My only wish for my P/J is that the volume pots were linear instead of tapered, or maybe a blend knob... a project for another day. I just hate having essentially only three sounds - all P, all J or full P/J.
You don't want the P on one side and the J on the other, you want to BLEND them for maximum flavor!
I think PJ’s are awesome finger style and picked. The punch of the split pickup gives the tone thickness in combination of the treble provided by the Jazz pickup at the bridge. The slap is often not my favorite on a PJ since I take the scoop of a Jazz, the concentrated mids of a forward spaced soap bar bass or the scoop and high mids of a Stingray over a generic PJ. That said, the right PJ, like the classic Yamaha BB2000 or the Spector NS-2 can deliver a great slap tone. Others, like the old Fender Reggie Hamilton Jazz or the current Yamaha BBP34/35, are superlative slap basses too.
I voted no because...Ive tried numerous and always sold them. I like my P and J, not a PJ because the PJ cant achieve the tone of a true P or a J IMHO..Inspired by the polarization of the last PJ thread.
Curious to see actual metrics.
No carrots option?
Nailed it. I absolutely have to 'accept less' when I slap on my PJ5. The tone is passable. Great on the BEA, kind of compressed/thin on the d/g strings.
That J-bass slap tone is always in my head. If you don't believe me, look at the truck load of perfectly-awesome J5 basses I've sold over the years on this site.
Dream of mine:
- Play 90% of my gig on my trusty PJ5. Fingerstyle nirvana
- Decide I need to slap.
- Have a Prince-style handler who throws me a J5 with rounds, just for that passage. We'd have to practice it a bunch and I'm not sure I could afford the room and board.