Double Bass Tempera Hybrid Strings

Can anyone talk a little bit about the amplification of the hybrids? What has been your experience so far, what mic/pickup has worked for you? I recently heard someone using the Hybrids with Ehrlund pickups, amazing. Any other ideas?
Don't worry, I don't want to start the long and endless discussion about amplification in general. I just have the impression that these strings work a bit differently than others, and maybe it's appropriate to rethink the mic/pickup for them as well.
 
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these strings (Temp Hybrids) amplify better then any string I have played. I have been using the Yamahiko and they sound brilliant. Also with the EAP also with a mic mixed in (only thru FOH so far but THAT was killin')
The big open sound mutes REALLY well so that percussive notes and ghosts sound perfect, the upper notes sing. Totally even playing tension so no hard transition (either sonic-ly or feel) if you are playing low strings up high. Amplified they sit in the mix just right. On my bass more immediate sound and tone then the Perps I love or Weichs (which are stiffer in the lower strings and dont sing out as much)
I also tried using a Stat B and an Ishell contact mic, honestly it is just an embarrassment of riches...I have not used one of the Realist pickups though.
 
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i'm late to this thread, but i'm using tempera hybrids as well. for months now.

after reading Bozo Paradzik's words on string tension, it just seemed logical. he is a huge supporter of low tension, but specifically genssler strings.

I even spoke directly with BP about this. it all makes a lot of sense.

my personal feelings are that: metal (heavy tension, no matter the type of string) strings themselves are louder. but, low tension strings allow the instrument to be louder. you get more sound by allowing the instrument to speak. that's just the impression i've gotten, though it's logical, this is just a musicians feelings and not a scientific conclusion.

I play a lot of orchestral music during the day for my teaching job. pretty much 7am-3pm i'm bowing more or less that whole time.

but my real background is playing jazz, so i've always needed real hybrid strings.

these strings have zero compromises.

After i had them for a while, i went back to evahs, then spiros. i was absolutely stunned at how bad my bass sounded, with the stings i previously considered the best choice. What was previously a top-choice with a great result now seems choked, unnatural, bland, with less projection.

the jazz sound is warm, full sustain, and as complex as anything. the arco sound i'd describe the same. even from low to high, and even reduced my previously troublesome wolf tone to a non-issue.

i firmly believe these strings and others like them are the way of the future. I think metal (and heavy-tension synthetic) strings are just a fad for bass players that'll be gone within my lifetime.

they are well worth the money for me. i've had zero complaints, and many good things to say.
 
That's a nice small bass, what is it?
Congrats for the great tune and playing!

that's a contrabassetto. invention by the late luthier Andrea Spada.

There are threads dedicated to Andrea, and i definitely encourage anyone interested to read about the instruments and the inventor - all of his instruments, not just the contrabassetto.

He was a really amazing person. I really hope someone can copy the forms of his instruments and keep the tradition alive.
 
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that's a contrabassetto. invention by the late luthier Andrea Spada.

There are threads dedicated to Andrea, and i definitely encourage anyone interested to read about the instruments and the inventor - all of his instruments, not just the contrabassetto.

He was a really amazing person. I really hope someone can copy the forms of his instruments and keep the tradition alive.

i have a small Bassetto from Andrea for sale, if anyone is interested?
It’s a really cool instrument!
 
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Andrea was a great bassist, friend, inventor, builder and luthier. I cant believe he is gone. The Contrabassetto has found it's strings; amazing how great they sound on this small bass and how big it sounds with them. Andrea made the bass with Weichs in mind i think, but he would be the first to acknowledge how great his instrument sounds.
 
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i'm late to this thread, but i'm using tempera hybrids as well. for months now.

after reading Bozo Paradzik's words on string tension, it just seemed logical. he is a huge supporter of low tension, but specifically genssler strings.

I even spoke directly with BP about this. it all makes a lot of sense.

my personal feelings are that: metal (heavy tension, no matter the type of string) strings themselves are louder. but, low tension strings allow the instrument to be louder. you get more sound by allowing the instrument to speak. that's just the impression i've gotten, though it's logical, this is just a musicians feelings and not a scientific conclusion.

I play a lot of orchestral music during the day for my teaching job. pretty much 7am-3pm i'm bowing more or less that whole time.

but my real background is playing jazz, so i've always needed real hybrid strings.

these strings have zero compromises.

After i had them for a while, i went back to evahs, then spiros. i was absolutely stunned at how bad my bass sounded, with the stings i previously considered the best choice. What was previously a top-choice with a great result now seems choked, unnatural, bland, with less projection.

the jazz sound is warm, full sustain, and as complex as anything. the arco sound i'd describe the same. even from low to high, and even reduced my previously troublesome wolf tone to a non-issue.

i firmly believe these strings and others like them are the way of the future. I think metal (and heavy-tension synthetic) strings are just a fad for bass players that'll be gone within my lifetime.

they are well worth the money for me. i've had zero complaints, and many good things to say.
I thought after I got my set that what they said in the instructions(heavy tailpiece, no adjusters) meant that I wouldn't be getting the optimum use out of them and so haven't installed them yet. The bass I decided to use them on has a very light tailpiece and adjusters. Is your setup like they suggested or more like mine? Does it seem to make a difference?
 
Yeah man send me the info too. (Hope you are well my man K) I kinda lived thru that bass being made (wow it took forever) and I would be interested potentially. It's a five string Yes? and could be strung non 5ths?
 
I think this is going a bit off-topic here.

@groooooove I really like how you describe it and I have a very similar experience!

The hybrid seems to be released now officially and Tempera is running a sale. Already reserved a set :hyper:
 
I think this is going a bit off-topic here.

@groooooove I really like how you describe it and I have a very similar experience!

The hybrid seems to be released now officially and Tempera is running a sale. Already reserved a set :hyper:

glad my words were helpful!

I thought after I got my set that what they said in the instructions(heavy tailpiece, no adjusters) meant that I wouldn't be getting the optimum use out of them and so haven't installed them yet. The bass I decided to use them on has a very light tailpiece and adjusters. Is your setup like they suggested or more like mine? Does it seem to make a difference?

It's hard to say, my tailpiece was made along with my bass. the original one was a bit short/light, and we went with a harder wood and longer design to help with eliminating the wolf tone when the bass was new. I know my current tailpiece is a stiffer wood, and i suspect on the med-heavy side. would be hard to say without weighing them.

for sure, the optimal setup is ideal... but i think the strings themselves are so great that using them any way is going to be an improvement over other strings.

that being said, lots of people try them and say they "aren't for them." I think those people are nuts, but hey... it is what it is. I'm a firm believer.