/acoustic player. In the last couple of months we’ve played 7 out of 8 weekends and we’re gaining traction for 2025. Gonna try and pop back in here again. Here’s an oldie from the new lineup from a little while back.

 
So at Rehearsal last night we tried the 2 new (to us) songs that we will be playing at a wedding on 7 December
'Somewhere only we know' from Keane and 'Stumblin' in' by Suzi Quatro / Chris Norman
The brides niece is going to sing Somewhere only we know and is also going to sing Stumblin' in with our singer as a duet
Musically the songs sounded pretty good, but no-one in the band was able to sing Somewhere only we know - even though I know most of the lyrics... it's way above my vocal register!

Steve (keys) then did something very intersting with his phone - he has an app / program that can almost completely remove the instrumentation for any song - leaving just the vocals.
So he was able to do this with Somewhere only we know and we effectively 'played along' to the vocal track... it actually sounded pretty good and we were able to keep in time with the vocal track for the most part.
We will have a rehearsal with the niece a week or 2 before to go over the 2 songs.
We also decided to bring back 'Money For Nothing' - Dire Straits... the bass line in that is not too complicated, and I enjoyed playing it last time it was in our set list.
 
So at Rehearsal last night we tried the 2 new (to us) songs that we will be playing at a wedding on 7 December
'Somewhere only we know' from Keane and 'Stumblin' in' by Suzi Quatro / Chris Norman
The brides niece is going to sing Somewhere only we know and is also going to sing Stumblin' in with our singer as a duet
Musically the songs sounded pretty good, but no-one in the band was able to sing Somewhere only we know - even though I know most of the lyrics... it's way above my vocal register!

Steve (keys) then did something very intersting with his phone - he has an app / program that can almost completely remove the instrumentation for any song - leaving just the vocals.
So he was able to do this with Somewhere only we know and we effectively 'played along' to the vocal track... it actually sounded pretty good and we were able to keep in time with the vocal track for the most part.
We will have a rehearsal with the niece a week or 2 before to go over the 2 songs.
We also decided to bring back 'Money For Nothing' - Dire Straits... the bass line in that is not too complicated, and I enjoyed playing it last time it was in our set list.
My band also adopted Stumblin' In recently. It's a simple song and a good crowd pleaser.
 
Played out at one of our monthly stops last night…..the Moontower Saloon in south Austin. We have been playing here regularly over the last few years and if you go way back in this thread, you’ll see previous gig shots from here. Overall, it was a good night and we are finally starting to see some cooler weather coming into the Central Texas area so they decided to get the fire pits going. There were a couple of wedding parties on site and even a deaf community there having a gathering. Fun times for all.

A look around.

IMG_7031.jpeg




IMG_7032.jpeg


The stuff.

IMG_7033.jpeg


That’s it for this weekend and then I think we have a Friday show and Saturday show coming up. Glad to be back.
 
I didn't think this deserved its own thread, but a few weeks ago Mike Watson, bass clarinetist for the Sun Ra Arkestra, did an impromptu jam session at a bar I co-own here in Portland.

I primarily play punk, metal, hardcore, and adjacent "loud guitar music" genres. Free jazz is well outside of my comfort zone and I've never played anything even remotely like it.

Naturally, I timidly asked if I could sit in - Mr. Watson encouraged me to do so, especially given my musical background. It was a really great experience, I learned a huge amount about feeling the music and playing with emotion in contexts I'm not used to, and Mr. Watson was a total sweetheart, incredibly complimentary, and a ton of fun to play with. One of our regulars sat in on trumpet for about half the session and it was a blast.

Don't be afraid to step outside of your comfort zone, everyone!

EDIT: I really need to slap a piece of tape over the LED on my HPF.
 

Attachments

  • IMG_3522.jpeg
    IMG_3522.jpeg
    4 MB · Views: 7
  • IMG_3519.jpeg
    IMG_3519.jpeg
    3.9 MB · Views: 4
  • IMG_3523.jpeg
    IMG_3523.jpeg
    3.8 MB · Views: 6
  • IMG_3526.jpeg
    IMG_3526.jpeg
    3.5 MB · Views: 7