TI Flats vs the world...

I’m another Jazz Flat fan. I have them on all my basses and they continue to surprise me at how perfect they sound and feel. I know their high price may scare some people but if you consider how long they last, they’re actually a good deal. The low tension suits me and my playing style well. I can imagine their super low tension requiring some adjustments on some basses, but I had no problems with my Ric, my Warwicks or my G&Ls.
 
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I've read and listened to the praises sung about TI Jazz Flats for the whole time I've frequented online forums, maybe four years, now. The flats on my Ibanez Musician I'd put on there in the late 80's and I don't even remember what they are. I still liked their sound and I was content. I got interested in a slightly brighter sound when I started hanging recently with guys who play mostly jazz standards, who rarely have a drummer. I got the TIs, which are a little thinner, revisited the setup (raised the bridge saddles on E and A) and commenced to playing. The flex of the strings took only a little getting used to. It's now been 4-5 months of practicing, plucking/picking (no slapping), jamming and being critical. The result is pleasing enough to be a keeper.
 
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TI's are excellent strings, the reason is that there was a lot of r&d involved in making TI's and a lot of thought went into them.
They tried different gauges to find the gauges that gave the most balanced tone, a silk inlay is placed around the core to filter off colour harmonics and the flexible feel of the strings is achieved by placing a synthetic fibre between the windings during winding so they do not touch, this fibre is then removed later which leaves extra space between windings, I suspect this flexibility also gives the strings their brighter tone than most flatwounds by allowing the strings to vibrate more fully rather than being dampened by a stiff tightly wound wrap.
They also use a pure nickel wrap for the final wrap which is probably what gives them their strong mid prescence
 
I have TI's on all my basses, except one, which has Chromes.

They sound good with all sorts of different pickups. All my basses are fretless, and I don't use a pick.

I have a little different take on how they sound. I think they sound very articulate. Every note is clear and concise. Other strings I have tried are not as focused.

Are they thumpy, not really.

Cheers
 
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Okay, I need everyone's help. I don't have the time to try every string under the sun. I am playing too much right now. I have been using Dunlop Flatwounds for almost 2 years I think. I loved them, but the QC is horrible. A couple of dead E strings, balance on the G string off and tinny, and 2 strings from 2 different packs that broke when tuned to pitch and plucked.

I know you might be thinking it's the bass or it's me, you might be right, but I can't take that risk with my schedule right now.

I am looking for a thumpy string with good grit, nice low-end growl. And grindy when I dig in with a pick and distortion. (mostly prefer flatwounds) The TI flats almost sound perfect, but I have avoided them due to worry about pick playing since they are so loose, but I have tried so many strings lately that don't feel right. I am currently giving pressurewounds a try and don't hate them, but is it even worth my time to try TI Flats?
Yes I have Jazz Flats on my P for years and it has never sounded better.
 
Okay, I need everyone's help. I don't have the time to try every string under the sun. I am playing too much right now. I have been using Dunlop Flatwounds for almost 2 years I think. I loved them, but the QC is horrible. A couple of dead E strings, balance on the G string off and tinny, and 2 strings from 2 different packs that broke when tuned to pitch and plucked.

I know you might be thinking it's the bass or it's me, you might be right, but I can't take that risk with my schedule right now.

I am looking for a thumpy string with good grit, nice low-end growl. And grindy when I dig in with a pick and distortion. (mostly prefer flatwounds) The TI flats almost sound perfect, but I have avoided them due to worry about pick playing since they are so loose, but I have tried so many strings lately that don't feel right. I am currently giving pressurewounds a try and don't hate them, but is it even worth my time to try TI Flats?
Fender 9050's sound like the right prescription.
 
Okay, I need everyone's help. I don't have the time to try every string under the sun. I am playing too much right now. I have been using Dunlop Flatwounds for almost 2 years I think. I loved them, but the QC is horrible. A couple of dead E strings, balance on the G string off and tinny, and 2 strings from 2 different packs that broke when tuned to pitch and plucked.

I know you might be thinking it's the bass or it's me, you might be right, but I can't take that risk with my schedule right now.

I am looking for a thumpy string with good grit, nice low-end growl. And grindy when I dig in with a pick and distortion. (mostly prefer flatwounds) The TI flats almost sound perfect, but I have avoided them due to worry about pick playing since they are so loose, but I have tried so many strings lately that don't feel right. I am currently giving pressurewounds a try and don't hate them, but is it even worth my time to try TI Flats?

If you like flats and want a quality set definitely check out TI and Labella. I have both sets on different basses and they are both awesome. TI's have a little less tension and thump but both are great whether used with fingers or a pick.
 
I've played TI flats off and on for years and never found that I had to adjust either my action or playing style when using them compared to other strings I have played recently, including the pressurewounds you mentioned. But, YMMV; if you pluck hard you may not like them.

What is it about the pressurewounds that you don't like? They'll definitely give you more grit and growl than the TI's. Tension between the two will be roughly the same.
 
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I adopted TIs as I was focused on changing my approach from
"aggressive" -which really meant being lazy and not thinking how hard/soft I was playing
to "pluck lightly and let the amp do the work" which benefited my sound

Once I lightened my touch and allowed myself to have dynamic control
I was able to get "smooth and silky" or "thumpy" or "gritty and aggressive" sounds out of them
by varying my plucking strength / location

[edit]: of course you wont' get as "thumpy" as labella deep talking flats , nor as "gritty" as some real rounds -but for me , I got "thumpy" /"gritty" to my satisfaction.

TLDR: TI Jazz flats respond extremely well to a thoughtfully controlled technique
 
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