Phil Jones Bass Owners' Club

Used this setup last night for a jazz gig! Sound so good!!
BG 450 with Ns Design Wav 4
 

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I have a BP-200 head with 2x CAB-27 cabinets and a shiny new 5-string Sterling bass. I play only at home at this time.

The cabs sound great with my 4-string basses, but the low B string is muddy and the notes are more difficult to distinguish from B to E on this new instrument. Some of that may be the original Ernie Ball strings on it, but could some of it also be the amp or speakers? The equalizer is set flat right now. The cabs, per PJB, are rated to 30 Hz but there was a discussion about that a while back and that rating is apparently not completely useable and honest.

Any suggestions on what the first steps should be to add some sound clarity and where I should spend some money to improve it?

Thanks.
 
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High Pass Filter (HPF) pedal. Sounds backwards, but it filters out the lower frequencies to let the "higher" frequencies through and should improve definition. There are many available, with different "slopes" (e.g. 6/12/24 dB/Octave), but you want to be able to adjust the frequency where the "Slope" starts.

(Edited to add) Our own @fdeck produces one that gets much love on TB.
 
I have a BP-200 head with 2x CAB-27 cabinets and a shiny new 5-string Sterling bass. I play only at home at this time.

The cabs sound great with my 4-string basses, but the low B string is muddy and the notes are more difficult to distinguish from B to E on this new instrument. Some of that may be the original Ernie Ball strings on it, but could some of it also be the amp or speakers? The equalizer is set flat right now. The cabs, per PJB, are rated to 30 Hz but there was a discussion about that a while back and that rating is apparently not completely useable and honest.

Any suggestions on what the first steps should be to add some sound clarity and where I should spend some money to improve it?

Thanks.
That does help me with prospective rigs, as I was considering one just like yours.
I'm surprised the BP-200 doesn't have a built-in HPF set to 30Hz or higher.
I haven't seen any frequency plots for the amp, just if I were a modern amp designer, I put one in every amp I built as it helps to avoid exactly your situation, as well as making it harder to destroy drivers with crazy EQ settings.
 
Picked up a C8 and D600 to go with my current gig/recording arsenal of BG400, PF50T, and C4. I was surprised at how differently voiced the D600 was from the BG400 and BP200 - which is kind of disappointing because it's so hard to find a 2-input, 2-channel amp these days. I may acquiesce back to my AI Clarus+ or go for a BP800. But very happy with the C8, will eventually pick up another!

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Picked up a C8 and D600 to go with my current gig/recording arsenal of BG400, PF50T, and C4. I was surprised at how differently voiced the D600 was from the BG400 and BP200 - which is kind of disappointing

try moving the EQ knobs. the 5-band EQ takes some time to get used to, but it's very powerful. the old pre might be 'flatter' on noon than the 3-band you own, but that doesn't mean, you cannot get it to sound the same.

try boosting the hi-bass and lo-treble first, then adjust lo-bass and hi-treble, then tweak mid to taste. it's a very powerful EQ, you should be able to get a useful sound.
 
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High Pass Filter (HPF) pedal. Sounds backwards, but it filters out the lower frequencies to let the "higher" frequencies through and should improve definition. There are many available, with different "slopes" (e.g. 6/12/24 dB/Octave), but you want to be able to adjust the frequency where the "Slope" starts.

(Edited to add) Our own @fdeck produces one that gets much love on TB.
I have one of his for sale in the classifieds, just sayin…
 
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