The Broughton LPF is pretty much the VLE in pedal form.Broughton HPF/LPF might do it for you. Paging @JimmyM
The Broughton LPF is pretty much the VLE in pedal form.Broughton HPF/LPF might do it for you. Paging @JimmyM
So... I have a tour beginning in a few days, and right as I was starting rehearsals, the Markbass Ninja I'd been using daily for the past two years decided to kick the bucket in a blaze of acrid-smelling... er, silence. Dead silence.
Not having time to shop around, I dragged my Bassman 800 rig out of studio retirement to get me through this upcoming engagement. I think it sounds fantastic, but my tone comes from my pedalboard, and I was simply using the Markbass for stage volume and the glorious, life-changing, can't-live-without-it VLE control, sending a polished signal to my ears and FOH.
Tonally, the Bassman kinda smokes the Markbass in terms of dialing a sound up at the amp, but as I've explained, that's not what I'm doing, and at the moment, I sure miss some sort of dead simple LPF; I now can't get rid of the fizz from my distortions without affecting the upper mids somewhat. The Bassman is also irritating to transport, requiring a heavy vintage-style road case for a tour. It sure looks great, though! Except this artist puts LED screens in front of the backline, so that doesn't matter.
All that to ask, what are my options for loud and dead simple but with that LPF type of control I am now obsessed with having? The Quilter Bass Block 800 looks extremely appealing but I read one user's post on here claiming the high contour knob had the effect I'm looking to avoid of cutting too broadly down into the 6k or lower range. Maybe some others of you can either confirm or deny... or recommend me one or twenty two or eighty seven different amps to check out. Perhaps I just need a power amp and a cab simulator/LPF in a pedal. I used to use a Markbass Super Booster (with tone controls) but it fried itself earlier this year, in the midst of a show. Needless to say, I'm a bit over the brand at this point. Just fishing for some opinions on my best options.
Okay, let me try to shift the focus away from the tone shaping aspect of my question and back to the stage amplification part. If I were looking to go with a class D power amp instead of a class D bass specific amp, is there a particular model that stands out in the 800-1000w range (my current cabs being Markbass NY Ninja 122 and Fender Bassman 610 Neo?)
I also have a GK MB800, and think both the Mesa and Quilter are the opposite of the GK. Whereas the GK is scooped and rather bright, the Mesa is deep, and the Quilter more neutral. Both have a sort of rounded top end. If you want a lot of deep bass, the Mesa may be better for you. I recommend the D800Plus over the D800 just because there are more controls on it, but they sound pretty much the same when set flat.Not especially bright? Hey, that's not very nice. In all seriousness, that's exactly the tonal character I want. With respect to the person who recommended a GK, brightness is exactly the reason I've never gone that route. Plenty of folks make those things sound great, but they aren't my bag. I DID gig once with just a Smoothie into a Mesa D800+ and it took literally fifteen seconds to find a sound for the evening, which is good because that was all the soundguy gave me!
So... I have a tour beginning in a few days, and right as I was starting rehearsals, the Markbass Ninja I'd been using daily for the past two years decided to kick the bucket in a blaze of acrid-smelling... er, silence. Dead silence.
Not having time to shop around, I dragged my Bassman 800 rig out of studio retirement to get me through this upcoming engagement. I think it sounds fantastic, but my tone comes from my pedalboard, and I was simply using the Markbass for stage volume and the glorious, life-changing, can't-live-without-it VLE control, sending a polished signal to my ears and FOH.
Tonally, the Bassman kinda smokes the Markbass in terms of dialing a sound up at the amp, but as I've explained, that's not what I'm doing, and at the moment, I sure miss some sort of dead simple LPF; I now can't get rid of the fizz from my distortions without affecting the upper mids somewhat. The Bassman is also irritating to transport, requiring a heavy vintage-style road case for a tour. It sure looks great, though! Except this artist puts LED screens in front of the backline, so that doesn't matter.
All that to ask, what are my options for loud and dead simple but with that LPF type of control I am now obsessed with having? The Quilter Bass Block 800 looks extremely appealing but I read one user's post on here claiming the high contour knob had the effect I'm looking to avoid of cutting too broadly down into the 6k or lower range. Maybe some others of you can either confirm or deny... or recommend me one or twenty two or eighty seven different amps to check out. Perhaps I just need a power amp and a cab simulator/LPF in a pedal. I used to use a Markbass Super Booster (with tone controls) but it fried itself earlier this year, in the midst of a show. Needless to say, I'm a bit over the brand at this point. Just fishing for some opinions on my best options.
Ah. See, things are making sense to me now. I was incorrect about gigging a D800+. It was a regular D800, and that's why I wasn't aware of the existence of a Boogie with the exact controls I want on an amplifier.I also have a GK MB800, and think both the Mesa and Quilter are the opposite of the GK. Whereas the GK is scooped and rather bright, the Mesa is deep, and the Quilter more neutral. Both have a sort of rounded top end. If you want a lot of deep bass, the Mesa may be better for you. I recommend the D800Plus over the D800 just because there are more controls on it, but they sound pretty much the same when set flat.
Beat me to it. Yeah I think this is the answer if the OP can find one.
You guys seem like you're just torturing me at this point.You could try to find one of these:
https://www.guitarcenter.com/Markbass/Super-Booster-Bass-Effect-Pedal.gc
Ooh! I found one! I found one.Beat me to it. Yeah I think this is the answer if the OP can find one.
Yep, the pre is fine. I haven't decided whether or not to bother with a repair of the power section yet, although the repair contractors are located pretty close to me. When I have some time, I'll at least get a quote from them, but I'm pretty sure I'd rather just try something else.Makes me wonder if the pre still works on the MarkBass? have you tried bypassing the power section? I doubt it will work, but worth a shot.
My initial idea was having it repaired and rehoused in a more space-saving enclosure. I might not after having been reminded of the existence of the Broughton stuff, but I gotta admit that the DI, boost, and tone section combo is pretty killer and I haven't got a CLUE why Markbass discontinued it. Well, one hypothesis, anyway. Maybe they figured it was too much of what makes a Markbass head great for too little money?So, OP, are you going to have the Super Booster you found repaired? Wanna sell it?